Joe Henderson
Joe Henderson is proof that jazz can sell without watering down the music; it just takes creative marketing. Although his sound and style were virtually unchanged from the mid-'60s, Joe Henderson's signing with Verve in 1992 was treated as a major news event by the label (even though he had already recorded many memorable sessions for other companies). His Verve recordings had easy-to-market themes (tributes to Billy Strayhorn, Miles Davis, and Antonio Carlos Jobim) and, as a result, he became a national celebrity and a constant poll winner while still sounding the same as when he was in obscurity in the 1970s.
The general feeling is that it couldn't have happened to a more deserving jazz musician. After studying at Kentucky State College and Wayne State University, Joe Henderson played locally in Detroit before spending time in the military (1960-1962). He played briefly with Jack McDuff and then gained recognition for his work with Kenny Dorham (1962-1963), a veteran bop trumpeter who championed him and helped Henderson get signed to Blue Note. Henderson appeared on many Blue Note sessions both as a leader and as a sideman, spent 1964-1966 with Horace Silver's Quintet, and during 1969-1970 was in Herbie Hancock's band. From the start, he had a very distinctive sound and style which, although influenced a bit by both Sonny Rollins and John Coltrane, also contained a lot of brand new phrases and ideas. Henderson had long been able to improvise in both inside and outside settings, from hard bop to freeform. In the 1970s, he recorded frequently for Milestone and lived in San Francisco, but was somewhat taken for granted. The second half of the 1980s found him continuing his freelancing and teaching while recording for Blue Note, but it was when he hooked up with Verve that he suddenly became famous. Virtually all of his recordings are currently in print on CD, including a massive collection of his neglected (but generally rewarding) Milestone dates. On June 30, 2001, Joe Henderson passed away due to heart failure after a long battle with emphysema.
© Scott Yanow /TiVo
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Canyon Lady
Jazz - Erschienen bei Original Jazz Classics am 01.10.1973
16-Bit CD Quality 44.1 kHz - Stereo -
Live In Montreux
Chick Corea, Joe Henderson, Roy Haynes, Gary Peacock
Pop - Erschienen bei Stretch Records am 01.01.1981
16-Bit CD Quality 44.1 kHz - Stereo -
Relaxin' At Camarillo
Jazz - Erschienen bei Original Jazz Classics am 01.01.1980
16-Bit CD Quality 44.1 kHz - Stereo -
Quiet Now: Lovesome Things
Jazz - Erschienen bei Verve am 01.01.1999
16-Bit CD Quality 44.1 kHz - Stereo -
In Pursuit Of Blackness/Black Is The Color
Jazz - Erschienen bei Milestone am 01.01.1999
16-Bit CD Quality 44.1 kHz - Stereo -
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The Best Of Kenny Dorham - The Blue Note Years
Jazz - Erschienen bei Blue Note Records am 01.01.1964
16-Bit CD Quality 44.1 kHz - Stereo -
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The Best Of Joe Henderson
Jazz - Erschienen bei Blue Note Records am 18.03.1991
16-Bit CD Quality 44.1 kHz - Stereo -
Milestone Profiles
Jazz - Erschienen bei Concord Records am 01.01.2006
16-Bit CD Quality 44.1 kHz - Stereo -
Barcelona
Jazz - Erschienen bei Yellowbird Records am 01.01.1977
16-Bit CD Quality 44.1 kHz - Stereo -
Jazz Patterns
Bebop - Erschienen bei Archive of Folk & Jazz Music am 20.11.1983
24-Bit 96.0 kHz - Stereo -
Lexicon
Renee Rosnes, Lewis Nash, Todd Coolman
Jazz - Erschienen bei Double-Time Records am 06.02.2007
16-Bit CD Quality 44.1 kHz - Stereo -
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Tenor Tribute - Vol.2
Joe Henderson, Arnett Cobb, Jimmy Heath
Jazz - Erschienen bei Soul Note am 30.04.1988
16-Bit CD Quality 44.1 kHz - Stereo -
Joe Henderson: Birth Of A Genius
Jazz - Erschienen bei Blue Velvet am 06.05.2019
16-Bit CD Quality 44.1 kHz - Stereo -
Mirror, Mirror (96 kHz)
Joe Henderson, Billy Higgins, Ron Carter, Chick Corea
Jazz - Erschienen bei MPS am 10.08.1993
24-Bit 96.0 kHz - Stereo -
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The Elements
Jazz - Erschienen bei Milestone am 01.01.1974
Pitchfork: Best New Reissue16-Bit CD Quality 44.1 kHz - Stereo