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Roberta Flack|Chapter Two

Chapter Two

Roberta Flack

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A great album and the release that made Roberta Flack a major soul and R&B artist in the early '70s. She had a soft, compelling, alluring voice, and was able to convincingly switch gears and also convey anger, regret, hurt, or despair. Those who thought Flack was a one-hit wonder, or didn't think she could make the transition from doing mostly jazz to other styles, were convinced otherwise.

© Ron Wynn /TiVo

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Chapter Two

Roberta Flack

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1
Reverend Lee (LP Version)
00:04:32

Eric Gale, Guitar - Gene Orloff, Strings - Tosha Samaroff, Strings - Max Pollikoff, Strings - Garnett Brown, Horn - LEW HAHN, RecordingEngineer, RemixingEngineer - King Curtis, Producer - Donny Hathaway, Arranger, Piano - Frank Wess, Horn - Roberta Flack, Vocals, MainArtist - Joel Dorn, Producer - Ernie Royal, Horn - Ray Lucas, Drums - Warren Smith, Percussion - Gene McDaniels, Writer - Trevor Lawrence, Horn - George Marge, Horn - Alfred Brown, Strings - John Frosk, Horn - Emanuel Green, Strings - Selwart Clarke, Strings - Leo Kahn, Strings - Chauncey Welsh, Horn - Charles Rainey, Bass - Peter Buonconsiglio, Strings - Max Kahn, Strings - Arnold Block, Strings - John Glasell, Horn - Luis Eley, Strings - Raoul Poliakian, Strings - Seymour Myroff, Strings

© 1970 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1970 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

2
Do What You Gotta Do (LP Version)
00:04:09

Hubert Laws, Flute - Eumir Deodato, Conductor, String Arranger - Gene Orloff, Strings - LEW HAHN, RecordingEngineer, RemixingEngineer - Jimmy Webb, Writer - Donny Hathaway, Arranger - Marshall Hawkins, Bass - Roberta Flack, Piano, Vocals, MainArtist - Joel Dorn, Producer - Corky Hale, Harp - Terry Plumeri, Bass - Kermit Moore, Strings - Harry Lookofsky, Strings - Sanford Allen, Strings - Selwart Clarke, Strings - Joe Gentle, Flute - Peter Dimitriades, Strings - Joe Malin, Strings - John Swallow, Euphonium - Noel Da Costa, Strings - Bernard Sweetney, Drums

© 1970 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1970 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

3
Just Like a Woman (LP Version)
00:06:15

Hubert Laws, Flute - Eumir Deodato, Conductor, String Arranger - Gene Orloff, Strings - LEW HAHN, RecordingEngineer, RemixingEngineer - Bob Dylan, Writer - Donny Hathaway, Arranger - Marshall Hawkins, Bass - Roberta Flack, Piano, Vocals, MainArtist - Joel Dorn, Producer - Corky Hale, Harp - Terry Plumeri, Bass - Kermit Moore, Strings - Harry Lookofsky, Strings - Sanford Allen, Strings - Selwart Clarke, Strings - Joe Gentle, Flute - Peter Dimitriades, Strings - Joe Malin, Strings - John Swallow, Euphonium - Noel Da Costa, Strings - Bernard Sweetney, Drums

© 1970 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1970 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

4
Let It Be Me (LP Version)
00:04:58

Hubert Laws, Flute - Eumir Deodato, Conductor, String Arranger - Gene Orloff, Strings - LEW HAHN, RecordingEngineer, RemixingEngineer - Donny Hathaway, Arranger - Marshall Hawkins, Bass - Roberta Flack, Piano, Vocals, MainArtist - Joel Dorn, Producer - Gilbert Becaud, Writer - Mann Curtis, Writer - PIERRE DELANOE, Writer - Corky Hale, Harp - Terry Plumeri, Bass - Kermit Moore, Strings - Harry Lookofsky, Strings - Sanford Allen, Strings - Selwart Clarke, Strings - Joe Gentle, Flute - Peter Dimitriades, Strings - Joe Malin, Strings - John Swallow, Euphonium - Noel Da Costa, Strings - Bernard Sweetney, Drums

© 1970 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1970 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

