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The British Expeditionary Force|Chapter One: A Long Way from Home

Chapter One: A Long Way from Home

The British Expeditionary Force

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Langue disponible : anglais

The short debut effort by the (unsurprisingly) U.K. duo, Chapter 1: A Long Way from Home finds the British Expeditionary Force to be the latest act to take advantage of the space carved out by acts like Hood, the Beta Band, and Kid A-era Radiohead, a pop/rock approach that relies on a quiet electronic experimentalism. This said, the core of the duo's process is that other recent development, the distant collaboration, with singer Aid Burrows and musician Justin Lockey swapping sound files while never meeting. If the calm, layered singing of Lockey provides an easy anchor, other elements are less immediate or straightforward -- the spacious piano parts, softly treated, on "Throwing Little Stones," the stately but queasy flow of the guitars on "Lashing Out," and the intricate interweaving of keyboards, vocals, and drums on "The Engine." There's even a burst of treated drum'n'bass rhythm on the title track, and if the end result sounds like it's meant to be the analog of "Idioteque" for this group, it's not surprising. The overall air of modern art-pop in a calm, abstract vein may in ways be a last holdout of post-punk's original promise.
© Ned Raggett /TiVo

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Chapter One: A Long Way from Home

The British Expeditionary Force

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1
Back of the Hand
00:03:01

Justin Lockey, Composer - The British Expeditionary Force, MainArtist - James Lockey, Composer

2007 Erased Tapes Records Ltd. 2007 Erased Tapes Records Ltd.

2
Throwing Little Stones
00:03:44

Justin Lockey, Composer - The British Expeditionary Force, MainArtist - James Lockey, Composer

2007 Erased Tapes Records Ltd. 2007 Erased Tapes Records Ltd.

3
A Long Way from Home
00:06:36

Justin Lockey, Composer - The British Expeditionary Force, MainArtist - James Lockey, Composer

2007 Erased Tapes Records Ltd. 2007 Erased Tapes Records Ltd.

4
The Engine
00:03:51

Justin Lockey, Composer - The British Expeditionary Force, MainArtist - James Lockey, Composer

2007 Erased Tapes Records Ltd. 2007 Erased Tapes Records Ltd.

5
Lashing Out
00:02:49

Justin Lockey, Composer - The British Expeditionary Force, MainArtist - James Lockey, Composer

2007 Erased Tapes Records Ltd. 2007 Erased Tapes Records Ltd.

6
All Those Demons
00:07:05

Justin Lockey, Composer - The British Expeditionary Force, MainArtist - James Lockey, Composer

2007 Erased Tapes Records Ltd. 2007 Erased Tapes Records Ltd.

7
Swallowed by Anger (Bonus Track)
00:02:31

Justin Lockey, Composer - The British Expeditionary Force, MainArtist - James Lockey, Composer

2007 Erased Tapes Records Ltd. 2007 Erased Tapes Records Ltd.

8
A Long Way from Home (Rival Consoles Remix) (Bonus Track)
00:03:10

Justin Lockey, Composer - The British Expeditionary Force, MainArtist - James Lockey, Composer - Ryan Lee West, Composer

2007 Erased Tapes Records Ltd. 2007 Erased Tapes Records Ltd.

Chronique

The short debut effort by the (unsurprisingly) U.K. duo, Chapter 1: A Long Way from Home finds the British Expeditionary Force to be the latest act to take advantage of the space carved out by acts like Hood, the Beta Band, and Kid A-era Radiohead, a pop/rock approach that relies on a quiet electronic experimentalism. This said, the core of the duo's process is that other recent development, the distant collaboration, with singer Aid Burrows and musician Justin Lockey swapping sound files while never meeting. If the calm, layered singing of Lockey provides an easy anchor, other elements are less immediate or straightforward -- the spacious piano parts, softly treated, on "Throwing Little Stones," the stately but queasy flow of the guitars on "Lashing Out," and the intricate interweaving of keyboards, vocals, and drums on "The Engine." There's even a burst of treated drum'n'bass rhythm on the title track, and if the end result sounds like it's meant to be the analog of "Idioteque" for this group, it's not surprising. The overall air of modern art-pop in a calm, abstract vein may in ways be a last holdout of post-punk's original promise.
© Ned Raggett /TiVo

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