Wayne Hancock
Alternative country favorite Wayne Hancock is that rare breed of traditionalist: one who imbues his retro obsessions with such high energy and passion that his songs never feel like museum pieces he's trying desperately to preserve. Hancock is most often compared to Hank Williams, and he can indeed be a hardcore honky tonker, but there's more to him than that: he also displays a genuine affinity for stomping rockabilly, Western swing, blues, and old-timey country à la Jimmie Rodgers. Plus, he also throws in the occasional pop standard in the manner of Willie Nelson's classic Stardust album. Hancock's devotion to classic country sounds, coupled with his strong aversion to the Nashville hit-making machine, earned him an ardent following among alternative country fans (from both the country and rock sides of the movement), as well as a fair amount of critical acclaim.
Wayne "The Train" Hancock was born May 1, 1965, and began writing songs around age 12. His family moved around a lot during his childhood, and often sang to entertain themselves. Hancock started playing juke joints around Texas as a teenager, and at age 18 won a prestigious talent competition, the Wrangler Country Showdown; however, he was unable to reap the benefits, having just enlisted in the Marines. After six years in the military, Hancock returned to Texas and began playing around the state wherever he could, working odd jobs on the side to help make ends meet. Eventually tiring of his itinerant existence, Hancock moved to West Dallas in 1993, and shortly thereafter settled in the music mecca of Austin. In 1994, he got a part in the musical theater production Chippy, where he performed alongside progressive country legends Joe Ely, Butch Hancock (no relation), Robert Earl Keen, and Terry Allen. He also made his recorded debut on the soundtrack album Songs from Chippy.
Thanks to that bit of exposure, Hancock was able to score a deal with the small Texas indie label Deja Disc. His debut album, Thunderstorms and Neon Signs, was produced by steel guitar legend Lloyd Maines and released in 1995. Critics fawned over the album, particularly the Hank Williams-ish title track, and despite being on a tiny label with limited distribution, it sold over 20,000 copies, mostly through word of mouth. Its success attracted the attention of the somewhat larger indie Ark 21, which signed Hancock for his second album, That's What Daddy Wants. Issued in 1997, the record found Hancock employing elaborate, horn-driven arrangements and delving more deeply into rockabilly and Western swing, which earned some comparisons to the Brian Setzer Orchestra. Reviews were again highly positive, and Ark 21 accordingly reissued Hancock's debut. His third album, Wild, Free & Reckless, had more traditional country instrumentation, full of fiddles and steel guitars, and accordingly was more reminiscent of pre-rock & roll country boogie.
Hancock subsequently switched to the alt-country hub Bloodshot Records, debuting in 2001 with A-Town Blues, which continued the more stripped-down approach of his most recent music. That same year he released the limited-edition EP South Austin Sessions. Hancock dug even deeper into his honky tonk roots with his next album, 2003's Swing Time, recorded live during a two-night stand at the Continental Club in Austin. In 2006, Hancock turned in Tulsa, his third full-length recording for Bloodshot, with Lloyd Maines remaining in the producer's chair. A fourth album for the label, Viper of Melody, appeared in 2009. His next release, Ride, showed up early in 2013, again from Bloodshot. In April 2014, Hancock was involved in a serious motorcycle accident, which left him with a fractured elbow and a collapsed lung. He was forced to cancel several months' worth of tour dates due to the wreck, but by the end of the year he was fully recovered and back on the road. In 2016, Hancock returned to the studio with producer Lloyd Maines to cut his eighth studio album Slingin' Rhythm.
© Steve Huey /TiVo
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Discographie
14 album(s) • Trié par Meilleures ventes
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Thunderstorms and Neon Signs
Country - Paru chez Ark 21 Records le 1 janv. 1998
16-Bit CD Quality 44.1 kHz - Stereo -
That's What Daddy Wants
Country - Paru chez Ark 21 Records le 1 janv. 1997
16-Bit CD Quality 44.1 kHz - Stereo -
Wild, Free and Reckless
Country - Paru chez Ark 21 Records le 1 janv. 1999
16-Bit CD Quality 44.1 kHz - Stereo -
Viper of Melody
Country - Paru chez Bloodshot Records le 21 avr. 2009
16-Bit CD Quality 44.1 kHz - Stereo -
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A-Town Blues
Country - Paru chez Bloodshot Records le 4 sept. 2001
16-Bit CD Quality 44.1 kHz - Stereo -
Swing Time
Country - Paru chez Bloodshot Records le 19 août 2003
16-Bit CD Quality 44.1 kHz - Stereo -
Slingin' Rhythm
Country - Paru chez Bloodshot Records le 28 oct. 2016
16-Bit CD Quality 44.1 kHz - Stereo -
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Choice Cuts: Best of Wayne Hancock
Country - Paru chez Bloodshot Records le 18 déc. 2012
16-Bit CD Quality 44.1 kHz - Stereo -
Wayne The Train & The Honky Tonk Brakemen (Live Austin 1994)
Country - Paru chez Happenstance le 8 févr. 2021
16-Bit CD Quality 44.1 kHz - Stereo -
Man of the Road
Country - Paru chez Bloodshot Records le 15 nov. 2019
16-Bit CD Quality 44.1 kHz - Stereo -
The South Austin Sessions
Country - Paru chez Bloodshot Records le 1 sept. 2001
16-Bit CD Quality 44.1 kHz - Stereo