Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
A cuss word in the title indicates that this time, Subway to Sally are really angry (though not Black Flag-angry, or it wouldn't be just "bastard"), and indeed, though the band was never the one to sing hymns of rainbows and sunny days, this album may be their darkest record to date. Unfortunately, this doesn't equal "best"; on the contrary, it seems like the group tried to use dark emotions as a cover for the simple fact that Bastard is just a by-the-numbers entry in their catalog. Now, average Subway to Sally is still not half bad: there's a level of quality below which they are unable to sink, if only on the strength of the components their music is made of. Bastard still stitches classic alternative rock/metal riffs that wouldn't be out of place on a Three Days Grace or Alice in Chains album with folk music and grim Teutonic power metal bombast: the songs have enough speed, the guitars work together with a fiddle, and the slightly bleating, commonplace voice of Eric Fish is dripping with venom of an intelligent peasant one hand's stretch away from taking up a torch and a pitchfork against the injustices of this world. There are ballads, too; perhaps more of them than is prudent to have for dynamics' sake, though most Subway to Sally albums give that feeling. But this time the songwriting is stretched too thin: instead of proper hooks, the tunes are often built around bland simplistic riffs, with the rest of the band just following the guitar melodies without adding anything else to the music. Some European heavy rock bands, such as Rammstein or H.I.M., can make it work, but Subway to Sally are fun when they play clever, and when they don't, as on Bastard, they sound like they are lacking something -- most likely, inspiration.
© Alexey Eremenko /TiVo
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Subway To Sally, MainArtist - Fabio Trentini, Composer - Michael Boden, Author - Georg Kaleve, Producer - Erik Hecht, Composer - Milan Polak, Composer - Simon-Michael Schmitt, Composer
℗ 2007 STS-Entertainment GbR
Subway To Sally, MainArtist - Fabio Trentini, Composer - Michael Boden, Author - Georg Kaleve, Producer - Milan Polak, Composer - Silke Volland, ComposerLyricist - Simon-Michael Schmitt, Composer
℗ 2007 STS-Entertainment GbR
Subway To Sally, MainArtist - Fabio Trentini, Composer - Michael Boden, Author - Georg Kaleve, Producer - Erik Hecht, Composer - Gerit Hecht, Composer - Milan Polak, Composer - Simon-Michael Schmitt, Composer
℗ 2007 STS-Entertainment GbR
Subway To Sally, MainArtist - Fabio Trentini, Composer - Michael Boden, Author - Georg Kaleve, Producer - Erik Hecht, Composer - Gerit Hecht, Composer - Milan Polak, Composer - Silke Volland, Composer
℗ 2007 STS-Entertainment GbR
Subway To Sally, MainArtist - Fabio Trentini, Composer - Michael Boden, ComposerLyricist - Georg Kaleve, Producer - Milan Polak, Composer - Nicolas Lens, Composer - Simon-Michael Schmitt, Composer
℗ 2007 STS-Entertainment GbR
Subway To Sally, MainArtist - Ingo Hampf, Composer - Michael Boden, Author - Georg Kaleve, Producer - Erik Hecht, Composer - Gerit Hecht, Composer
℗ 2007 STS-Entertainment GbR
Subway To Sally, MainArtist - Fabio Trentini, Composer - Michael Boden, ComposerLyricist - Georg Kaleve, Producer - Milan Polak, Composer - Simon-Michael Schmitt, Composer
℗ 2007 STS-Entertainment GbR
Subway To Sally, MainArtist - Fabio Trentini, Composer - Michael Boden, ComposerLyricist - Georg Kaleve, Producer - Erik Hecht, Composer - Tobias Unterberg, Composer - Milan Polak, Composer - Simon-Michael Schmitt, Composer
℗ 2007 STS-Entertainment GbR
Subway To Sally, MainArtist - Fabio Trentini, Composer - Michael Boden, Author - Georg Kaleve, Producer - Erik Hecht, Composer - Gerit Hecht, Composer - Milan Polak, Composer
℗ 2007 STS-Entertainment GbR
Subway To Sally, MainArtist - Ingo Hampf, Composer - Michael Boden, Author - Georg Kaleve, Producer
℗ 2007 STS-Entertainment GbR
Subway To Sally, MainArtist - Michael Boden, Author - Georg Kaleve, Producer - Tobias Unterberg, Composer - Milan Polak, Composer
℗ 2007 STS-Entertainment GbR
Subway To Sally, MainArtist - Fabio Trentini, Composer - Michael Boden, Author - Georg Kaleve, Producer - Erik Hecht, Composer - Gerit Hecht, Composer - Milan Polak, Composer
℗ 2007 STS-Entertainment GbR
Subway To Sally, MainArtist - Ingo Hampf, Composer - Michael Boden, Author - Georg Kaleve, Producer - Tobias Unterberg, Composer - Silke Volland, ComposerLyricist - Simon-Michael Schmitt, Composer
℗ 2007 STS-Entertainment GbR
Subway To Sally, MainArtist - Fabio Trentini, Composer - Michael Boden, Author - Georg Kaleve, Producer - Erik Hecht, Composer - Gerit Hecht, Composer - Milan Polak, Composer
℗ 2007 STS-Entertainment GbR
Albumbeschreibung
A cuss word in the title indicates that this time, Subway to Sally are really angry (though not Black Flag-angry, or it wouldn't be just "bastard"), and indeed, though the band was never the one to sing hymns of rainbows and sunny days, this album may be their darkest record to date. Unfortunately, this doesn't equal "best"; on the contrary, it seems like the group tried to use dark emotions as a cover for the simple fact that Bastard is just a by-the-numbers entry in their catalog. Now, average Subway to Sally is still not half bad: there's a level of quality below which they are unable to sink, if only on the strength of the components their music is made of. Bastard still stitches classic alternative rock/metal riffs that wouldn't be out of place on a Three Days Grace or Alice in Chains album with folk music and grim Teutonic power metal bombast: the songs have enough speed, the guitars work together with a fiddle, and the slightly bleating, commonplace voice of Eric Fish is dripping with venom of an intelligent peasant one hand's stretch away from taking up a torch and a pitchfork against the injustices of this world. There are ballads, too; perhaps more of them than is prudent to have for dynamics' sake, though most Subway to Sally albums give that feeling. But this time the songwriting is stretched too thin: instead of proper hooks, the tunes are often built around bland simplistic riffs, with the rest of the band just following the guitar melodies without adding anything else to the music. Some European heavy rock bands, such as Rammstein or H.I.M., can make it work, but Subway to Sally are fun when they play clever, and when they don't, as on Bastard, they sound like they are lacking something -- most likely, inspiration.
© Alexey Eremenko /TiVo
Informationen zu dem Album
- 1 Disc(s) - 14 Track(s)
- Gesamte Laufzeit: 00:50:58
- Künstler: Subway To Sally
- Komponist: Various Composers
- Label: STS Entertainment
- Genre: Pop/Rock Rock
© 2022 STS-Entertainment GbR ℗ 2007 STS-Entertainment GbR
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.