Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Making sure that country-blues starts the 21st century off on the right foot, Guy Davis' Butt Naked Free, whose title was inspired by the comments of Davis' young son, is one of the most accomplished statements the genre has offered in a few years. Picking up where 1998's You Don't Know My Mind left off, Davis once again has decided to fill out his sound, but this time adding touches of mandolin, organ and accordion, with the results being altogether more satisfying and never sounding even slightly overproduced. Where Davis on his previous album sounded, at times, unsure of his new direction, Butt Naked Free rocks with a loose liveliness, still allowing Davis' derivative yet idiosyncratic sound to shine through. "Waiting on the Cards to Fall" and "Never Met No Woman Treats Me Like You Do," the latter with Levon Helm contributing drums and mandolin, showcase how well Davis' sound fills out and offers the unique experience of hearing what it might have sounded like if Mance Lipscomb or Reverend Gary Davis had ever recorded with full-band accompaniment. Ballads like "Let Me Stay a While" and the narrative "Sugar Belle Blue" are some of the strongest Davis has written and, if anything, benefit considerably from the more filled out sound. Of course, Davis still delivers more than a few of his stripped-down solo country-blues tunes with the humorous "High Flying Rocket," the mean slide playing on "Come On Sally Hitch a Ride," and the gorgeous instrumental "The Place Where I'm From (Butt Naked Free)." More than anything, Butt Naked Free shows that Guy Davis is still more than happy to carry the banner of country-blues, yet remains able to add to the dialogue of the genre and put his own stamp on it in the process.
© Matt Fink /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Guy Davis, MainArtist
2000 Red House Records 2000 Red House Records
Guy Davis, MainArtist
2000 Red House Records 2000 Red House Records
Guy Davis, MainArtist
2000 Red House Records 2000 Red House Records
Guy Davis, MainArtist
2000 Red House Records 2000 Red House Records
Guy Davis, MainArtist
2000 Red House Records 2000 Red House Records
Guy Davis, MainArtist
2000 Red House Records 2000 Red House Records
Guy Davis, MainArtist
2000 Red House Records 2000 Red House Records
Guy Davis, MainArtist
2000 Red House Records 2000 Red House Records
Guy Davis, MainArtist
2000 Red House Records 2000 Red House Records
Guy Davis, MainArtist
2000 Red House Records 2000 Red House Records
Guy Davis, MainArtist
2000 Red House Records 2000 Red House Records
Guy Davis, MainArtist
2000 Red House Records 2000 Red House Records
Guy Davis, MainArtist
2000 Red House Records 2000 Red House Records
Guy Davis, MainArtist
2000 Red House Records 2000 Red House Records
Albumbeschreibung
Making sure that country-blues starts the 21st century off on the right foot, Guy Davis' Butt Naked Free, whose title was inspired by the comments of Davis' young son, is one of the most accomplished statements the genre has offered in a few years. Picking up where 1998's You Don't Know My Mind left off, Davis once again has decided to fill out his sound, but this time adding touches of mandolin, organ and accordion, with the results being altogether more satisfying and never sounding even slightly overproduced. Where Davis on his previous album sounded, at times, unsure of his new direction, Butt Naked Free rocks with a loose liveliness, still allowing Davis' derivative yet idiosyncratic sound to shine through. "Waiting on the Cards to Fall" and "Never Met No Woman Treats Me Like You Do," the latter with Levon Helm contributing drums and mandolin, showcase how well Davis' sound fills out and offers the unique experience of hearing what it might have sounded like if Mance Lipscomb or Reverend Gary Davis had ever recorded with full-band accompaniment. Ballads like "Let Me Stay a While" and the narrative "Sugar Belle Blue" are some of the strongest Davis has written and, if anything, benefit considerably from the more filled out sound. Of course, Davis still delivers more than a few of his stripped-down solo country-blues tunes with the humorous "High Flying Rocket," the mean slide playing on "Come On Sally Hitch a Ride," and the gorgeous instrumental "The Place Where I'm From (Butt Naked Free)." More than anything, Butt Naked Free shows that Guy Davis is still more than happy to carry the banner of country-blues, yet remains able to add to the dialogue of the genre and put his own stamp on it in the process.
© Matt Fink /TiVo
Informationen zu dem Album
- 1 Disc(s) - 14 Track(s)
- Gesamte Laufzeit: 00:43:28
- Künstler: Guy Davis
- Label: Red House Records
- Genre: Blues/Country/Folk Blues
2000 Red House Records 2000 Red House Records
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.