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Herbie Hancock|Cantaloupe Island

Cantaloupe Island

Herbie Hancock

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A mini-retrospective of Herbie Hancock's early years as a jazz artist, this six-track CD touches on some of his best-known small-ensemble works from that period. Of his first five albums for Blue Note Records from 1963-1965, Takin' Off, My Point of View, Empyrean Isles, and Maiden Voyage are represented -- his third and perhaps most individually realized LP, Inventions & Dimensions, is not. You get hits "Canteloupe Island," "Watermelon Man," "Maiden Voyage," and three lesser titles, which remove it from "best-of" status. His sixth and seventh full-length Blue Note recordings, The Prisoner and Speak Like a Child, are also omitted. This is a decent, edited, and concise, but far from comprehensive view of Hancock's salad days, which some purport might still be his best.

© Michael G. Nastos /TiVo

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Cantaloupe Island

Herbie Hancock

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1
Cantaloupe Island
00:05:30

HERBIE HANCOCK, MainArtist, ComposerLyricist - Alfred Lion, Producer

(C) 1994 Blue Note Records ℗ 1964 Capitol Records, LLC

2
Watermelon Man
00:07:11

Dexter Gordon, Tenor Saxophone, AssociatedPerformer - HERBIE HANCOCK, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - Billy Higgins, Drums, AssociatedPerformer - Alfred Lion, Producer - Butch Warren, AssociatedPerformer, Bass (Vocal) - Freddie Hubbard, Trumpet, AssociatedPerformer

(C) 1994 Blue Note Records ℗ 1962 Capitol Records, LLC

3
Driftin'
00:06:58

Dexter Gordon, Tenor Saxophone, AssociatedPerformer - HERBIE HANCOCK, Composer, Piano, MainArtist, AssociatedPerformer - Billy Higgins, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Butch Warren, AssociatedPerformer, Bass (Vocal) - Freddie Hubbard, Flugelhorn, AssociatedPerformer

(C) 1994 Blue Note Records ℗ 1962 Capitol Records, LLC

4
Blind Man, Blind Man (Remastered)
00:08:19

Grant Green, Guitar, AssociatedPerformer - HERBIE HANCOCK, Composer, Piano, MainArtist, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Engineer, StudioPersonnel - Alfred Lion, Producer - Hank Mobley, Tenor Saxophone, AssociatedPerformer - Donald Byrd, Trumpet, AssociatedPerformer - Tony Williams, Drums, AssociatedPerformer - Chuck Israels, AssociatedPerformer, Bass (Vocal) - Grachan Moncur III, Trombone, AssociatedPerformer

(C) 1994 Blue Note Records ℗ 1988 Capitol Records, LLC

5
And What If I Don't (Remastered)
00:06:35

Grant Green, Guitar, AssociatedPerformer - HERBIE HANCOCK, Composer, Piano, MainArtist, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Engineer, StudioPersonnel - Alfred Lion, Producer - Hank Mobley, Tenor Saxophone, AssociatedPerformer - Donald Byrd, Trumpet, AssociatedPerformer - Tony Williams, Drums, AssociatedPerformer - Chuck Israels, AssociatedPerformer, Bass (Vocal) - Grachan Moncur III, Trombone, AssociatedPerformer

(C) 1994 Blue Note Records ℗ 1988 Capitol Records, LLC

6
Maiden Voyage
00:07:56

Ron Carter, Double Bass, AssociatedPerformer - HERBIE HANCOCK, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - Alfred Lion, Producer - Freddie Hubbard, Trumpet, AssociatedPerformer - Tony Williams, Drums, AssociatedPerformer - George Coleman, Tenor Saxophone, AssociatedPerformer

(C) 1994 Blue Note Records ℗ 1965 Capitol Records, LLC

Chronique

A mini-retrospective of Herbie Hancock's early years as a jazz artist, this six-track CD touches on some of his best-known small-ensemble works from that period. Of his first five albums for Blue Note Records from 1963-1965, Takin' Off, My Point of View, Empyrean Isles, and Maiden Voyage are represented -- his third and perhaps most individually realized LP, Inventions & Dimensions, is not. You get hits "Canteloupe Island," "Watermelon Man," "Maiden Voyage," and three lesser titles, which remove it from "best-of" status. His sixth and seventh full-length Blue Note recordings, The Prisoner and Speak Like a Child, are also omitted. This is a decent, edited, and concise, but far from comprehensive view of Hancock's salad days, which some purport might still be his best.

© Michael G. Nastos /TiVo

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