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Paul Brady|Say What You Feel

Say What You Feel

Paul Brady

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This time Paul Brady eschews the big-name writing collaborations, but still delivers a strong set of adult contemporary songs. He's a pleasing singer with a well-worn voice, and the acoustic arrangements give a relaxed feel to material like "Don't Try to Please Me" (which is improved by Danny Thompson's superb bass work). The problem, of course, is that Brady is known for his songs, not his performances, and others have given better interpretations of his work than he has; in part because there's a kind of anonymity in these interpretations -- pleasant as they are, they feel like skeletons needing flesh to really come alive -- it would be easy to imagine Van Morrison, for example, covering the title cut. It's impossible to really fault this album; Brady is a class writer. But somehow it never seems to completely come together satisfactorily.

© Chris Nickson /TiVo

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Say What You Feel

Paul Brady

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1
Smile
00:03:52

Paul Brady, MainArtist - Copyright Control, MusicPublisher - Brady Paul Joseph Gerald Mary, Composer, Lyricist - O Brian Dillon, Composer, Lyricist

2005 Peebee Music 2005 Peebee Music

2
Don't Try to Please Me
00:03:19

Sharon Vaughn, Composer, Lyricist - Paul Brady, Composer, Lyricist, MainArtist - Copyright Control, MusicPublisher

2005 Peebee Music 2005 Peebee Music

3
Love in a Bubble
00:03:06

Paul Brady, MainArtist - Copyright Control, MusicPublisher - JOHN KELLY, Composer, Lyricist - Brady Paul Joseph Gerald Mary, Composer, Lyricist

2005 Peebee Music 2005 Peebee Music

4
I Only Want You
00:03:52

Paul Brady, MainArtist - Copyright Control, MusicPublisher - Brady Paul Joseph Gerald Mary, Composer, Lyricist - Tim Clott, Composer, Lyricist

2005 Peebee Music 2005 Peebee Music

5
Living for the Corporation
00:04:07

Paul Brady, MainArtist - Copyright Control, MusicPublisher - JOHN KELLY, Composer, Lyricist - Brady Paul Joseph Gerald Mary, Composer, Lyricist

2005 Peebee Music 2005 Peebee Music

6
Say What You Feel
00:04:11

Paul Brady, MainArtist - Copyright Control, MusicPublisher - Brady Paul Joseph Gerald Mary, Composer, Lyricist

2005 Peebee Music 2005 Peebee Music

7
Locked up in Heaven
00:04:23

Paul Brady, MainArtist - Copyright Control, MusicPublisher - JOHN KELLY, Composer, Lyricist - Brady Paul Joseph Gerald Mary, Composer, Lyricist

2005 Peebee Music 2005 Peebee Music

8
Sail, Sail On
00:04:27

Sharon Vaughn, Composer, Lyricist - Paul Brady, MainArtist - Copyright Control, MusicPublisher - Brady Paul Joseph Gerald Mary, Composer, Lyricist

2005 Peebee Music 2005 Peebee Music

9
The You That's Really You
00:04:06

Sharon Vaughn, Composer, Lyricist - Paul Brady, MainArtist - Copyright Control, MusicPublisher - Brady Paul Joseph Gerald Mary, Composer, Lyricist

2005 Peebee Music 2005 Peebee Music

10
Doin' It in the Dark
00:04:29

Paul Brady, MainArtist - Copyright Control, MusicPublisher - JOHN KELLY, Composer, Lyricist - Brady Paul Joseph Gerald Mary, Composer, Lyricist

2005 Peebee Music 2005 Peebee Music

11
Beyond the Reach of Love
00:04:34

John Scott Sherrill, Composer, Lyricist - Paul Brady, MainArtist - Copyright Control, MusicPublisher - Brady Paul Joseph Gerald Mary, Composer, Lyricist

2005 Peebee Music 2005 Peebee Music

12
The Man I Used to Be
00:04:11

Paul Brady, MainArtist - Copyright Control, MusicPublisher - JOHN KELLY, Composer, Lyricist - Brady Paul Joseph Gerald Mary, Composer, Lyricist

2005 Peebee Music 2005 Peebee Music

Albumbeschreibung

This time Paul Brady eschews the big-name writing collaborations, but still delivers a strong set of adult contemporary songs. He's a pleasing singer with a well-worn voice, and the acoustic arrangements give a relaxed feel to material like "Don't Try to Please Me" (which is improved by Danny Thompson's superb bass work). The problem, of course, is that Brady is known for his songs, not his performances, and others have given better interpretations of his work than he has; in part because there's a kind of anonymity in these interpretations -- pleasant as they are, they feel like skeletons needing flesh to really come alive -- it would be easy to imagine Van Morrison, for example, covering the title cut. It's impossible to really fault this album; Brady is a class writer. But somehow it never seems to completely come together satisfactorily.

© Chris Nickson /TiVo

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