Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
On his third, and maybe most conceptually complete, album, Vic Chesnutt emerges as that rare kind of artist who can see right into the living room of small-town America. Drunk opens with one of Chesnutt's more overtly hook-oriented songs, the punchy "Sleeping Man," which also appears later in the album as a slightly twangier reprise, and is a fine commentary on the insatiable hunger for human spectacle that plagues American culture. "One of Many" is a bleak tale of murder and execution that finds Chesnutt truly at the top of his game lyrically and melodically. A fine example of Chesnutt's songcraft is the plaintive narrative "When I Ran Off and Left Her," which is indicative of his style in that its laid-back delivery masks a certain amount of tension and paranoia. A consistent theme on Drunk, as well as in Chesnutt's other work, is transition -- whether escaping or just moving -- to someplace else. Very few artists can communicate these kinds of themes as eloquently and as uniquely as Chesnutt, and Drunk is a fine example of how he can turn seemingly self-absorbed songs into something strangely universal. The distorted, guttural title cut and the bouncy "Super Tuesday" offer further proof of Chesnutt's impressive ability to evoke different moods. In the end, it is probably that ability which makes his genius the most readily apparent.
© Matt Fink /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher - Veal Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Dwarf Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Bug Music, Inc., MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Albumbeschreibung
On his third, and maybe most conceptually complete, album, Vic Chesnutt emerges as that rare kind of artist who can see right into the living room of small-town America. Drunk opens with one of Chesnutt's more overtly hook-oriented songs, the punchy "Sleeping Man," which also appears later in the album as a slightly twangier reprise, and is a fine commentary on the insatiable hunger for human spectacle that plagues American culture. "One of Many" is a bleak tale of murder and execution that finds Chesnutt truly at the top of his game lyrically and melodically. A fine example of Chesnutt's songcraft is the plaintive narrative "When I Ran Off and Left Her," which is indicative of his style in that its laid-back delivery masks a certain amount of tension and paranoia. A consistent theme on Drunk, as well as in Chesnutt's other work, is transition -- whether escaping or just moving -- to someplace else. Very few artists can communicate these kinds of themes as eloquently and as uniquely as Chesnutt, and Drunk is a fine example of how he can turn seemingly self-absorbed songs into something strangely universal. The distorted, guttural title cut and the bouncy "Super Tuesday" offer further proof of Chesnutt's impressive ability to evoke different moods. In the end, it is probably that ability which makes his genius the most readily apparent.
© Matt Fink /TiVo
Informationen zu dem Album
- 1 Disc(s) - 27 Track(s)
- Gesamte Laufzeit: 01:11:35
- Künstler: Vic Chesnutt
- Label: New West Records
- Genre: Pop/Rock Rock
2004 New West Records, LLC 2004 New West Records, LLC
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.