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Richard Hickox|Didon & Enée

Didon & Enée

Henry Purcell

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This performance of Dido and Aeneas, taken from a 1995 television production directed by Peter Maniura, and conducted by Richard Hickox, is a gorgeous realization of Purcell's masterpiece. Some performances of the opera run the risk of being primarily quaint and charming, but the gritty, unflinching naturalism of this production gives it an emotional realism that can feel almost shocking. Hickox has an exceptional cast of singing actors who are unfailingly convincing in drawing the audience into their world. Maria Ewing is a remarkable Dido, her expressive, plangent, and supple voice believably conveying the Queen's tender vulnerability, regal fury, and grief. Musically, Aeneas can be a cipher of a role, but Karl Daymond has a potent presence that gives him credible dramatic parity with the Queen of Carthage. Daymond's heroic, ringing baritone makes him a memorable and sympathetic Aeneas who loves Dido and is genuinely devastated at being compelled to leave her. Sally Burgess' Sorceress is beautifully understated, but undeniably malevolent, the piercing purity of her voice in ironic contrast to her hateful behavior. Rebecca Evans is a winsome, sweetly radiant Belinda, and all of the smaller roles are vividly sung and characterized. Richard Hickox's reading of the score with the period instrument ensemble Collegium Musicum 90 is unobtrusive, even somewhat plain, but in this viscerally urgent production, that's a virtue; an elaborately ornamented performance might have seemed mannered and out of place. The sound is clear and wonderfully natural, disarmingly direct, and intimate. The performance is also available on a Kultur DVD, where the stunning visuals and exceptional acting give it an even more powerful impact. Highly recommended.

© TiVo

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Didon & Enée

Richard Hickox

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Dido & Aeneas, Z. 626 (Henry Purcell)

1
Overture
00:01:54

Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

2
Act I: Shake the cloud from off your brow (Belinda, Chorus)
00:01:03

Rebecca Evans, soprano (Belinda) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

3
Act I: Ah! Belinda, I am press'd with torment (Dido)
00:04:24

Karl Raymond, baryton (Énée) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

4
Act I: Grief increases by concealing (Belinda, Dido)
00:00:35

Rebecca Evans, soprano (Belinda) - Karl Raymond, baryton (Énée) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

5
Act I: When monarchs unite how happy their state (Chorus)
00:00:14

Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

6
Act I: Whence could so much virtue spring? (Dido, Belinda)
00:02:02

Rebecca Evans, soprano (Belinda) - Karl Raymond, baryton (Énée) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

7
Act I: Fear no danger to ensue (Belinda, 2nd Woman and Chorus)
00:01:35

Rebecca Evans, soprano (Belinda) - Patricia Rozario, soprano (2e femme) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

8
Act I: See, your Royal guest appears (Belinda, Aeneas, Dido)
00:00:58

Maria Ewing, soprano (Didon) - Rebecca Evans, soprano (Belinda) - Karl Raymond, baryton (Énée) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

9
Act I: Cupid only throws the dart (Chorus)
00:00:32

Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

10
Act I: If not for mine, for Empire's sake (Aeneas)
00:00:26

Karl Raymond, baryton (Énée) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

11
Act I: Pursue thy conquest, Love (Belinda)
00:00:46

Rebecca Evans, soprano (Belinda) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

12
Act I: To the hills and the vales (Chorus)
00:01:07

Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

13
Act I: The Triumphing Dance
00:01:17

Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

14
Act II Scene 1: Wayward sisters (Sorceress, 1st Witch)
00:01:58

Sally Burgess, mezzo-soprano (La Sorcière) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

15
Act II Scene 1: Harm's our delight (Chorus)
00:00:14

Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

16
Act II Scene 1: The Queen of Carthage, whom we hate (Sorceress)
00:00:29

Sally Burgess, mezzo-soprano (La Sorcière) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

17
Act II Scene 1: Ha Ha Ha, Ha Ha Ha! (Chorus)
00:00:09

Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

18
Act II Scene 1: Ruin'd ere the set of sun? (1st and 2nd Witches, Sorceress)
00:00:56

Sally Burgess, mezzo-soprano (La Sorcière) - Mary Plazas, mezzo-soprano (1e sorcière) - Pamela Helen Stephen, mezzo-soprano (2e sorcière) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

19
Act II Scene 1: Ha Ha Ha, Ha Ha Ha! (Chorus)
00:00:08

Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

20
Act II Scene 1: But, ere we this perform (1st and 2nd Witches)
00:01:07

Sally Burgess, mezzo-soprano (La Sorcière) - Mary Plazas, mezzo-soprano (1e sorcière) - Pamela Helen Stephen, mezzo-soprano (2e sorcière) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

