Ray Brown
The huge and comfortable sound of Ray Brown's bass was a welcome feature on bop-oriented sessions for over a half-century. He played locally in his native Pittsburgh in his early days.
Arriving in New York in 1945, on his first day in town Brown met and played with Dizzy Gillespie, Charlie Parker, and Bud Powell. He was hired by Gillespie for his small groups and his big band; "One Bass Hit" and "Two Bass Hit" were early features, and he can be seen with Dizzy Gillespie in the 1947 film Jiving in Bebop. Although not a soloist on the level of an Oscar Pettiford, Brown's quick reflexes and ability to accompany soloists in a swinging fashion put him near the top of his field. After playing with Jazz at the Philharmonic, he married Ella Fitzgerald (their marriage only lasted during 1948-1952), and for a time led his own trio to back the singer. Brown recorded with an early version of the Modern Jazz Quartet (under Milt Jackson's leadership), and then became a permanent member of the Oscar Peterson Trio (1951-1966).
With Peterson, the bassist traveled the world, guested with other top jazz artists, was featured on JATP tours, became famous, and recorded constantly. He began playing cello in the late '50s, and used it on a few of his own dates. After leaving Peterson, Brown settled in Los Angeles, worked in the studios, continued recording jazz, and worked as a manager of several artists (including the Modern Jazz Quartet and Quincy Jones). He played with the L.A. Four starting in 1974, did a great deal to revive the careers of Ernestine Anderson and Gene Harris, and recorded extensively for Pablo and Concord. The Ray Brown Trio featured pianists Gene Harris, Benny Green, and Geoff Keezer, along with drummers Jeff Hamilton and Greg Hutchison, and recorded for Concord and Telarc. He continued touring up until his death, dying in his sleep while napping before a show in Indianapolis on July 2, 2002. His last batch of sessions, working as a trio with pianist Monty Alexander and guitarist Russell Malone, were released that fall.
© Scott Yanow /TiVo
Ähnliche Künstler
-
-
The Essential Ray Brown Collection (Remastered)
Jazz - Erschienen bei Carter Lane - OMiP am 11.11.2012
16-Bit CD Quality 44.1 kHz - Stereo -
Ailfionn 2: Never Forgetti
Punk – New Wave - Erschienen bei Ray Brown am 18.08.2018
16-Bit CD Quality 44.1 kHz - Stereo -
-
Hank Jones - The Selection
Hank Jones, Ray Brown, Johnny Smith
Jazz - Erschienen bei Vintage Jukebox am 15.06.2020
16-Bit CD Quality 44.1 kHz - Stereo -
-
Alone Together
Jazz - Erschienen bei Black & Partner Licenses LLC am 23.05.2019
16-Bit CD Quality 44.1 kHz - Stereo -
The Very Best of
Jazz - Erschienen bei Classic Music International am 08.03.2010
16-Bit CD Quality 44.1 kHz - Stereo -
NON SI CORRE
Electronic - Erschienen bei Ray Brown am 13.07.2023
16-Bit CD Quality 44.1 kHz - Stereo -
-
-
Open Stage
Jazz - Erschienen bei open reeez regarde am 24.03.2016
16-Bit CD Quality 44.1 kHz - Stereo -
It Don't Mean A Thing If You Can't Tap Your Foot To It
Milt Jackson, Ray Brown, Cedar Walton, Mickey Roker
Jazz - Erschienen bei Original Jazz Classics am 01.01.1984
16-Bit CD Quality 44.1 kHz - Stereo -
Quadrant
Joe Pass, Milt Jackson, Ray Brown, Mickey Roker
Jazz - Erschienen bei Original Jazz Classics am 02.02.1977
16-Bit CD Quality 44.1 kHz - Stereo -
Words Are Magic (Learn to Use Words to Change Your Life)
Hörbücher - Erschienen bei Ray Brown am 01.03.2021
16-Bit CD Quality 44.1 kHz - Stereo -
-
-
Ray Brown - The Jazz Legends
Rock - Erschienen bei Golden Arrow am 06.11.2015
16-Bit CD Quality 44.1 kHz - Stereo -
Beautiful City
New Age - Erschienen bei Papyrus Records am 12.11.2014
16-Bit CD Quality 44.1 kHz - Stereo -
A Prairie Windstorm
Jazz - Erschienen bei prairie windstorm am 06.02.2023
16-Bit CD Quality 44.1 kHz - Stereo -
The Deluxe Collection: Ray Brown (Remastered)
Jazz - Erschienen bei Carter Lane - OMiP am 08.12.2013
16-Bit CD Quality 44.1 kHz - Stereo