Enrico Caruso
The most famous operatic tenor of all time, Enrico Caruso (né Errico Caruso) was born on February 25, 1873 (not on February 27, as given in many reference books). He was the third child of his relatively poor parents -- not the 18th, as is often repeated in popular myth. He began serious vocal studies with Guglielmo Vergine in 1891 and later studied with Vincenzo Lombardi. In 1895, he made his debut in L'amico Francesco by Domenico Morelli. That fall in Cairo, he sang Cavalleria rusticana, La Traviata, Lucia di Lammermoor, La Gioconda, and Manon Lescaut, all in less than four weeks.
His international fame began when he sang Loris in the premiere of Giordano's Fedora in 1898. In the following seasons, he sang at St. Petersburg, Moscow, Buenos Aires, Milan, Monte Carlo, and London. Arturo Toscanini conducted his Teatro alla Scala debut when he sang Rodolfo in La bohème. Nellie Melba was his partner at his London debut in Rigoletto.
After making his very successful debut at the Metropolitan Opera as the Duke in Rigoletto, Caruso made the United States his primary operatic home. He spent the major part of each year singing there and usually had the honor of singing opening nights. He also took part in the annual Metropolitan Opera tour of the U.S., and in 1906 was caught in the great San Francisco earthquake right after his performance in Carmen. It was at the Metropolitan Opera that he sang the premiere of Puccini's La fanciulla del West.
As he aged, Caruso began to take on heavier roles including Samson, Eleazar in La Juive, and Vasco in L'africaine. After the tour each season, Caruso would travel to South America and/or Europe to sing and vacation. He never sang in his native city of Naples after 1902 because of a particularly nasty reception to his performances of Massenet's Manon. In 1920, he underwent several operations for pleurisy, but his health continued to decline afterwards. He returned to his native Naples, where he died in 1921.
Caruso's voice had a warmth, and an almost baritonal quality, which was different from the bright, ringing sound favored by most of the colleagues. The voice was extremely beautiful and he had an excellent feeling for the shape of a phrase. His sound recorded very well which helped to make his recordings among the most popular of his time; many of these selections have been available in one format or another since they were first issued. He was for many years the best selling classical performer in America.
Known as a generous colleague as well a great practical joker on stage, Caruso was welcome everywhere. He was a firm believer in good food, good wine, and a good cigar. However, whenever a friend was in a difficult situation, he was the first to offer help. One evening in Philadelphia when a colleague playing Colline became hoarse during a performance of La bohème, Caruso sang the bass aria for him to save the performance. During World War I, he sang in many benefit concerts to raise money for the war effort. To this day Caruso is imprinted in the imagination as the archetypal operatic tenor.
© TiVo
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Récital No. 1 (Mono Version)
Verschiedenes - Erschienen bei BNF Collection am 01.01.1953
24-Bit 96.0 kHz - Stereo -
CARUSO, Enrico: Complete Recordings, Vol. 11 (1918-1919)
Klassik - Erschienen bei Naxos am 01.01.2004
16-Bit CD Quality 44.1 kHz - Stereo -
Immortel Caruso (Mono Version)
Enrico Caruso, RCA Victor Symphony Orchestra
Verschiedenes - Erschienen bei BNF Collection am 01.01.1957
24-Bit 96.0 kHz - Stereo -
Napulitana No.9
Enrico Caruso, Beniamino Gigli, Giuseppe Di Stefano
Lateinamerika - Erschienen bei Recording Arts am 15.01.2014
16-Bit CD Quality 44.1 kHz - Stereo -
The Prima Voce Treasury of Opera, Vol. 1
Enrico Caruso, Tito Schipa, Rosa Ponselle
Oper - Erschienen bei Nimbus Records am 01.01.2000
16-Bit CD Quality 44.1 kHz - Stereo -
Enrico Caruso: Electrical Re-Creations (Arthur Sullivan - Adelaide Proctor - Nicola Minato)
Klassik - Erschienen bei Archiphon am 01.10.2011
16-Bit CD Quality 44.1 kHz - Stereo -
The Gramophone Classics, Vol. 1
Oper - Erschienen bei Uni-folk am 24.10.2011
16-Bit CD Quality 44.1 kHz - Stereo -
Enrico Caruso
Symphonieorchester - Erschienen bei Bella Musica Edition am 01.01.1991
16-Bit CD Quality 44.1 kHz - Stereo -
Caruso in Opera, Vol. 1
Oper - Erschienen bei Prima Voce am 01.01.1989
16-Bit CD Quality 44.1 kHz - Stereo -
CARUSO, Enrico: Complete Recordings, Vol. 8 (1913-1914)
Klassik - Erschienen bei Naxos am 14.02.2002
16-Bit CD Quality 44.1 kHz - Stereo -
Gold Italian Collection (Premium-Riserva)
Pop - Erschienen bei Goodwind Records am 28.09.2022
16-Bit CD Quality 44.1 kHz - Stereo -
The Victor Recordings
Kammermusik - Erschienen bei Biddulph Recordings am 01.12.1990
16-Bit CD Quality 44.1 kHz - Stereo -
O Soave Fanciulla (New York, Recordings of 1907 & 1908)
Klassik - Erschienen bei Casta Diva am 31.08.2021
16-Bit CD Quality 44.1 kHz - Stereo -
The Legendary Caruso
Klassik - Erschienen bei Warner Classics am 01.02.1999
16-Bit CD Quality 44.1 kHz - Stereo -
The Prima Voce Treasury of Opera, Vol. 2
Enrico Caruso, Tito Schipa, Rosa Ponselle
Oper - Erschienen bei Nimbus Records am 01.01.2000
16-Bit CD Quality 44.1 kHz - Stereo -
CARUSO, Enrico: Complete Recordings, Vol. 3 (1906-1908)
Klassik - Erschienen bei Naxos am 01.01.2000
16-Bit CD Quality 44.1 kHz - Stereo -
The Voice of Enrico Caruso, Recordings 1904-1920
Klassik - Erschienen bei Classical Moments am 26.05.2010
16-Bit CD Quality 44.1 kHz - Stereo -
CARUSO, Enrico: Complete Recordings, Vol. 10 (1916-1917)
Klassik - Erschienen bei Naxos am 01.10.2003
16-Bit CD Quality 44.1 kHz - Stereo -
Core 'ngrato - I più grandi successi - I grandi tenori
Pop - Erschienen bei Canaria am 05.03.2010
16-Bit CD Quality 44.1 kHz - Stereo -
Great Italian Tenors
Beniamino Gigli, Enrico Caruso, Tito Schipa
Pop - Erschienen bei Foggy Milan Records am 16.09.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Highlights from "Faust" And French Opera
Enrico Caruso, Geraldine Farrar, Marcel Journet
Oper - Erschienen bei Prima Voce am 01.01.1994
16-Bit CD Quality 44.1 kHz - Stereo