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Danielle Bradbery calls her second album I Don't Believe We've Met for a reason: the country singer doesn't believe she's had a proper introduction on record. She released an eponymous debut in 2013, not long after she took home the crown on the fourth season of The Voice, and while it was a hit, it was certainly the product of the Music City machine -- straight-ahead mainstream country that didn't dare take risks. That's not the case with I Don't Believe We've Met. Bradbery makes sure her sophomore album fits into the fluid musical landscape of 2017, adding in hefty doses of electronics, shades of soul, and the occasional retro flashback (best heard on the lead single, "Sway"). All of these accouterments suit a set of songs that alternate between affirmations, inspirations, and confessions. Bradbery dispenses with any old-fashioned notions of country, preferring to sing about the messiness of modern life, which can include such inconveniences as sipping red wine on a white couch. Occasionally, her words can be a little too on the nose -- "I'm in love with your potential" seems like a dismissal -- but the lyrical ambition is nearly as admirable as the shifting, multidimensional pop on I Don't Believe We've Met.
© Stephen Thomas Erlewine /TiVo
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Jeff Pardo, ComposerLyricist - CHRIS ROWE, Editor, StudioPersonnel - Andrew Mendelson, Mastering Engineer, StudioPersonnel - Molly Reed, ComposerLyricist - Jim Cooley, Mixer, Asst. Recording Engineer, StudioPersonnel - Jordan Reynolds, Background Vocalist, AssociatedPerformer - Danielle Bradbery, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Kam Luchterhand, Recording Engineer, StudioPersonnel - Emily Weisband, Producer, Additional Producer, Background Vocalist, AssociatedPerformer - Josh Kerr, Producer, Background Vocalist, AssociatedPerformer - Laurel Kittleson, Production Coordinator, StudioPersonnel - Brianna Steinitz, Production Coordinator, StudioPersonnel - Hannah Ellis, Background Vocalist, AssociatedPerformer - Jacob Durrett, Editor, StudioPersonnel - Janice Soled, Production Coordinator, StudioPersonnel - Jordan Minton, Background Vocalist, AssociatedPerformer - Nick Wayne, Background Vocalist, AssociatedPerformer
℗ 2018 Big Machine Label Group, LLC
CHRIS ROWE, Editor, StudioPersonnel - Andrew Mendelson, Mastering Engineer, StudioPersonnel - Sean Moffitt, Mixer, StudioPersonnel - Jim Cooley, Asst. Recording Engineer, StudioPersonnel - Danielle Bradbery, Vocals, MainArtist, AssociatedPerformer - Kam Luchterhand, Recording Engineer, StudioPersonnel - Emily Weisband, Producer, Additional Producer, Background Vocalist, AssociatedPerformer, ComposerLyricist - Josh Kerr, Producer, ComposerLyricist - Laurel Kittleson, Production Coordinator, StudioPersonnel - Brianna Steinitz, Production Coordinator, StudioPersonnel - Jacob Durrett, Editor, StudioPersonnel - Janice Soled, Production Coordinator, StudioPersonnel
℗ 2018 Big Machine Label Group, LLC
CHRIS ROWE, Editor, StudioPersonnel - Andrew Mendelson, Mastering Engineer, StudioPersonnel - Ryan Gore, Recording Engineer, StudioPersonnel - Jim Cooley, Mixer, StudioPersonnel - Danielle Bradbery, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Kam Luchterhand, Asst. Recording Engineer, StudioPersonnel - Jake Scott, Editor, StudioPersonnel - Emily Weisband, Producer, Additional Producer, Background Vocalist, AssociatedPerformer, ComposerLyricist - Johan Lindbrandt, ComposerLyricist - Josh Kerr, Producer - Laurel Kittleson, Production Coordinator, StudioPersonnel - Brianna Steinitz, Production Coordinator, StudioPersonnel - Janice Soled, Production Coordinator, StudioPersonnel
℗ 2018 Big Machine Label Group, LLC
Albumbeschreibung
Danielle Bradbery calls her second album I Don't Believe We've Met for a reason: the country singer doesn't believe she's had a proper introduction on record. She released an eponymous debut in 2013, not long after she took home the crown on the fourth season of The Voice, and while it was a hit, it was certainly the product of the Music City machine -- straight-ahead mainstream country that didn't dare take risks. That's not the case with I Don't Believe We've Met. Bradbery makes sure her sophomore album fits into the fluid musical landscape of 2017, adding in hefty doses of electronics, shades of soul, and the occasional retro flashback (best heard on the lead single, "Sway"). All of these accouterments suit a set of songs that alternate between affirmations, inspirations, and confessions. Bradbery dispenses with any old-fashioned notions of country, preferring to sing about the messiness of modern life, which can include such inconveniences as sipping red wine on a white couch. Occasionally, her words can be a little too on the nose -- "I'm in love with your potential" seems like a dismissal -- but the lyrical ambition is nearly as admirable as the shifting, multidimensional pop on I Don't Believe We've Met.
© Stephen Thomas Erlewine /TiVo
Informationen zu dem Album
- 1 Disc(s) - 3 Track(s)
- Gesamte Laufzeit: 00:09:41
- Künstler: Danielle Bradbery
- Komponist: Various Composers
- Label: BMLG Records
- Genre: Blues/Country/Folk Country
© 2018 Big Machine Label Group, LLC ℗ 2018 Big Machine Label Group, LLC
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