Charles Mackerras
An expert in a wide repertory of opera and orchestral music, conductor Charles Mackerras was especially well known for his interpretations of music by Leoš Janáček and other Czech composers. He was also one of the first conductors to apply the principles of the historical performance movement to operatic performances by modern orchestras.
Mackerras was born in Schenectady, New York, on November 17, 1925. His father was an Australian engineer, and when he was two, the family returned to Sydney, Australia, where he grew up. Mackerras took up the violin at age seven and later the flute. He also composed, writing a piano concerto at 12 and an opera in his early teens, and he got a taste of opera by performing in his school's Gilbert and Sullivan operetta productions. His parents tried to discourage his interest in music by sending him to a sports-oriented boarding school, The King's School, but he was expelled. His parents relented and enrolled him at the New South Wales State Conservatorium of Music. There he studied oboe, piano, and composition, making rapid progress; by the early '40s, he was finding work in Melbourne in various capacities. At age 19, he became principal oboist of the ABC Sydney Orchestra. In 1947, Mackerras departed for England, hoping to pursue conducting studies. He earned a scholarship that enabled him to study with conductor Václav Talich in Prague, and there he began a lifelong engagement with Janáček's operas.
Back in England, in 1948, Mackerras became assistant conductor of the Sadler's Wells opera company and made his debut in London, leading a performance of Strauss' Die Fledermaus. He made his recording debut during this period; his first recordings were on 78 rpm records. He remained in that post until 1954, conducting many operas, including the British premiere of Janáček's Káta Kabanová in 1951. From 1954 to 1956, he was the principal conductor of the BBC Symphony Orchestra, but he retained what became a lifelong association with Sadler's Wells, which became the English National Opera in 1974. It was in the 1950s that Mackerras, well before such a thing was common, began to do research into historical performance practices. He gave the world premiere of the wind version of Handel's Water Music in 1959, and in 1965, he led a performance of Mozart's Le nozze di Figaro in which he had the singers use historically authentic ornamentation.
Mackerras worked as a conductor at the Hamburg State Opera in Germany from 1966 to 1970 but returned to England to become music director at Sadler's Wells in 1970. He inaugurated the new Sydney Opera House in Australia in 1973, and the following year, he made his debut at the Metropolitan Opera in New York. He would conduct many more operas there. In the mid-'70s, he renewed his youthful enthusiasm for Gilbert & Sullivan, leading the D'Oyly Carte Opera Company several times as a guest conductor. Mackerras was chief conductor of the Sydney Symphony from 1982 to 1985 (he was the first Australian to hold the post) and music director of the Welsh National Opera from 1987 to 1992; there, he mounted several acclaimed Janáček productions. In 1992, he became principal guest conductor of the Scottish Chamber Orchestra, remaining in the post until 1995 and continuing to lead the group as conductor laureate. From 1993 to 1996, he served as principal guest conductor of the Royal Philharmonic Orchestra and also of the San Francisco Opera. In 1998, he became music director of the Orchestra of St. Luke's, and beginning in 1987, he often conducted the Orchestra of the Age of Enlightenment. In later years, he served as president of Trinity College of Music, London. Mackerras remained in demand as a guest conductor until the end of his long life, leading the Vienna Philharmonic in the final concert of pianist Alfred Brendel in 2008. He conducted his last concert just weeks before his death in London on July 14, 2010. Mackerras' vast catalog of well over 275 recordings included many readings of Janáček operas.
