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Flesh Field|Strain

Strain

Flesh Field

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Hey, here's something someone should have thought up years ago -- industrial music that's rhythmically interesting! Where most of their colleagues stick to generic, club-derived, four-on-the-floor beats and equally generic synthesizer chord washes, Flesh Field brings breakbeats, loops and samples to the party and buttresses them with genuine electric guitars; when combined with the usual guttural vocal roars and snarls, the result is like a bracing combination of Gang of Four's stuttering punk-funk and, say, Front 242's hectoring Teutonic rants. The best moments on the band's third album come when new member Wendy Yanko steps up to the mic; female vocals are almost as rare in this genre as interesting beats, and the combination of the two (particularly on the very fine "Reflect the Enemy") is enough to make you weep with relief. Then there's the distinctly funky groove of "Recoil," not to mention the near-balladic "Epiphany" and those tasty little drum'n'bass interludes on "Seethe." Very nice.
© Rick Anderson /TiVo

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Strain

Flesh Field

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1
Uprising
00:06:03

Copyright Control, MusicPublisher - Flesh Field, MainArtist - Ian Ross, Composer, Author

2005 Dependent 2005 Dependent

2
Haven
00:05:40

Copyright Control, MusicPublisher - Flesh Field, MainArtist - Ian Ross, Composer, Author

2005 Dependent 2005 Dependent

3
Reflect the Enemy
00:05:56

Copyright Control, MusicPublisher - Flesh Field, MainArtist - Ian Ross, Composer, Author

2005 Dependent 2005 Dependent

4
The Eucharist
00:04:56

Copyright Control, MusicPublisher - Flesh Field, MainArtist - Ian Ross, Composer, Author

2005 Dependent 2005 Dependent

5
Recoil
00:05:26

Copyright Control, MusicPublisher - Flesh Field, MainArtist - Ian Ross, Composer, Author

2005 Dependent 2005 Dependent

6
Seethe
00:04:23

Copyright Control, MusicPublisher - Flesh Field, MainArtist - Ian Ross, Composer, Author

2005 Dependent 2005 Dependent

7
Voice of Dissent
00:05:51

Copyright Control, MusicPublisher - Flesh Field, MainArtist - Ian Ross, Composer, Author

2005 Dependent 2005 Dependent

8
Beneath Contempt
00:03:35

Copyright Control, MusicPublisher - Flesh Field, MainArtist - Ian Ross, Composer, Author

2005 Dependent 2005 Dependent

9
Amoeba
00:05:10

Copyright Control, MusicPublisher - Flesh Field, MainArtist - Ian Ross, Composer, Author

2005 Dependent 2005 Dependent

10
The Collapse
00:04:29

Copyright Control, MusicPublisher - Flesh Field, MainArtist - Ian Ross, Composer, Author

2005 Dependent 2005 Dependent

11
Epiphany
00:05:52

Copyright Control, MusicPublisher - Flesh Field, MainArtist - Ian Ross, Composer, Author

2005 Dependent 2005 Dependent

12
The Broken Dream
00:07:16

Copyright Control, MusicPublisher - Flesh Field, MainArtist - Ian Ross, Composer, Author

2005 Dependent 2005 Dependent

Chronique

Hey, here's something someone should have thought up years ago -- industrial music that's rhythmically interesting! Where most of their colleagues stick to generic, club-derived, four-on-the-floor beats and equally generic synthesizer chord washes, Flesh Field brings breakbeats, loops and samples to the party and buttresses them with genuine electric guitars; when combined with the usual guttural vocal roars and snarls, the result is like a bracing combination of Gang of Four's stuttering punk-funk and, say, Front 242's hectoring Teutonic rants. The best moments on the band's third album come when new member Wendy Yanko steps up to the mic; female vocals are almost as rare in this genre as interesting beats, and the combination of the two (particularly on the very fine "Reflect the Enemy") is enough to make you weep with relief. Then there's the distinctly funky groove of "Recoil," not to mention the near-balladic "Epiphany" and those tasty little drum'n'bass interludes on "Seethe." Very nice.
© Rick Anderson /TiVo

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