Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Two years before Kiss roared out of Long Island with its self-titled debut, Blue Öyster Cult, the latest incarnation of a band assembled by guitarist Donald "Buck Dharma" Roeser and drummer Albert Bouchard in 1967, issued its dark, eponymously-titled heavy rock monolith. Managed and produced by the astronomically minded and conspiratorially haunted Sandy Pearlman, BÖC rode the hot, hellbound rails of blistering hard rock as pioneered by Steppenwolf, fierce mutated biker blues, and a kind of dark psychedelia that could have only come out New York. The band's debut relied heavily on the lyrics of Pearlman and rock critic Richard Meltzer, as well as Pearlman's pioneering production that layered guitars in staggered sheets of sound over a muddy mix that kept Eric Bloom's delivery in the middle of the mix and made it tough to decipher. This was on purpose -- to draw the listener into the songs cryptically and ambiguously. From the opener, "Transmaniacon MC," the listener knew something very different was afoot. This is dark, amphetamine-fueled occult music that relied on not one, but three guitars -- Bloom and keyboardist Allen Lanier added their own parts to Roeser's incessant riffing: a barely audible upright piano keeping the changes rooted in early rock and the blues, and a rhythm attack by Bouchard and his brother Joe on bass that was barely contained inside the tune's time signature. From the next track on "I'm on the Lamb But I Ain't No Sheep," elliptical lyrics talked about "the red and the black," while darkening themselves with stunning riffs and crescendos that were as theatrical as they were musical, and insured the Cult notice among the other acts bursting out of the seams of post-'60's rock. Other standouts include the cosmic "Stairway to the Stars," the boogie rave-up "Before the Kiss, a Redcap," that sounded like a mutant Savoy Brown meeting Canned Heat at Altamont. But it is on "Cities on Flame With Rock & Roll," that the Cult's sinister plan for world domination is best displayed. From its knotty, overdriven riff to its rhythm guitar vamp, Vox organ shimmer, its crash cymbal ride and plodding bass and drum slog through the changes -- not to mention its title -- it is the ultimate in early metal anthems. Add to this the swirling quizzicality of "Workshop of the Telescopes" that lent the band some of its image cred. [The 2001 remastered edition by Legacy gives punters four bonus tracks in the form of demos recorded by the band's first incarnation as Soft White Underbelly. These are not merely throwaways: it is readily apparent that by 1969, BÖC was well on their way to creating something new and menacingly different. The only questionable item is the last track: a cover version of Bobby Freeman's "Betty Lou's Got a New Pair of Shoes," that is utterly devoid of interest.]
© Thom Jurek /TiVo
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Blue Oyster Cult, Associated Performer, Main Artist - Donald Roeser, Guitar - Eric Bloom, Composer, Guitar, Keyboards, Lyricist - Albert Bouchard, Drums - S. Pearlman, Composer, Lyricist - Joe Bouchard, Bass - A. Bouchard, Composer, Lyricist - D. Roeser, Composer, Lyricist - Allen Lanier, Keyboards - Murray Krugman, Producer - Sandy Pearlman, Producer - David Lucas, Co-Producer, Engineer - Bill Robertson, Engineer - Vic Anesini, Mastering Engineer
(P) 1972 Columbia Records, a division of Sony Music Entertainment
Blue Oyster Cult, Associated Performer, Main Artist - Donald Roeser, Guitar - Eric Bloom, Composer, Guitar, Keyboards, Lyricist - Albert Bouchard, Drums - S. Pearlman, Composer, Lyricist - Joe Bouchard, Bass - A. Bouchard, Composer, Lyricist - Allen Lanier, Keyboards - Murray Krugman, Producer - Sandy Pearlman, Producer - David Lucas, Co-Producer, Engineer - Bill Robertson, Engineer
(P) 1972 Columbia Records, a division of Sony Music Entertainment
Blue Oyster Cult, Associated Performer, Main Artist - Donald Roeser, Guitar - Eric Bloom, Guitar, Keyboards - Albert Bouchard, Drums - D. Roeser, Composer, Lyricist - Joe Bouchard, Bass - Allen Lanier, Keyboards - Murray Krugman, Producer - Sandy Pearlman, Producer - David Lucas, Co-Producer, Engineer - Bill Robertson, Engineer
(P) 1972 Columbia Records, a division of Sony Music Entertainment
Blue Oyster Cult, Associated Performer, Main Artist - Donald Roeser, Guitar - Eric Bloom, Guitar, Keyboards - Albert Bouchard, Drums - R. Meltzer, Composer, Lyricist - Joe Bouchard, Bass - A. Bouchard, Composer, Lyricist - Allen Lanier, Keyboards - D. Roeser, Composer, Lyricist - Murray Krugman, Producer - Sandy Pearlman, Producer - David Lucas, Engineer - Bill Robertson, Engineer
(P) 1972 Columbia Records, a division of Sony Music Entertainment
Blue Oyster Cult, Associated Performer, Main Artist - Donald Roeser, Guitar - Eric Bloom, Guitar, Keyboards - Albert Bouchard, Drums - S. Pearlman, Composer, Lyricist - Joe Bouchard, Bass - D. Roeser, Composer, Lyricist - Allen Lanier, Keyboards - Murray Krugman, Producer - Sandy Pearlman, Producer - David Lucas, Co-Producer, Engineer - Bill Robertson, Engineer
(P) 1972 Columbia Records, a division of Sony Music Entertainment
