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Days Of The New|The Definitive Collection

The Definitive Collection

Days Of The New

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For a brief period in the late '90s, Days of the New ruled the airwaves with their mix of post-grunge attitude and swampy acoustics, sounding for all the world like Alice in Chains circa Unplugged. "The Down Town," "Shelf in the Room," and "Touch, Peel and Stand" all propelled the group's self-titled debut to platinum status, where it shared the spotlight alongside Creed's My Own Prison and, one year later, Fuel's Sunburn. The original lineup dissolved on tour, however, leaving Travis Meeks to recruit new members for both Days of the New II and Days of the New III, neither of which could match the first album's success. The group went on hiatus in 2002 and re-formed several years later, opting to whet its audience's appetite for a promised fourth album with this retrospective, The Definitive Collection. While all the charting singles are present, it's hard to imagine anyone viewing this as an essential album, since most fans already own the three studio efforts that precede it. If anything, The Definitive Collection highlights how inconsistent (or wildly eclectic, if you're a fanatic) the band has been since 1997. The murky grunge songs that open the disc give way to the orchestrated tunes of Days of the New II, eventually coming to a puzzling close with the quasi-prog experiments that Meeks tackled on his third album. Those itching for their '90s nostalgia fix should seek out the band's debut instead.

© Andrew Leahey /TiVo

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The Definitive Collection

Days Of The New

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1
Shelf In The Room
00:04:43

Days Of The New, MainArtist - SCOTT LITT, Producer - Bill Klatt, Producer, Engineer, StudioPersonnel - Travis Meeks, Producer, Additional Producer, ComposerLyricist

℗ 1997 Outpost Recordings

2
Touch, Peel And Stand
00:04:56

Days Of The New, MainArtist - SCOTT LITT, Producer - Bill Klatt, Producer, Engineer, Co-Producer, StudioPersonnel - Travis Meeks, Producer, Additional Producer, ComposerLyricist

℗ 1997 Outpost Recordings

3
The Down Town
00:04:14

Days Of The New, MainArtist - SCOTT LITT, Producer - Bill Klatt, Producer, Engineer, StudioPersonnel - Travis Meeks, Producer, Additional Producer, ComposerLyricist

℗ 1997 Outpost Recordings

4
What's Left For Me?
00:05:26

Days Of The New, MainArtist - SCOTT LITT, Producer - Bill Klatt, Producer, Engineer, Co-Producer, StudioPersonnel - Travis Meeks, Producer, Additional Producer, ComposerLyricist

℗ 1997 Outpost Recordings

5
Freak
00:05:23

Days Of The New, MainArtist - SCOTT LITT, Producer - Bill Klatt, Producer, Engineer, Co-Producer, StudioPersonnel - Travis Meeks, Producer, Additional Producer, ComposerLyricist

℗ 1997 Outpost Recordings

6
Where I Stand
00:05:38

Days Of The New, MainArtist - SCOTT LITT, Producer - Bill Klatt, Producer, Engineer, Co-Producer, StudioPersonnel - Travis Meeks, Producer, Additional Producer, ComposerLyricist

℗ 1997 Outpost Recordings

7
Flight Response
00:05:54

Days Of The New, MainArtist - Suzie Katayama, Conductor, Recording Arranger, AssociatedPerformer - Todd Smith, Producer, Engineer, Co-Producer, StudioPersonnel - SCOTT LITT, Mixer, StudioPersonnel - Travis Meeks, Producer, Mixer, StudioPersonnel, ComposerLyricist

℗ 1999 Outpost Recordings

8
The Real
00:04:19

Days Of The New, MainArtist - Suzie Katayama, Recording Arranger, Participant, AssociatedPerformer - Todd Smith, Producer, Engineer, Co-Producer, StudioPersonnel - SCOTT LITT, Mixer, StudioPersonnel - Todd Whitener, ComposerLyricist - Travis Meeks, Producer, Mixer, StudioPersonnel, ComposerLyricist

℗ 1999 Outpost Recordings

9
Enemy
00:05:11

Days Of The New, MainArtist - Suzie Katayama, Conductor, Recording Arranger, AssociatedPerformer - Todd Smith, Producer, Mixer, Engineer, Co-Producer, StudioPersonnel - SCOTT LITT, Mixer, StudioPersonnel - Travis Meeks, Producer, Mixer, StudioPersonnel, ComposerLyricist

℗ 1999 Outpost Recordings

10
Weapon & The Wound
00:05:44

Days Of The New, MainArtist - Suzie Katayama, Conductor, Recording Arranger, AssociatedPerformer - Todd Smith, Producer, Engineer, Co-Producer, StudioPersonnel - SCOTT LITT, Mixer, StudioPersonnel - Travis Meeks, Producer, Mixer, StudioPersonnel, ComposerLyricist

℗ 1999 Outpost Recordings

11
Take Me Back Then
00:04:16

Days Of The New, MainArtist - Suzie Katayama, Recording Arranger, Participant, AssociatedPerformer - Todd Smith, Producer, Engineer, Co-Producer, StudioPersonnel - SCOTT LITT, Mixer, StudioPersonnel - Travis Meeks, Producer, Mixer, StudioPersonnel, ComposerLyricist

℗ 1999 Outpost Recordings

12
Hang On To This
00:04:12

Days Of The New, MainArtist - Ron Aniello, Producer, Keyboards, AssociatedPerformer - Bill Klatt, Producer - Jesse Vest, Bass Guitar, AssociatedPerformer - Travis Meeks, Producer, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Ray Rizzo, Drums, Percussion, AssociatedPerformer

℗ 2001 Outpost Recordings

13
Die Born
00:03:56

Days Of The New, MainArtist - Travis Meeks, ComposerLyricist

℗ 2001 Outpost Recordings

14
Dirty Road
00:04:41

Days Of The New, MainArtist - Travis Meeks, ComposerLyricist

℗ 2001 Outpost Recordings

15
Giving In
00:05:44

Days Of The New, MainArtist - Travis Meeks, ComposerLyricist

℗ 2001 Outpost Recordings

Albumbeschreibung

For a brief period in the late '90s, Days of the New ruled the airwaves with their mix of post-grunge attitude and swampy acoustics, sounding for all the world like Alice in Chains circa Unplugged. "The Down Town," "Shelf in the Room," and "Touch, Peel and Stand" all propelled the group's self-titled debut to platinum status, where it shared the spotlight alongside Creed's My Own Prison and, one year later, Fuel's Sunburn. The original lineup dissolved on tour, however, leaving Travis Meeks to recruit new members for both Days of the New II and Days of the New III, neither of which could match the first album's success. The group went on hiatus in 2002 and re-formed several years later, opting to whet its audience's appetite for a promised fourth album with this retrospective, The Definitive Collection. While all the charting singles are present, it's hard to imagine anyone viewing this as an essential album, since most fans already own the three studio efforts that precede it. If anything, The Definitive Collection highlights how inconsistent (or wildly eclectic, if you're a fanatic) the band has been since 1997. The murky grunge songs that open the disc give way to the orchestrated tunes of Days of the New II, eventually coming to a puzzling close with the quasi-prog experiments that Meeks tackled on his third album. Those itching for their '90s nostalgia fix should seek out the band's debut instead.

© Andrew Leahey /TiVo

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