21
Act II Scene 1: In our deep vaulted cell (Chorus)
00:01:21

Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

22
Act II Scene 1: Echo Dance of Furies
00:01:05

Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

23
Act II Scene 2: Ritornelle
00:00:39

Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

24
Act II Scene 2: Thanks to these lonesome vales (Belinda, Chorus)
00:02:37

Rebecca Evans, soprano (Belinda) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

25
Act II Scene 2: Oft she visits this lone mountain (2nd Woman)
00:01:53

Patricia Rozario, soprano (2e femme) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

26
Act II Scene 2: Behold, upon my bended spear (Aeneas, Dido)
00:00:32

Maria Ewing, soprano (Didon) - Karl Raymond, baryton (Énée) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

27
Act II Scene 2: Haste to town (Belinda, Chorus)
00:00:45

Rebecca Evans, soprano (Belinda) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

28
Act II Scene 2: Stay, Prince! and hear great Jove's command (Spirit, Aeneas)
00:02:45

James Bowman, contre-ténor (Esprit) - Karl Raymond, baryton (Énée) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

29
Act III Scene 1: Prelude - Come away, fellow sailors (1st Sailor, Chorus)
00:01:35

Jamie MacDougall, ténor (Marin) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

30
Act III Scene 1: The Sailor's Dance
00:00:43

Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

31
Act III Scene 1: See, the flags and streamers curling (Sorceress, 1st and 2nd Witches)
00:00:54

Sally Burgess, mezzo-soprano (La Sorcière) - Mary Plazas, mezzo-soprano (1e sorcière) - Pamela Helen Stephen, mezzo-soprano (2e sorcière) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

32
Act III Scene 1: Our next motion (Sorceress)
00:00:38

Sally Burgess, mezzo-soprano (La Sorcière) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

33
Act III Scene 1: Destruction's our delight (Chorus)
00:00:32

Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

34
Act III Scene 1: The Witches' Dance
00:01:15

Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

35
Act III Scene 2: Your counsel all is urg'd in vain (Dido, Belinda, Aeneas)
00:04:16

Maria Ewing, soprano (Didon) - Rebecca Evans, soprano (Belinda) - Karl Raymond, baryton (Énée) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

36
Act III Scene 2: Great minds against themselves conspire (Chorus)
00:01:01

Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

37
Act III Scene 2: Thy hand, Belinda; darkness shades me (Dido)
00:01:02

Maria Ewing, soprano (Didon) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

38
Act III Scene 2: When I am laid in earth (Dido)
00:03:52

Maria Ewing, soprano (Didon) - Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

39
Act III Scene 2: With drooping wings ye cupids come (Chorus)
00:05:27

Collegium Musicum 90 - Richard Hickox, direction

1995 Chandos 1995 Chandos

Chronique

This performance of Dido and Aeneas, taken from a 1995 television production directed by Peter Maniura, and conducted by Richard Hickox, is a gorgeous realization of Purcell's masterpiece. Some performances of the opera run the risk of being primarily quaint and charming, but the gritty, unflinching naturalism of this production gives it an emotional realism that can feel almost shocking. Hickox has an exceptional cast of singing actors who are unfailingly convincing in drawing the audience into their world. Maria Ewing is a remarkable Dido, her expressive, plangent, and supple voice believably conveying the Queen's tender vulnerability, regal fury, and grief. Musically, Aeneas can be a cipher of a role, but Karl Daymond has a potent presence that gives him credible dramatic parity with the Queen of Carthage. Daymond's heroic, ringing baritone makes him a memorable and sympathetic Aeneas who loves Dido and is genuinely devastated at being compelled to leave her. Sally Burgess' Sorceress is beautifully understated, but undeniably malevolent, the piercing purity of her voice in ironic contrast to her hateful behavior. Rebecca Evans is a winsome, sweetly radiant Belinda, and all of the smaller roles are vividly sung and characterized. Richard Hickox's reading of the score with the period instrument ensemble Collegium Musicum 90 is unobtrusive, even somewhat plain, but in this viscerally urgent production, that's a virtue; an elaborately ornamented performance might have seemed mannered and out of place. The sound is clear and wonderfully natural, disarmingly direct, and intimate. The performance is also available on a Kultur DVD, where the stunning visuals and exceptional acting give it an even more powerful impact. Highly recommended.

© TiVo

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