Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Singer Shemekia Copeland must have been pleased with the way 2009's Never Going Back turned out because she returns to the well and again employs the services of the Wood Brothers' Oliver Wood as producer/guitarist, and some of the same backing musicians, on this follow-up released three years later. As on the last disc, there is a decided shift away from the sassy blues belter style that powered her Alligator catalog (the disc is dedicated to Koko Taylor, an obvious role model) to a still rootsy but more reserved rock/gospel/R&B groove. She addresses serious socio-political topics of violence against women in the Robert Cray-styled "Ain't Gonna Be Your Tattoo" (which includes a fiery guest solo from Buddy Guy), phony religious demagoguery on the rollicking and very Stonesy "Somebody Else's Jesus," and the depressing economic climate circa 2012 on the opening "Lemon Pie." These tracks were co-written with Copeland's longtime manager John Hahn and guitarist/producer Wood, who seem to make a good songwriting team. Her covers of Bob Dylan (a stripped-down, swamped-up, "I'll Be Your Baby Tonight"), Sam Cooke (a percussively peppy "Ain't that Good News") and JJ Grey's churchy "A Woman" (with a wild, nearly unhinged pedal steel solo from Charlie Starr) are terrific rearrangements of these tunes, and she sings them with passion and conviction. Wood taps his Atlanta-based side project Burnt Bacon for frontman Jon Liebman (ex-Sean Costello) who blows sizzling electrified harp on the deep Chicago vibe of "I Sing the Blues," the album's bluesiest and toughest performance. As usual, Copeland covers one of her dad Johnny's compositions; this time it's the jazzy soul of "One More Time." The singer was only 33 1/3 years old at the time of this album's 2012 release which, along with her love of vinyl, accounts for its title. Still, she sounds older and wiser than her chronological years would dictate, as she energizes these terrific songs with guts, power, and a restraint powered by experience and natural talent.
© Hal Horowitz /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - John Hahn, ComposerLyricist - Oliver Wood, Producer, ComposerLyricist
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - Randy Weeks, ComposerLyricist - Oliver Wood, Producer
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - John Hahn, ComposerLyricist - Oliver Wood, Producer, ComposerLyricist
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - John Hahn, ComposerLyricist - Oliver Wood, Producer, ComposerLyricist
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - Oliver Wood, Producer - J.J. Grey, ComposerLyricist
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - Oliver Wood, Producer - Earl Bridgeman, ComposerLyricist - Philip Wooten, ComposerLyricist
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - John Hahn, ComposerLyricist - Oliver Wood, Producer, ComposerLyricist
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - Johnny Copeland, ComposerLyricist - Oliver Wood, Producer
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - Sam Cooke, ComposerLyricist - Oliver Wood, Producer
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - Chris Long, ComposerLyricist - Oliver Wood, Producer, ComposerLyricist
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - Bob Dylan, ComposerLyricist - Oliver Wood, Producer
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Albumbeschreibung
Singer Shemekia Copeland must have been pleased with the way 2009's Never Going Back turned out because she returns to the well and again employs the services of the Wood Brothers' Oliver Wood as producer/guitarist, and some of the same backing musicians, on this follow-up released three years later. As on the last disc, there is a decided shift away from the sassy blues belter style that powered her Alligator catalog (the disc is dedicated to Koko Taylor, an obvious role model) to a still rootsy but more reserved rock/gospel/R&B groove. She addresses serious socio-political topics of violence against women in the Robert Cray-styled "Ain't Gonna Be Your Tattoo" (which includes a fiery guest solo from Buddy Guy), phony religious demagoguery on the rollicking and very Stonesy "Somebody Else's Jesus," and the depressing economic climate circa 2012 on the opening "Lemon Pie." These tracks were co-written with Copeland's longtime manager John Hahn and guitarist/producer Wood, who seem to make a good songwriting team. Her covers of Bob Dylan (a stripped-down, swamped-up, "I'll Be Your Baby Tonight"), Sam Cooke (a percussively peppy "Ain't that Good News") and JJ Grey's churchy "A Woman" (with a wild, nearly unhinged pedal steel solo from Charlie Starr) are terrific rearrangements of these tunes, and she sings them with passion and conviction. Wood taps his Atlanta-based side project Burnt Bacon for frontman Jon Liebman (ex-Sean Costello) who blows sizzling electrified harp on the deep Chicago vibe of "I Sing the Blues," the album's bluesiest and toughest performance. As usual, Copeland covers one of her dad Johnny's compositions; this time it's the jazzy soul of "One More Time." The singer was only 33 1/3 years old at the time of this album's 2012 release which, along with her love of vinyl, accounts for its title. Still, she sounds older and wiser than her chronological years would dictate, as she energizes these terrific songs with guts, power, and a restraint powered by experience and natural talent.
© Hal Horowitz /TiVo
Informationen zu dem Album
- 1 Disc(s) - 11 Track(s)
- Gesamte Laufzeit: 00:44:52
- Künstler: Shemekia Copeland
- Komponist: Various Composers
- Label: Telarc
- Genre: Blues/Country/Folk Blues
© 2012 Telarc International, a division of Concord Music Group, Inc. ℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.