Paul Hindemith
Hindemith was a theorist, teacher, violist, conductor, and composer who is regarded by many as the foremost German composer of his generation, a central figure in music between the First and Second World Wars. His style combined neo-classicism with modern harmonic conventions and some jazz elements. Hindemith's works include opera, ballet, orchestral, choral, and chamber music. As a younger man, Hindemith idealized Gebrauchmusik, an aesthetic of use over beauty. Yet his best-known works, particularly the opera Mathis der Maler, are appreciated for their warmth; rich, even opulent orchestral colors and gestures; a unique multi-rhythmic sense; and flowing, rapid polyphony.
Born outside of Frankfurt, Hindemith moved with his family to the city in 1902. It was here, in 1904, that Hindemith began taking violin lessons. By 1908, he became a student of Adolf Rebner, a teacher at the Hoch Conservatory in Frankfurt, who arranged for Hindemith to be awarded a free place at the conservatory the following year. Although he had long been composing, Hindemith began to study composition formally in addition to continuing his study of the violin. However, he was forced to leave the conservatory in 1917 when he was called up for military service. He spent most of his service as a member of a regimental band stationed about three kilometers from the front line. After returning from the war, Hindemith again took to the concert stage with the Rebner Quartet, having switched to viola in 1919, but he began thinking of himself primarily as a composer. In this period, his music evolved from late-Romantic-era Expressionism meant for a specific purpose, occasion, or reason to a new style of absolute and objective music. In 1923, he was invited to join the administrative committee of the Donaueschingen Festival, a group over which he exerted an ever-increasing amount of control, programming works of such composers as Schoenberg and Webern. The next year, he married Gertrud Rottenberg, the daughter of the conductor of the Frankfurt Opera Orchestra, an ensemble in which Hindemith had been playing. His series of eight works entitled Kammermusik was composed during these years. In 1927, he received an appointment as professor of composition at the Hochschule für Musik in Berlin. In addition to maintaining an active performing career, Hindemith soon developed a strong interest in teaching and even took on an evening class at the Volksmusikschule NeuKolln. Early in 1934, the Nazi party began a campaign to discredit Hindemith, which culminated in a boycott of the composer's works announced by the Kulturgemeinde in November of that year. In January 1935, Hindemith was given a six-month leave from the Hochschule. However, as the boycott of his music was not endorsed by the music division of the Nazi party until 1937, he was allowed not only to return to teaching, but also to undertake a series of concert tours abroad, to have his music published, and to enter into an agreement with the government of Turkey to build an organized musical life in that country. Also in 1935, Hindemith completed his most famous opera, Mathis der Maler, which he had begun in 1933. Given the political circumstances, it was not premiered until 1938, in Zurich, after Hindemith had left Germany for Switzerland. He then moved to the U.S. in 1940. After a series of lecture and teaching engagements that had been arranged by friends, he took a position at Yale, teaching composition and, from 1945 to 1953, conducting the Collegium Musicum. Hindemith became an American citizen in 1946. In 1951, he accepted a position at the University of Zurich and, after retiring from Yale in 1953, took up permanent residence in Switzerland. Hindemith had been composing sonatas for every orchestral instrument over the entire course of his career. The last one he completed was the Tuba Sonata, which dates from 1955, the same year he retired from his post in Zurich. After that, he became more active as a conductor. In November 1963, he was taken ill and transferred to a hospital in Frankfurt, where he died of acute pancreatitis.
