Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
By 1971, the Art Ensemble of Chicago had become true denizens of the city of Paris and its environ. Regularly playing and recording, they were able to delve deeply into their Great Black Music aesthetic and explore not only the boundaries of free jazz, but also the intricate demands of African folk forms in improvisation. Dynamic, long a part of the AEC's M.O., had become a dominant methodology for the group, as had textural interplay, and nowhere are these more evident than on Phase One. Issued in 1971 on the French America Records imprint, this set has been reissued over a dozen times on LP and CD. Texture and dynamic are elegantly employed as a way of bringing the music from the quintet gradually, allowing it to unfold itself inside the framework of a composition as it does on the uncharacteristically hard swinging "Ohnedaruth." A long, slow spacious saxophone intro winds in the melodic themes before the three horns jump out and start the true head before it gives way to soloing and free improvisation. On "Lebert Aaly," (dedicated to the late Albert Ayler) a sparse, utterly gentle introduction gives way to utterly beguiling harmonic interplay between Lester Bowie, Roscoe Mitchell and Joseph Jarman. Malachi Favors' bowed bass offers the root to which all the players return and embark from as the band moves off into very free directions, all the while retaining an elemental sense of melodic engagement. Don Moye enters in earnest at about nine-minutes in and the entire proceeding takes on an even slower, random feel before the percussion disappears and the tonal inquiry reappears. It's gorgeous. This is one of the least well-known recordings by the AEC, but it is also one of their most enduring and a true high mark from their Paris period.
© Thom Jurek /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Art Ensemble of Chicago, MainArtist - Joseph Jarman, Interprète Instrumental, AssociatedPerformer, ComposerLyricist - Lester Bowie, Interprète Instrumental, AssociatedPerformer - Malachi Favors, Interprète Instrumental, AssociatedPerformer - Roscoe Mitchell, Interprète Instrumental, AssociatedPerformer - Don Moye Famoudou, Interprète Instrumental, AssociatedPerformer
℗ 1971 Decca Records France
Art Ensemble of Chicago, MainArtist - Joseph Jarman, Interprète Instrumental, AssociatedPerformer, ComposerLyricist - Lester Bowie, Interprète Instrumental, AssociatedPerformer, ComposerLyricist - Malachi Favors, Interprète Instrumental, AssociatedPerformer, ComposerLyricist - Roscoe Mitchell, Interprète Instrumental, AssociatedPerformer, ComposerLyricist - Don Moye Famoudou, Interprète Instrumental, AssociatedPerformer
℗ 1971 Decca Records France
Chronique
By 1971, the Art Ensemble of Chicago had become true denizens of the city of Paris and its environ. Regularly playing and recording, they were able to delve deeply into their Great Black Music aesthetic and explore not only the boundaries of free jazz, but also the intricate demands of African folk forms in improvisation. Dynamic, long a part of the AEC's M.O., had become a dominant methodology for the group, as had textural interplay, and nowhere are these more evident than on Phase One. Issued in 1971 on the French America Records imprint, this set has been reissued over a dozen times on LP and CD. Texture and dynamic are elegantly employed as a way of bringing the music from the quintet gradually, allowing it to unfold itself inside the framework of a composition as it does on the uncharacteristically hard swinging "Ohnedaruth." A long, slow spacious saxophone intro winds in the melodic themes before the three horns jump out and start the true head before it gives way to soloing and free improvisation. On "Lebert Aaly," (dedicated to the late Albert Ayler) a sparse, utterly gentle introduction gives way to utterly beguiling harmonic interplay between Lester Bowie, Roscoe Mitchell and Joseph Jarman. Malachi Favors' bowed bass offers the root to which all the players return and embark from as the band moves off into very free directions, all the while retaining an elemental sense of melodic engagement. Don Moye enters in earnest at about nine-minutes in and the entire proceeding takes on an even slower, random feel before the percussion disappears and the tonal inquiry reappears. It's gorgeous. This is one of the least well-known recordings by the AEC, but it is also one of their most enduring and a true high mark from their Paris period.
© Thom Jurek /TiVo
À propos
- 1 disque(s) - 2 piste(s)
- Durée totale : 00:42:22
- Artistes principaux : Art Ensemble Of Chicago
- Compositeur : Various Composers
- Label : Universal Music Division Decca Records France
- Genre : Jazz
© 2004 Decca Records France ℗ 2004 Decca Records France
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.