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Marion|This World and Body

This World and Body

Marion

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After a string of slightly inconsistent singles, Marion pulled it all together for This World and Body, a fiery and thrilling blast of rock with some fine hints of delicacy cropping up throughout. The neo-Smiths comparison that the band won for itself -- and just as arguably created for itself -- makes a certain sense, mainly through the guitar work. Anthony Grantham and Phil Cunningham combine into a fine team, and if together it's not quite Johnny Marr reborn, the two balance full, blasting riffs, clipped rhythm sections, and abbreviated, crisp soloing, acoustic and electric guitars both regularly used. It's not so original that it's immediately recognizable, but it's really good, inspired playing from both track for track that draws on any number of styles to make a great end result. The rhythm section is agreeably frenetic as well, Murad Mousa's drumming a clear step above timekeeping thrash and bash. Jaime Harding is another matter -- while there's no doubting his sheer bravura and desire to throw himself into his singing, sometimes the effect is unpleasant. "Let's All Go Together," which should be a totally triumphant charge, is almost ruined by his extreme yelping of his lyrics in the verses, a clear case of loving his voice not too wisely but too well (the overwrought words don't help much). Other examples could be cited, but thankfully it's not endemic through This World and Body; often the band, helped by Al Clay's solid, lively production, and Harding combine just right. The re-recorded "Sleep" makes the best case for the album and band, the musicians bursting with energy right from the opening riff to the galloping conclusion, Harding riding the song with vim and controlled passion. Other definite highlights working seeking out include "Your Body Lies," which shows Harding can tone things down where appropriate, and the moody crawl into louder thrash of "All for Love."

© Ned Raggett /TiVo

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This World and Body

Marion

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1
Fallen Through
00:03:45

Phil Cunningham, Composer - Marion, Composer, MainArtist - Production: Al Clay, Production - Anthony Grantham, Composer - Jaime Harding, Writer - Funk Regulators, Production

© 1996 London Records Ltd ℗ 1996 London Music Stream Ltd. LC77554

2
Sleep
00:03:04

Harding, Composer - Cunningham, Composer - Marion, Composer, MainArtist - Production: Al Clay, Production - Grantham, Composer - Funk Regulators, Production

© 1996 London Records Ltd ℗ 1996 London Music Stream Ltd. LC77554

3
Let's All Go Together
00:03:10

Harding, Composer - Cunningham, Composer - Marion, Composer, MainArtist - Production: Al Clay, Production - Grantham, Composer - Funk Regulators, Production

© 1996 London Records Ltd ℗ 1996 London Music Stream Ltd. LC77554

4
Wait
00:03:59

Phil Cunningham, Composer - Marion, Composer, MainArtist - Production: Al Clay, Production - Anthony Grantham, Composer - Jaime Harding, Writer - Funk Regulators, Production

© 1996 London Records Ltd ℗ 1996 London Music Stream Ltd. LC77554

5
The Only Way
00:02:34

Phil Cunningham, Composer - Marion, Composer, MainArtist - Production: Al Clay, Production - Anthony Grantham, Composer - Jaime Harding, Writer - Funk Regulators, Production

© 1996 London Records Ltd ℗ 1996 London Music Stream Ltd. LC77554

6
I Stopped Dancing
00:03:00

Phil Cunningham, Composer - Marion, Composer, MainArtist - Production: Al Clay, Production - Anthony Grantham, Composer - Jaime Harding, Writer - Funk Regulators, Production

© 1996 London Records Ltd ℗ 1996 London Music Stream Ltd. LC77554

7
All for Love
00:03:56

Phil Cunningham, Composer - Marion, Composer, MainArtist - Production: Al Clay, Production - Anthony Grantham, Composer - Jaime Harding, Writer - Funk Regulators, Production

© 1996 London Records Ltd ℗ 1996 London Music Stream Ltd. LC77554

8
Toys for Boys
00:03:06

Phil Cunningham, Composer - Marion, Composer, MainArtist - Production: Al Clay, Production - Anthony Grantham, Composer - Jaime Harding, Writer - Funk Regulators, Production

© 1996 London Records Ltd ℗ 1996 London Music Stream Ltd. LC77554

9
Time
00:04:15

Phil Cunningham, Composer - Marion, Composer, MainArtist - Production: Al Clay, Production - Anthony Grantham, Composer - Jaime Harding, Writer - Funk Regulators, Production

© 1996 London Records Ltd ℗ 1996 London Music Stream Ltd. LC77554

10
Vanessa
00:03:59

Phil Cunningham, Composer - Marion, Composer, MainArtist - Production: Al Clay, Production - Anthony Grantham, Composer - Jaime Harding, Writer - Funk Regulators, Production

© 1996 London Records Ltd ℗ 1996 London Music Stream Ltd. LC77554

11
Your Body Lies
00:03:46

Phil Cunningham, Composer - Marion, Composer, MainArtist - Production: Al Clay, Production - Anthony Grantham, Composer - Jaime Harding, Writer - Funk Regulators, Production

© 1996 London Records Ltd ℗ 1996 London Music Stream Ltd. LC77554

12
My Children
00:04:51

Phil Cunningham, Composer - Marion, Composer, MainArtist - Production: Al Clay, Production - Anthony Grantham, Composer - Jaime Harding, Writer - Funk Regulators, Production

© 1996 London Records Ltd ℗ 1996 London Music Stream Ltd. LC77554

Chronique

After a string of slightly inconsistent singles, Marion pulled it all together for This World and Body, a fiery and thrilling blast of rock with some fine hints of delicacy cropping up throughout. The neo-Smiths comparison that the band won for itself -- and just as arguably created for itself -- makes a certain sense, mainly through the guitar work. Anthony Grantham and Phil Cunningham combine into a fine team, and if together it's not quite Johnny Marr reborn, the two balance full, blasting riffs, clipped rhythm sections, and abbreviated, crisp soloing, acoustic and electric guitars both regularly used. It's not so original that it's immediately recognizable, but it's really good, inspired playing from both track for track that draws on any number of styles to make a great end result. The rhythm section is agreeably frenetic as well, Murad Mousa's drumming a clear step above timekeeping thrash and bash. Jaime Harding is another matter -- while there's no doubting his sheer bravura and desire to throw himself into his singing, sometimes the effect is unpleasant. "Let's All Go Together," which should be a totally triumphant charge, is almost ruined by his extreme yelping of his lyrics in the verses, a clear case of loving his voice not too wisely but too well (the overwrought words don't help much). Other examples could be cited, but thankfully it's not endemic through This World and Body; often the band, helped by Al Clay's solid, lively production, and Harding combine just right. The re-recorded "Sleep" makes the best case for the album and band, the musicians bursting with energy right from the opening riff to the galloping conclusion, Harding riding the song with vim and controlled passion. Other definite highlights working seeking out include "Your Body Lies," which shows Harding can tone things down where appropriate, and the moody crawl into louder thrash of "All for Love."

© Ned Raggett /TiVo

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