© James Manheim /TiVo
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Renée Fleming - Mozart Arias
Renée Fleming, Orchestra of St. Luke's, Charles Mackerras
Classical - Released by Decca Music Group Ltd. on 1 Jan 1996
16-Bit CD Quality 44.1 kHz - Stereo -
Tchaikovsky: The Nutcracker, Op. 71, TH 14 (Complete Ballet Score) [Original Motion Picture Soundtrack]
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Classical - Released by Telarc on 1 Nov 1986
16-Bit CD Quality 44.1 kHz - Stereo -
Janácek: The Makropulos Case; Lachian Dances
Elisabeth Söderström, Peter Dvorský, Wiener Philharmonic Orchestra, Charles Mackerras
Classical - Released by Decca Music Group Ltd. on 1 Jan 1979
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Janácek: The Cunning Little Vixen
Lucia Popp, Dalibor Jedlicka, Wiener Philharmonic Orchestra, Charles Mackerras
Classical - Released by Decca Music Group Ltd. on 1 Jan 1982
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Dvorák: Rusalka - Highlights
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Classical - Released by Decca Music Group Ltd. on 1 Jan 1998
16-Bit CD Quality 44.1 kHz - Stereo -
Handel: Judas Maccabaeus
English Chamber Orchestra, Charles Mackerras
Classical - Released by Archiv Produktion on 1 Jan 1977
16-Bit CD Quality 44.1 kHz - Stereo -
Sydney Opera House Opening Concert 1973 (Live At Concert Hall, Opera House, Sydney, 1973)
Charles Mackerras, Birgit Nilsson, Sydney Symphony Orchestra
Classical - Released by ABC Classic on 2 Aug 2008
16-Bit CD Quality 44.1 kHz - Stereo -
Janácek: Sinfonietta/Taras Bulba/Mládi etc.
Charles Mackerras, Sir Neville Marriner, David Atherton, François Huybrechts
Classical - Released by Decca Music Group Ltd. on 1 Jan 1996
16-Bit CD Quality 44.1 kHz - Stereo -
Tchaikovsky: Swan Lake & The Sleeping Beauty (Suites from the Ballets)
Charles Mackerras, Royal Philharmonic Orchestra
Classical - Released by Telarc on 1 Aug 1987
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Janáček: Sinfonietta; Taras Bulba; The Cunning Little Vixen Suite
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Classical - Released by Decca Music Group Ltd. on 1 Jan 1983
16-Bit CD Quality 44.1 kHz - Stereo -
Janácek: Kát'a Kabanová
Elisabeth Söderström, Nadezda Kniplova, Peter Dvorský, Wiener Philharmonic Orchestra, Charles Mackerras
Classical - Released by Decca Music Group Ltd. on 1 Jan 1977
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Dvořák: Serenade in D Minor, Op. 44, B. 77 & Serenade in E Major, Op. 22, B. 52
Charles Mackerras, English Chamber Orchestra, English Chamber Orchestra Wind Ensemble
Classical - Released by Warner Classics on 1 Jan 1983
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Così fan tutte, K. 588
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Mozart: Die Zauberflöte, K. 620
Classical - Released by Telarc on 31 Oct 1991
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Symphonies Nos. 25, 28 & 29
Charles Mackerras, Prague Chamber Orchestra
Classical - Released by Telarc on 1 May 1988
16-Bit CD Quality 44.1 kHz - Stereo -
Delibes/Messager/Gounod : Ballet Music
Classical - Released by Warner Classics on 15 May 2002
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Serenade No. 10 for 13 Winds in B-Flat Major, K. 361 "Gran partita"
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Classical - Released by Telarc on 1 Apr 1994
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Serenade in G Major, K. 525 "Eine kleine Nachtmusik" & Serenade No. 9 in D Major, K. 320 "Posthorn"
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Classical - Released by Telarc on 1 Mar 1985
16-Bit CD Quality 44.1 kHz - Stereo -
Delius: Appalachia; Song of the High Hills; Over the Hills & Far Away
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Classical - Released by Decca Music Group Ltd. on 1 Nov 1995
16-Bit CD Quality 44.1 kHz - Stereo -
Chopin: Piano Concerto No. 2, Op. 21, Fantasy on Polish Airs, Op. 13 & Andante spianato et Grande polonaise brillante, Op. 22
Emanuel Ax, Orchestra Of The Age Of Enlightenment, Charles Mackerras
Classical - Released by Sony Classical on 9 Mar 1998
16-Bit CD Quality 44.1 kHz - Stereo