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Bliss: Colour Symphony / Hindemith: Symphony, "Mathis Der Maler" (Bliss, Hindemith) (1955)
London Symphony Orchestra, Berliner Philharmoniker, Arthur Bliss, Paul Hindemith
Klassik - Erschienen bei Naxos Classical Archives am 01.06.2007
16-Bit CD Quality 44.1 kHz - Stereo -
Hindemith - Beethoven - Brahms
Alessio Pianelli, Mario Montore
Kammermusik - Erschienen bei Almendra Music am 14.10.2016
16-Bit CD Quality 44.1 kHz - Stereo -
Hindemith: Symphonie Mathis der Maler
Paul Hindemith, Berliner Philharmoniker
Klassik - Erschienen bei Classically am 11.04.2024
24-Bit 44.1 kHz - Stereo -
Hindemith: Symphonische Tänze
Paul Hindemith, Berliner Philharmoniker
Klassik - Erschienen bei Classically am 11.04.2024
24-Bit 44.1 kHz - Stereo -
Hindemith: Concerto for Orchestra, Op. 38
Paul Hindemith, Berliner Philharmoniker
Klassik - Erschienen bei Classically am 18.12.2023
16-Bit CD Quality 44.1 kHz - Stereo -
Hindemith: Violin Concerto
David Oïstrakh, Paul Hindemith, London Symphony Orchestra
Klassik - Erschienen bei Classically am 14.01.2024
24-Bit 96.0 kHz - Stereo -
The World's Greatest Symphonies, Vol. 7
Klassik - Erschienen bei Documents 2 am 25.11.2016
16-Bit CD Quality 44.1 kHz - Stereo -
Noblissime Visione Mass for mixed choir a capella
Klassik - Erschienen bei Digital Music Group, Inc. am 10.02.2006
16-Bit CD Quality 44.1 kHz - Stereo -
Tribute to Paul Hindemith II: Ludus Tonalis & Second String Trio (Recorded Stockholm, 1947 & Berlin, 1933) (Robert Riefling)
Robert Riefling, Szymon Goldberg, Paul Hindemith, Emanuel Feuermann
Klassik - Erschienen bei Jube Classic am 03.09.2013
16-Bit CD Quality 44.1 kHz - Stereo -
Hindemith: Symphonische Tanze
Berliner Philharmoniker, Paul Hindemith
Klassik - Erschienen bei Naxos Classical Archives am 01.03.2013
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Milestones of a Violin Legend, Vol. 6
Szymon Goldberg, Lili Kraus, Paul Hindemith, Emanuel Feuermann
Klassik - Erschienen bei Intense Media GmbH am 22.10.2021
16-Bit CD Quality 44.1 kHz - Stereo -
Hindemith: Symphonie Mathis Der Maler
Paul Hindemith, Berliner Philharmoniker
Klassik - Erschienen bei Ancien Prodige am 14.01.2024
24-Bit 44.1 kHz - Stereo -
Hindemith: Die Harmonie Der Welt - Amor and Psyché
Paul Hindemith, Berliner Philharmoniker
Klassik - Erschienen bei Ancien Prodige am 15.02.2024
16-Bit CD Quality 44.1 kHz - Stereo -
Hindemith: Violin Concerto
David Oïstrakh, Paul Hindemith, London Symphony Orchestra
Klassik - Erschienen bei Ancien Prodige am 14.01.2024
24-Bit 96.0 kHz - Stereo -
Hindemith: Konzertmusik für Klavier, Blechbläser und Harfen, op. 49
Monique Haas, Paul Hindemith, Berliner Philharmoniker
Klassik - Erschienen bei Ancien Prodige am 18.04.2023
16-Bit CD Quality 44.1 kHz - Stereo -
Milestones of a Cello Legend: The Best of the Best - Emanuel Feuermann, Vol. 6
Emanuel Feuermann, Myra Hess, Paul Hindemith, Szymon Goldberg
Kammermusik - Erschienen bei Intense Media GmbH am 07.06.2019
16-Bit CD Quality 44.1 kHz - Stereo -
Sandig: Wir bauen eine Stadt
Kinder - Erschienen bei SINETONE AMR am 26.07.2011
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Hindemith: Symphonic Metamorphoses on Themes by Carl Maria Von Weber
Paul Hindemith, Berliner Philharmoniker
Klassik - Erschienen bei Ancien Prodige am 26.01.2024
16-Bit CD Quality 44.1 kHz - Stereo -
Hindemith: Symphonische Tänze
Paul Hindemith, Berliner Philharmoniker
Klassik - Erschienen bei Ancien Prodige am 11.04.2024
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Hindemith: Concerto for Orchestra, Op. 38
Paul Hindemith, Berliner Philharmoniker
Klassik - Erschienen bei Ancien Prodige am 18.12.2023
16-Bit CD Quality 44.1 kHz - Stereo -
Concerto per organo e orchestra (1962) (1/3)
Pop - Erschienen bei JB Production CH am 02.08.2023
16-Bit CD Quality 44.1 kHz - Stereo