Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
The Baltic countries, just a couple of decades old in their current incarnations, have emerged as hotbeds of contemporary music, resting on a triad of experimentalism, community music-making, and a few big stars committed to the growth of a distinctive homegrown scene. Among the latter group, violinist Gidon Kremer has made consistently successful recordings, artistically and commercially, with his handpicked group of young Latvian musicians, Kremerata Baltica. Many of these have displayed Kremer's knack for combining contemporary music, tango, and established repertory in compelling thematic combinations. The booklet for De Profundis (in English only) contain only an explanation of the concept: the opening words of Psalm 130, "De profundis clamavi a te, Domine," "Out of the depths I cry to you, Lord," have a unique relevance in today's world of repression and exploitation; otherwise the music is left to speak for itself. Arvo Pärt's choral setting of this psalm is not included, and the only direct reference to the text comes in the romantic but eclectic De profundis by the young Lithuanian composer Raminta Serksnyté. The rest of the music is not directly supplicatory in tone, and for the most part has no direct religious references. But the entire program holds together beautifully, with a somber, questing mood expressed in a variety of musical languages. Romantic-minimalist music like Michael Nyman's Trysting Fields is set against formal structures like one of Schumann's Six Fugues on the name B.A.C.H., Op. 60, with the two poles meeting in Pärt's Passacaglia (track 2). There are edgy dark reflections on Russian culture: an adagio from Shostakovich's Lady Macbeth of the Mtsensk District, an unidentified and alarming fragment by Alfred Schnittke). Other works of a religious tone include the young Russian composer Lera Auerbach's Sogno di Stabat Mater and Stevan Kovacs Tickmayer transcription of Bach's Lasset uns den nicht zerteilen, from the St. John Passion, BWV 245. There are graceful resting places from Piazzolla (Melodía en la menor) and Schubert. The cumulative effect, difficult to put into words, is moving, reverential yet lively, and moreover situated at the center of the Baltics' emerging critique of Putin's Russia. The album is dedicated to the imprisoned Russian industrialist and reformer Mikhail Khodorovsky, but this is orchestral music that speaks to political and social circumstances more generally in a way that few other musicians have managed for decades. A new step forward for neo-tonal music, recommended in the strongest possible terms.
© TiVo
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Gidon Kremer, Violin, MainArtist - Jean Sibelius, Composer
© 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.
Arvo Pärt, Composer - Gidon Kremer, Violin, MainArtist
© 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.
Gidon Kremer, Violin, MainArtist - Raminta Serksnyte, Composer
© 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.
Robert Schumann, Composer - Gidon Kremer, Violin, MainArtist
© 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.
Michael Nyman, Composer - Gidon Kremer, Violin, MainArtist
© 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.
Franz Schubert, Composer - Gidon Kremer, Violin, MainArtist
© 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.
Gidon Kremer, Violin, MainArtist - Stevan Kovacs Tickmayer, Composer
© 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.
Dmitri Shostakovich, Composer - Gidon Kremer, Violin, MainArtist
© 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.
Gidon Kremer, Violin, MainArtist - Lera Auerbach, Composer
© 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.
Astor Piazzolla, Composer - Gidon Kremer, Violin, MainArtist
© 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.
Gidon Kremer, Violin, MainArtist - Georgs Pelecis, Composer
© 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.
Gidon Kremer, Violin, MainArtist - Alfred Schnittke, Composer
© 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.
Albumbeschreibung
The Baltic countries, just a couple of decades old in their current incarnations, have emerged as hotbeds of contemporary music, resting on a triad of experimentalism, community music-making, and a few big stars committed to the growth of a distinctive homegrown scene. Among the latter group, violinist Gidon Kremer has made consistently successful recordings, artistically and commercially, with his handpicked group of young Latvian musicians, Kremerata Baltica. Many of these have displayed Kremer's knack for combining contemporary music, tango, and established repertory in compelling thematic combinations. The booklet for De Profundis (in English only) contain only an explanation of the concept: the opening words of Psalm 130, "De profundis clamavi a te, Domine," "Out of the depths I cry to you, Lord," have a unique relevance in today's world of repression and exploitation; otherwise the music is left to speak for itself. Arvo Pärt's choral setting of this psalm is not included, and the only direct reference to the text comes in the romantic but eclectic De profundis by the young Lithuanian composer Raminta Serksnyté. The rest of the music is not directly supplicatory in tone, and for the most part has no direct religious references. But the entire program holds together beautifully, with a somber, questing mood expressed in a variety of musical languages. Romantic-minimalist music like Michael Nyman's Trysting Fields is set against formal structures like one of Schumann's Six Fugues on the name B.A.C.H., Op. 60, with the two poles meeting in Pärt's Passacaglia (track 2). There are edgy dark reflections on Russian culture: an adagio from Shostakovich's Lady Macbeth of the Mtsensk District, an unidentified and alarming fragment by Alfred Schnittke). Other works of a religious tone include the young Russian composer Lera Auerbach's Sogno di Stabat Mater and Stevan Kovacs Tickmayer transcription of Bach's Lasset uns den nicht zerteilen, from the St. John Passion, BWV 245. There are graceful resting places from Piazzolla (Melodía en la menor) and Schubert. The cumulative effect, difficult to put into words, is moving, reverential yet lively, and moreover situated at the center of the Baltics' emerging critique of Putin's Russia. The album is dedicated to the imprisoned Russian industrialist and reformer Mikhail Khodorovsky, but this is orchestral music that speaks to political and social circumstances more generally in a way that few other musicians have managed for decades. A new step forward for neo-tonal music, recommended in the strongest possible terms.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 12 Track(s)
- Gesamte Laufzeit: 01:17:18
- 1 digitales Booklet
- Künstler: Gidon Kremer Kremerata Baltica
- Komponist: Various Composers
- Label: Nonesuch
- Genre: Klassik
© 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States. ℗ 2010 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.