Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
After the female singer/songwriter boom of the '90s -- a boom that saw the rise of everyone from Alanis Morissette to Paula Cole to Shawn Colvin -- singer/songwriters lost some commercial ground for a few years. But that wasn't a permanent situation, thankfully; the popularity of Vanessa Carlton, Avril Lavigne, and Michelle Branch in 2003 demonstrated that there was still a healthy market for female singer/songwriters and that not every young woman who picked up a microphone was expected to sound like Britney Spears. That singer/songwriter aesthetic is very much at work on Fearless, which shows Keri Noble to be an artist of considerable depth and sensitivity. Because of the Arif Mardin connection -- he is one of Fearless' executive producers -- and because Noble is a romantic, piano-playing female vocalist, some listeners might wonder if she is anything like Norah Jones. Mardin, of course, had a track record before Jones was even born, but Jones' Come Away With Me was the veteran producer's greatest accomplishment in the early 2000s -- and given Jones' tremendous success, it isn't surprising that many industry insiders wondered who would be "the next Norah Jones." But if anyone can be accused of trying to emulate Jones, it certainly isn't Noble; when this adult alternative release is playing, one is much more likely to think of Sarah McLachlan, Paula Cole, or Mary Fahl (of October Project fame). Noble, however, is her own woman, and her reflections sound quite personal on introspective, soulful offerings like "Falling," "Bartender," and "Look at Me." Fearless is not an album that goes out of its way to push the smile button; at times, Noble's observations can be dark and melancholy. But if Fearless is less than optimistic on the whole, it is also impressively honest and sincere -- emotionally, Noble really lays it on the line, and she shows a great deal of promise on this superb debut.
© Alex Henderson /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
GENE PAUL, Mastering Engineer, StudioPersonnel - Tim Hatfield, Mixer, StudioPersonnel - Rob Genadek, Recording Engineer, StudioPersonnel - Jeff Arundel, Producer, Mixer, StudioPersonnel - Keri Noble, Composer, MainArtist
(C) 2004 Manhattan Records ℗ 2003 Manhattan Records
GENE PAUL, Mastering Engineer, StudioPersonnel - Tim Hatfield, Mixer, Recording Engineer, StudioPersonnel - Jeff Arundel, Producer, Mixer, StudioPersonnel - Keri Noble, Composer, MainArtist
(C) 2004 Manhattan Records ℗ 2004 Manhattan Records
GENE PAUL, Mastering Engineer, StudioPersonnel - Tim Hatfield, Mixer, Recording Engineer, StudioPersonnel - Jeff Arundel, Composer, Producer, Mixer, StudioPersonnel - Keri Noble, Composer, MainArtist
(C) 2004 Manhattan Records ℗ 2004 Manhattan Records
GENE PAUL, Mastering Engineer, StudioPersonnel - Tim Hatfield, Mixer, Recording Engineer, StudioPersonnel - Jeff Arundel, Producer, Mixer, StudioPersonnel - Keri Noble, Composer, MainArtist
(C) 2004 Manhattan Records ℗ 2004 Manhattan Records
GENE PAUL, Mastering Engineer, StudioPersonnel - Tim Hatfield, Mixer, Recording Engineer, StudioPersonnel - Jeff Arundel, Producer, Mixer, StudioPersonnel - Keri Noble, Composer, MainArtist
(C) 2004 Manhattan Records ℗ 2004 Manhattan Records
GENE PAUL, Mastering Engineer, StudioPersonnel - Tim Hatfield, Mixer, Recording Engineer, StudioPersonnel - Jeff Arundel, Composer, Producer, Mixer, StudioPersonnel - Keri Noble, Composer, MainArtist
(C) 2004 Manhattan Records ℗ 2004 Manhattan Records
GENE PAUL, Mastering Engineer, StudioPersonnel - Tim Hatfield, Mixer, Recording Engineer, StudioPersonnel - Jeff Arundel, Producer, Mixer, StudioPersonnel - Keri Noble, Composer, MainArtist
