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Ian Hunter|Welcome to the Club  (Live)

Welcome to the Club (Live)

Ian Hunter

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One of the key double live albums of the late '70s, at a time when the very idea of such things had been ground into disrepute by so many mass-marketed clinkers, Welcome to the Club: Live captures Ian Hunter and lieutenant Mick Ronson back on the road together for the first time in four years, and firing on more cylinders than most bands could even dream of activating. The backing group behind them is solid if a little full of itself -- live footage shot at the same Cleveland show where this was taped reveals a stageful of face-pulling hairies, strutting their stuff like the greatest superstars on earth -- while the superstars themselves are retiring enough to be almost unnoticeable. Still they captivate, however -- Hunter with his unflappable menace, Ronson with his unquenchable cool, and the three sides of vinyl that capture the music echo that calm, at the same time as serving up a set that can't sit still. Opening with a ferocious guitar duel through the oldie "FBI," and roaring past selections from Hunter's latest You're Never Alone with a Schizophrenic (including a positively tumultuous "Bastard"), the band tracks back through the best of his three previous solo sets, then shakes the Mott the Hoople songbook too. The ballads "Irene Wilde" and "I Wish I Was Your Mother" are outstanding, while a so-slow drift into "All the Young Dudes" restates all that song's power to evoke wired emotion. And there's a closing outstanding "Slaughter on 10th Avenue" that sends the audience home like a funeral cortege. But the magic doesn't end there. The concert over, four "new" songs include one more live cut, the marvelously maudlin "Sons and Daughters" plus three studio tracks that, had they only been held over for Hunter's next album, might have saved us all a lot of heartache. The low-key "Silver Needles" and the pounding "Man O'War" highlight the wild extremes of Hunter's best work, while "We Gotta Get Outta This Place" is a churning duet with Ellen Foley that includes one of the best boy- and girlfriend battles ever committed to wax. The line about staying home to watch the Muhammad Ali/Marlene Dietrich fight will keep you intrigued for weeks. The U.K. CD reissue appends three further live tracks, including a great "One of the Boys," plus a studio-made "live medley" previously available only on a British B-side.
© Dave Thompson /TiVo

Weitere Informationen

Welcome to the Club (Live)

Ian Hunter

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1
F.B.I. (Live)
00:03:52

Bruce Welch, Composer - Harris, Composer - Hank Marvin, Composer - Ian Hunter, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

2
Once Bitten Twice Shy (Live)
00:05:25

Ian Hunter, Composer, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

3
Angeline (Live)
00:04:56

Ian Hunter, Composer, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

4
Laugh at Me (Live)
00:03:40

SONNY BONO, Composer - Ian Hunter, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

5
All the Way from Memphis (Live)
00:03:33

Ian Hunter, Composer, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

6
I Wish I Was Your Mother (Live)
00:06:33

Ian Hunter, Composer, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

7
Irene Wilde (Live)
00:04:13

Ian Hunter, Composer, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

8
Just Another Night (Live)
00:05:40

Mick Ronson, Composer - Ian Hunter, Composer, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

9
Cleveland Rocks (Live)
00:06:00

Ian Hunter, Composer, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

10
Standin' in My Light (Live)
00:05:48

Ian Hunter, Composer, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

11
Bastard (Live) Explicit
00:08:13

Ian Hunter, Composer, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

DISC 2

1
Walking with a Mountain / Rock n' Roll Queen (Live)
00:04:17

Mick Ralphs, Composer - Ian Hunter, Composer, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

2
All the Young Dudes (Live)
00:03:29

David Bowie, Composer - Ian Hunter, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

3
Slaughter on Tenth Avenue (Live)
00:02:25

Richard Rodgers, Composer - Ian Hunter, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

4
One of the Boys (Live)
00:07:21

Mick Ralphs, Composer - Ian Hunter, Composer, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

5
The Golden Age of Rock and Roll (Live)
00:04:04

Ian Hunter, Composer, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

6
When the Daylight Comes (Live)
00:09:00

Ian Hunter, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

7
Once Bitten Twice Shy / Bastard / Cleveland Rocks (Live) Explicit
00:06:10

Ian Hunter, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

8
We Gotta Get out of Here (Live)
00:03:14

Ian Hunter, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

9
Silver Needles (Live)
00:05:54

Ian Hunter, Composer, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

10
Man O' War (Live)
00:04:17

Ian Hunter, Composer, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

11
Sons and Daughters (Live)
00:05:04

Ian Hunter, MainArtist

2016 Chrysalis Records Limited 1980 Chrysalis Records Limited

Albumbeschreibung

One of the key double live albums of the late '70s, at a time when the very idea of such things had been ground into disrepute by so many mass-marketed clinkers, Welcome to the Club: Live captures Ian Hunter and lieutenant Mick Ronson back on the road together for the first time in four years, and firing on more cylinders than most bands could even dream of activating. The backing group behind them is solid if a little full of itself -- live footage shot at the same Cleveland show where this was taped reveals a stageful of face-pulling hairies, strutting their stuff like the greatest superstars on earth -- while the superstars themselves are retiring enough to be almost unnoticeable. Still they captivate, however -- Hunter with his unflappable menace, Ronson with his unquenchable cool, and the three sides of vinyl that capture the music echo that calm, at the same time as serving up a set that can't sit still. Opening with a ferocious guitar duel through the oldie "FBI," and roaring past selections from Hunter's latest You're Never Alone with a Schizophrenic (including a positively tumultuous "Bastard"), the band tracks back through the best of his three previous solo sets, then shakes the Mott the Hoople songbook too. The ballads "Irene Wilde" and "I Wish I Was Your Mother" are outstanding, while a so-slow drift into "All the Young Dudes" restates all that song's power to evoke wired emotion. And there's a closing outstanding "Slaughter on 10th Avenue" that sends the audience home like a funeral cortege. But the magic doesn't end there. The concert over, four "new" songs include one more live cut, the marvelously maudlin "Sons and Daughters" plus three studio tracks that, had they only been held over for Hunter's next album, might have saved us all a lot of heartache. The low-key "Silver Needles" and the pounding "Man O'War" highlight the wild extremes of Hunter's best work, while "We Gotta Get Outta This Place" is a churning duet with Ellen Foley that includes one of the best boy- and girlfriend battles ever committed to wax. The line about staying home to watch the Muhammad Ali/Marlene Dietrich fight will keep you intrigued for weeks. The U.K. CD reissue appends three further live tracks, including a great "One of the Boys," plus a studio-made "live medley" previously available only on a British B-side.
© Dave Thompson /TiVo

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