5
Gone Away (LP Version)
00:05:16

Eric Gale, Guitar - Gene Orloff, Strings - Tosha Samaroff, Strings - Max Pollikoff, Strings - Garnett Brown, Horn - LEW HAHN, RecordingEngineer, RemixingEngineer - King Curtis, Producer, Backing Vocals - Donny Hathaway, Arranger, Piano, Backing Vocals, Writer - Curtis Mayfield, Writer - Frank Wess, Horn - Leroy Hutson, Writer - Roberta Flack, Backing Vocals, Lead Vocals, MainArtist - Joel Dorn, Producer - Ernie Royal, Horn - Ray Lucas, Drums - Warren Smith, Percussion - Gene McDaniels, Backing Vocals - Trevor Lawrence, Horn - George Marge, Horn - Alfred Brown, Strings - John Frosk, Horn - Emanuel Green, Strings - Selwart Clarke, Strings - Leo Kahn, Strings - Chauncey Welsh, Horn - Charles Rainey, Bass - Peter Buonconsiglio, Strings - Max Kahn, Strings - Arnold Block, Strings - John Glasell, Horn - Luis Eley, Strings - Raoul Poliakian, Strings - Seymour Myroff, Strings

© 1970 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1970 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

6
Until It's Time for You to Go (LP Version)
00:04:58

Hubert Laws, Flute - Eumir Deodato, Conductor, String Arranger - Gene Orloff, Strings - LEW HAHN, RecordingEngineer, RemixingEngineer - Donny Hathaway, Arranger - Marshall Hawkins, Bass - Roberta Flack, Piano, Vocals, MainArtist - Joel Dorn, Producer - Corky Hale, Harp - Terry Plumeri, Bass - Kermit Moore, Strings - Harry Lookofsky, Strings - Buffy Sainte-Marie, Writer - Sanford Allen, Strings - Selwart Clarke, Strings - Joe Gentle, Flute - Peter Dimitriades, Strings - Joe Malin, Strings - John Swallow, Euphonium - Noel Da Costa, Strings - Bernard Sweetney, Drums

© 1970 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1970 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

7
The Impossible Dream (LP Version)
00:04:40

Hubert Laws, Flute - Eumir Deodato, Conductor, String Arranger - Gene Orloff, Strings - LEW HAHN, RecordingEngineer, RemixingEngineer - Donny Hathaway, Arranger - Marshall Hawkins, Bass - Roberta Flack, Piano, Vocals, MainArtist - Joel Dorn, Producer - JOE DARION, Writer - Mitch Leigh, Writer - Corky Hale, Harp - Terry Plumeri, Bass - Kermit Moore, Strings - Harry Lookofsky, Strings - Sanford Allen, Strings - Selwart Clarke, Strings - Joe Gentle, Flute - Peter Dimitriades, Strings - Joe Malin, Strings - John Swallow, Euphonium - Noel Da Costa, Strings - Bernard Sweetney, Drums

© 1970 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1970 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

8
Business Goes on as Usual (LP Version)
00:03:25

Hubert Laws, Flute - Eumir Deodato, Conductor, String Arranger - Fred Hellerman, Writer - Gene Orloff, Strings - LEW HAHN, RecordingEngineer, RemixingEngineer - Donny Hathaway, Arranger - Marshall Hawkins, Bass - Roberta Flack, Piano, Vocals, MainArtist - Joel Dorn, Producer - Corky Hale, Harp - Terry Plumeri, Bass - Kermit Moore, Strings - Harry Lookofsky, Strings - Sanford Allen, Strings - Selwart Clarke, Strings - Joe Gentle, Flute - Peter Dimitriades, Strings - Joe Malin, Strings - Fran Minkoff, Writer - John Swallow, Euphonium - Noel Da Costa, Strings - Bernard Sweetney, Drums

© 1970 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1970 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

Chronique

A great album and the release that made Roberta Flack a major soul and R&B artist in the early '70s. She had a soft, compelling, alluring voice, and was able to convincingly switch gears and also convey anger, regret, hurt, or despair. Those who thought Flack was a one-hit wonder, or didn't think she could make the transition from doing mostly jazz to other styles, were convinced otherwise.

© Ron Wynn /TiVo

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