Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
Recruiting a variety of guests and fellow travelers, including Eyvind Kang and Crys Cole, Oren Ambarchi continues in his vein of excellent solo releases on Touch with 2012's An Audience of One. The still feeling of "Salt," the album starter, suggests that it's not merely a solitary audience, but a contemplation of solitary feeling -- with calm slow melodies, softly echoed singing from Warm Ghost's Paul Duncan that's part stern, part wistful, and a sense of focused contemplation. "Passage" has a similar feeling at the start with its piano introduction, and notes paced out as Jessika Kenney's singing and textures via Cole emphasize centering and looking inward more than out. But this also blends into the concluding "Fractured Mirror" -- an interpretation of a genuinely pretty, moody instrumental from Ace Frehley's late-'70s solo album, keeping the same skeletal serenity of the original and turning the album's focus outward in turn. "Knots" takes up most of the album, a half-hour-long piece of dark ambience that has the virtue of demonstrating how much more clear and unique Ambarchi's aesthetic and musical voice has become with time. As the soft, reticent chill settles into a slow unfolding of various elements -- what could almost be Tuvan throat singing at one part, a distant percussive part from Joe Talia as feedback coils and snarls at another, or a two-note moan pattern that feels like a fanfare via Vangelis' Blade Runner work for another -- into a full arrangement partially courtesy of Kang; it's at once thrilling and subtly crushing, with a slow steamroller effect. When it pulls back at about ten minutes to feature a new, sweetly exultant main theme, arrhythmic electronic pulses and pluckings and a sense of heading out into a collapsing outer space take the lead in a striking instance of Ambarchi's abilities in full flight.
© Ned Raggett /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Oren Ambarchi, MainArtist - Touch Music [MCPS], MusicPublisher - O. Ambarchi, Composer - P. Duncan, Composer
2012 Touch 2012 Touch
Oren Ambarchi, MainArtist - Touch Music [MCPS], MusicPublisher - O. Ambarchii, Composer
2012 Touch 2012 Touch
Oren Ambarchi, MainArtist - Touch Music [MCPS], MusicPublisher - O. Ambarchi, Composer
2012 Touch 2012 Touch
Oren Ambarchi, MainArtist - Polygram, MusicPublisher - A. Frehley, Composer
2012 Touch 2012 Touch
Chronique
Recruiting a variety of guests and fellow travelers, including Eyvind Kang and Crys Cole, Oren Ambarchi continues in his vein of excellent solo releases on Touch with 2012's An Audience of One. The still feeling of "Salt," the album starter, suggests that it's not merely a solitary audience, but a contemplation of solitary feeling -- with calm slow melodies, softly echoed singing from Warm Ghost's Paul Duncan that's part stern, part wistful, and a sense of focused contemplation. "Passage" has a similar feeling at the start with its piano introduction, and notes paced out as Jessika Kenney's singing and textures via Cole emphasize centering and looking inward more than out. But this also blends into the concluding "Fractured Mirror" -- an interpretation of a genuinely pretty, moody instrumental from Ace Frehley's late-'70s solo album, keeping the same skeletal serenity of the original and turning the album's focus outward in turn. "Knots" takes up most of the album, a half-hour-long piece of dark ambience that has the virtue of demonstrating how much more clear and unique Ambarchi's aesthetic and musical voice has become with time. As the soft, reticent chill settles into a slow unfolding of various elements -- what could almost be Tuvan throat singing at one part, a distant percussive part from Joe Talia as feedback coils and snarls at another, or a two-note moan pattern that feels like a fanfare via Vangelis' Blade Runner work for another -- into a full arrangement partially courtesy of Kang; it's at once thrilling and subtly crushing, with a slow steamroller effect. When it pulls back at about ten minutes to feature a new, sweetly exultant main theme, arrhythmic electronic pulses and pluckings and a sense of heading out into a collapsing outer space take the lead in a striking instance of Ambarchi's abilities in full flight.
© Ned Raggett /TiVo
À propos
- 1 disque(s) - 4 piste(s)
- Durée totale : 00:53:51
- 1 Livret Numérique
- Artistes principaux : Oren Ambarchi
- Compositeur : Various Composers
- Label : Touch
- Genre : Électronique
2012 Touch 2012 Touch
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.