Johnathan Rice
When he was 16, singer/songwriter Johnathan Rice opened his mouth and let out a weathered, rustic sound that caught him by surprise. Like many teenagers obsessed with music, Rice just wanted to see what his voice sounded like when imitating his heroes, who included the likes of Joni Mitchell, the Band, Neil Young, and Bob Dylan. As consequence would have it, Rice decided to make his songwriting hobby a serious affair and returned to his native Virginia, having spent most of his life growing up in Glasgow. He graduated from high school in May 2001 and soon befriended Washington, D.C. resident Chris Keup of Grantham Dispatch. He also informed his parents that he wasn't going to college like the rest of his peers, and that he planned to go to New York City to land a recording contract. His parents had mixed feelings, but allowed their son one year to chase his vision.
Three months later, Keup's indie label issued Rice's debut EP, Heart and Mind. While balancing various day jobs as a waiter, a telemarketer, and a dog walker, Rice played shows on the Lower East Side. He soaked up the city's influence and maintained a steady schedule of writing songs, but it wasn't glamorous, and by spring 2002 Rice had played enough shows to get him a bus ticket home. He mentally readied himself for college life while heading back to Virginia, but as luck would have it, he got a call soon thereafter from Warner Bros./Reprise, who were impressed with Heart and Mind and wanted to sign Rice. A little skeptical of taking a second chance on his music-making dream, Rice eventually signed with Reprise -- also home to his heroes like Young, Mitchell, and Lou Reed -- and moved back to New York.
Over the next two years, Rice struggled with collecting a solid batch of songs that would appease him personally, as well as the label. The Tin Can Love EP was independently issued during this time. In fall 2003, he and producer/engineer Mike Mogis holed themselves up at Presto! in Lincoln, Nebraska, to begin work on Rice's proper debut; 15 demo tracks resulted in Trouble Is Real, but Rice put that on hold to release Extended Player 24:26 in spring 2004. Trouble Is Real was finally issued in spring 2005. Rice's third studio effort, Further North, followed in 2007, and he produced Jenny Lewis' second solo album, Acid Tongue, one year later. The two then decided to launch their own musical duo, Jenny & Johnny, whose debut album appeared in 2010. Rice's third long-player, Good Graces, was issued in October, 2013.
© MacKenzie Wilson /TiVo
Diskografie
21 Album, -en • Geordnet nach Bestseller
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Trouble Is Real (U.S. Release)
Alternativ und Indie - Erschienen bei Reprise am 26.04.2005
16-Bit CD Quality 44.1 kHz - Stereo -
We Won't Be Lonely This Christmas
Johnathan Rice, Courtney Marie Andrews
Rock - Erschienen bei Mano Walker Recordings am 14.12.2018
24-Bit 44.1 kHz - Stereo -
Further North
Alternativ und Indie - Erschienen bei Reprise am 10.09.2007
16-Bit CD Quality 44.1 kHz - Stereo -
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A Girl Called Miami EP (DMD Maxi)
Alternativ und Indie - Erschienen bei Reprise am 08.05.2007
16-Bit CD Quality 44.1 kHz - Stereo -
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Blood Of God (Internet Single) (Live Version)
Pop - Erschienen bei Reprise am 16.12.2003
16-Bit CD Quality 44.1 kHz - Stereo -
Kiss Me Goodbye (Remix)
Alternativ und Indie - Erschienen bei Reprise am 22.02.2005
16-Bit CD Quality 44.1 kHz - Stereo -
LIVE [at the Echo - July 20th, 2007]
Folk - Erschienen bei Spaceland Recordings am 27.07.2007
16-Bit CD Quality 44.1 kHz - Stereo -
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Behind The Frontlines
Rock - Erschienen bei One Little Independent Records am 06.06.2005
16-Bit CD Quality 44.1 kHz - Stereo -
Kiss Me Goodbye
Alternativ und Indie - Erschienen bei One Little Independent Records am 22.02.2005
16-Bit CD Quality 44.1 kHz - Stereo -
Trouble Is Real
Rock - Erschienen bei One Little Independent Records am 26.04.2005
16-Bit CD Quality 44.1 kHz - Stereo -
Trouble Is Real - Part 1 (DMD Maxi)
Alternativ und Indie - Erschienen bei Reprise am 17.02.2004
16-Bit CD Quality 44.1 kHz - Stereo -
True Love Gone Bust (Internet Single) (Live Version)
Pop - Erschienen bei Warner Records am 12.08.2003
16-Bit CD Quality 44.1 kHz - Stereo -
Lady Memphis (Internet Single) (Live Version)
Pop - Erschienen bei Warner Records am 14.10.2003
16-Bit CD Quality 44.1 kHz - Stereo -
The Acrobat (Internet Single) (Live Version)
Pop - Erschienen bei Reprise am 11.11.2003
16-Bit CD Quality 44.1 kHz - Stereo -
My Mother's Son (Live Version)
Pop - Erschienen bei Warner Records am 13.01.2004
16-Bit CD Quality 44.1 kHz - Stereo