Blue Oyster Cult, Associated Performer, Main Artist - Donald Roeser, Guitar - Eric Bloom, Guitar, Keyboards - Albert Bouchard, Drums - J. Bouchard, Composer, Lyricist - Joe Bouchard, Bass - Allen Lanier, Keyboards - Murray Krugman, Producer - Sandy Pearlman, Producer - David Lucas, Co-Producer, Engineer - Bill Robertson, Engineer
(P) 1972 Columbia Records, a division of Sony Music Entertainment
Blue Oyster Cult, Associated Performer, Main Artist - Donald Roeser, Guitar - Eric Bloom, Guitar, Keyboards - Albert Bouchard, Drums - R. Meltzer, Composer, Lyricist - Joe Bouchard, Bass - A. Bouchard, Composer, Lyricist - A. Lanier, Composer, Lyricist - Allen Lanier, Keyboards - Murray Krugman, Producer - Sandy Pearlman, Producer - David Lucas, Co-Producer, Engineer - Bill Robertson, Engineer
(P) 1972 Columbia Records, a division of Sony Music Entertainment
Blue Oyster Cult, Associated Performer, Main Artist - Murray Krugman, Producer - A. Bouchard, Composer, Lyricist - Donald Roeser, Guitar - Sandy Pearlman, Producer - D. Roeser, Composer, Lyricist - Eric Bloom, Guitar, Keyboards - Albert Bouchard, Drums - Joe Bouchard, Bass - Allen Lanier, Guitar, Keyboards
(P) 1972 Columbia Records, a division of Sony Music Entertainment
Blue Oyster Cult, Associated Performer, Main Artist - Donald Roeser, Guitar - Eric Bloom, Composer, Guitar, Keyboards, Lyricist - Albert Bouchard, Drums - S. Pearlman, Composer, Lyricist - Joe Bouchard, Bass - A. Bouchard, Composer, Lyricist - D. Roeser, Composer, Lyricist - Allen Lanier, Keyboards - A. Lanier, Composer, Lyricist - Murray Krugman, Producer - Sandy Pearlman, Producer - David Lucas, Co-Producer, Engineer - J. Bouchard, Composer, Lyricist - Bill Robertson, Engineer
(P) 1972 Columbia Records, a division of Sony Music Entertainment
Blue Oyster Cult, Associated Performer, Main Artist - Donald Roeser, Guitar - Eric Bloom, Guitar, Keyboards - Albert Bouchard, Drums - S. Pearlman, Composer, Lyricist - Joe Bouchard, Bass - H. Farcas, Composer, Lyricist - A. Bouchard, Composer, Lyricist - Allen Lanier, Keyboards - A. Lanier, Composer, Lyricist - Murray Krugman, Producer - Sandy Pearlman, Producer - David Lucas, Co-Producer, Engineer - Bill Robertson, Engineer
(P) 1972 Columbia Records, a division of Sony Music Entertainment
Albumbeschreibung
Two years before Kiss roared out of Long Island with its self-titled debut, Blue Öyster Cult, the latest incarnation of a band assembled by guitarist Donald "Buck Dharma" Roeser and drummer Albert Bouchard in 1967, issued its dark, eponymously-titled heavy rock monolith. Managed and produced by the astronomically minded and conspiratorially haunted Sandy Pearlman, BÖC rode the hot, hellbound rails of blistering hard rock as pioneered by Steppenwolf, fierce mutated biker blues, and a kind of dark psychedelia that could have only come out New York. The band's debut relied heavily on the lyrics of Pearlman and rock critic Richard Meltzer, as well as Pearlman's pioneering production that layered guitars in staggered sheets of sound over a muddy mix that kept Eric Bloom's delivery in the middle of the mix and made it tough to decipher. This was on purpose -- to draw the listener into the songs cryptically and ambiguously. From the opener, "Transmaniacon MC," the listener knew something very different was afoot. This is dark, amphetamine-fueled occult music that relied on not one, but three guitars -- Bloom and keyboardist Allen Lanier added their own parts to Roeser's incessant riffing: a barely audible upright piano keeping the changes rooted in early rock and the blues, and a rhythm attack by Bouchard and his brother Joe on bass that was barely contained inside the tune's time signature. From the next track on "I'm on the Lamb But I Ain't No Sheep," elliptical lyrics talked about "the red and the black," while darkening themselves with stunning riffs and crescendos that were as theatrical as they were musical, and insured the Cult notice among the other acts bursting out of the seams of post-'60's rock. Other standouts include the cosmic "Stairway to the Stars," the boogie rave-up "Before the Kiss, a Redcap," that sounded like a mutant Savoy Brown meeting Canned Heat at Altamont. But it is on "Cities on Flame With Rock & Roll," that the Cult's sinister plan for world domination is best displayed. From its knotty, overdriven riff to its rhythm guitar vamp, Vox organ shimmer, its crash cymbal ride and plodding bass and drum slog through the changes -- not to mention its title -- it is the ultimate in early metal anthems. Add to this the swirling quizzicality of "Workshop of the Telescopes" that lent the band some of its image cred. [The 2001 remastered edition by Legacy gives punters four bonus tracks in the form of demos recorded by the band's first incarnation as Soft White Underbelly. These are not merely throwaways: it is readily apparent that by 1969, BÖC was well on their way to creating something new and menacingly different. The only questionable item is the last track: a cover version of Bobby Freeman's "Betty Lou's Got a New Pair of Shoes," that is utterly devoid of interest.]
© Thom Jurek /TiVo
Informationen zu dem Album
- 1 Disc(s) - 10 Track(s)
- Gesamte Laufzeit: 00:36:43
- Künstler: Blue Öyster Cult
- Komponist: Various Composers
- Label: Columbia - Legacy
- Genre: Pop/Rock Rock
Originally released 1972 SONY BMG MUSIC ENTERTAINMENT
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.
Playlists