(C) 2004 Manhattan Records ℗ 2004 Manhattan Records
GENE PAUL, Mastering Engineer, StudioPersonnel - Tim Hatfield, Mixer, Recording Engineer, StudioPersonnel - Jeff Arundel, Composer, Producer, Mixer, StudioPersonnel - Keri Noble, Composer, MainArtist
(C) 2004 Manhattan Records ℗ 2004 Manhattan Records
GENE PAUL, Mastering Engineer, StudioPersonnel - Tim Hatfield, Mixer, Recording Engineer, StudioPersonnel - Jeff Arundel, Producer, Mixer, StudioPersonnel - Keri Noble, Composer, MainArtist
(C) 2004 Manhattan Records ℗ 2004 Manhattan Records
GENE PAUL, Mastering Engineer, StudioPersonnel - Tim Hatfield, Mixer, Recording Engineer, StudioPersonnel - Jeff Arundel, Producer, Mixer, StudioPersonnel - Keri Noble, Composer, MainArtist
(C) 2004 Manhattan Records ℗ 2004 Manhattan Records
GENE PAUL, Mastering Engineer, StudioPersonnel - Tim Hatfield, Mixer, StudioPersonnel - Rob Genadek, Recording Engineer, StudioPersonnel - Jeff Arundel, Composer, Producer, Mixer, StudioPersonnel - Keri Noble, Composer, MainArtist
(C) 2004 Manhattan Records ℗ 2004 Manhattan Records
GENE PAUL, Mastering Engineer, StudioPersonnel - Tim Hatfield, Mixer, Recording Engineer, StudioPersonnel - Jeff Arundel, Producer, Mixer, StudioPersonnel - Keri Noble, Composer, MainArtist
(C) 2004 Manhattan Records ℗ 2004 Manhattan Records
Chronique
After the female singer/songwriter boom of the '90s -- a boom that saw the rise of everyone from Alanis Morissette to Paula Cole to Shawn Colvin -- singer/songwriters lost some commercial ground for a few years. But that wasn't a permanent situation, thankfully; the popularity of Vanessa Carlton, Avril Lavigne, and Michelle Branch in 2003 demonstrated that there was still a healthy market for female singer/songwriters and that not every young woman who picked up a microphone was expected to sound like Britney Spears. That singer/songwriter aesthetic is very much at work on Fearless, which shows Keri Noble to be an artist of considerable depth and sensitivity. Because of the Arif Mardin connection -- he is one of Fearless' executive producers -- and because Noble is a romantic, piano-playing female vocalist, some listeners might wonder if she is anything like Norah Jones. Mardin, of course, had a track record before Jones was even born, but Jones' Come Away With Me was the veteran producer's greatest accomplishment in the early 2000s -- and given Jones' tremendous success, it isn't surprising that many industry insiders wondered who would be "the next Norah Jones." But if anyone can be accused of trying to emulate Jones, it certainly isn't Noble; when this adult alternative release is playing, one is much more likely to think of Sarah McLachlan, Paula Cole, or Mary Fahl (of October Project fame). Noble, however, is her own woman, and her reflections sound quite personal on introspective, soulful offerings like "Falling," "Bartender," and "Look at Me." Fearless is not an album that goes out of its way to push the smile button; at times, Noble's observations can be dark and melancholy. But if Fearless is less than optimistic on the whole, it is also impressively honest and sincere -- emotionally, Noble really lays it on the line, and she shows a great deal of promise on this superb debut.
© Alex Henderson /TiVo
À propos
- 1 disque(s) - 12 piste(s)
- Durée totale : 00:44:45
- Artistes principaux : Keri Noble
- Compositeur : Various Composers
- Label : Manhattan Records
- Genre : Pop/Rock Rock Alternatif et Indé
© 2004 Manhattan Records ℗ 2004 Manhattan Records
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.