Albums

5621 albums sorted by Date: from newest to oldest and filtered by Symphonic Music
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Symphonic Music - To be released July 26, 2018 | LSO Live

Hi-Res Booklet
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Cinema Music - To be released July 6, 2018 | Reference Recordings

Booklet
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Symphonic Music - To be released June 29, 2018 | Intersound

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Symphonic Music - To be released June 29, 2018 | Intersound

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Symphonic Music - To be released June 22, 2018 | harmonia mundi

Hi-Res Booklet
Moving from Palestrina to Boulez with stupefying ease, Spanish conductor Pablo Heras-Casado is interested in all music, beyond boundaries of epochs and styles. For this album, recorded as part of the publications planned by French label harmonia mundi to mark Debussy's centenary, Heras-Casado is conducting the famous London Philharmonic Orchestra, which, much like him, can happily play all sorts of music. It's a classic programme: the Prelude to the Afternoon of a Faun, which shows off the splendour of Samuel Coles's flute, and La Mer, shimmering and diaphanous, but whose rising tide gracefully carries all before in the train of the the London orchestra's flamboyant brass. Rarer are the symphonic extracts from the The Martyrdom of Saint Sebastian, a somewhat ill-starred work, a kind of ballet-oratorio for solo vocalists, mixed choir and symphonic orchestra that Debussy had written for the dancer Ida Rubinstein, based on a fashionably outdated text by Gabriele D'Annunzio. The original work, in five acts, lasted five hours and was threatened with a ban by the Archbishop of Paris, who was shocked by the heathen representation of the young Sebastian, who resembled a beautiful Adonis. This transfiguration, in fact already made by many painters of the Italian Renaissance, was surely too much for the era, and the work had no success, in spite of the beauty of Debussy's music. Only the "symphonic fragments", recorchestrated by André Caplet, survived the shipwreck. © François Hudry/Qobuz
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Theatre Music - To be released June 22, 2018 | Channel Classics Records

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Symphonic Music - Released June 8, 2018 | Alpha

Hi-Res Booklet
Since the 2015-2016 season, Giovanni Antonini has been the "principal guest conductor" of the Basel Chamber Orchestra (the Kammerorchester Basel, refounded in 1984 in the spirit of the original Basler Kammerorchester, founded by Swiss patron and conductor Paul Sacher), with whom he has worked on major discographic projects, like the ongoing complete recordings of Beethoven's Symphonies (Sony Classical), which has already seen lively success with press and public alike; and the "Haydn 2032" project, which aims to record all 700 of Joseph Haydn's symphonies in time to mark three hundred years since his birth (in 2032). Started in 2014, this audacious project has been entirely organised, produced and financed by the Basel Joseph Haydn Foundation, and it aims to take in both records and 19 concert seasons across all of Europe. It is being undertaken in cooperation with Il Giardino Armonico, a well-known ensemble of which Giovanni Antonini is a founder member.. The two orchestras are sharing out the recordings which will appear on Alpha Classics, in thematic, rather than chronological order, with other symphonies by composers in Haydn's orbit, like Gluck, Porpora, C.P.E. Bach, Mozart, Beethoven, Michael Haydn, Stamitz, Pleyel and Salieri. The next few years look to be absolutely thrilling in terms of releases. This sixth volume offers three symphonies which are full of a dense and almost spiritual expressiveness dating back to Haydn's Sturm und Drang era, coupled with a work by Joseph Martin Kraus, an exact contemporary of Wolfgang Amadeus Mozart, whose genius absolutely stands up alongside both Haydn and Mozart. But history was not kind to this visionary composer, who moved to Sweden, where he failed to make a mark, despite the protection of King Gustav III. His music, strongly expressive, is also influenced by the Sturm und Drang movement which brought drama to musical discourse and heralded the birth of Romanticism © François Hudry/Qobuz
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Symphonic Music - Released June 8, 2018 | Melodiya

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Symphonic Music - Released June 5, 2018 | ORF SHOP

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Symphonic Music - Released May 25, 2018 | RTS Radio Télévision Suisse - Evasion Music

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Symphonic Music - Released May 25, 2018 | RTS Radio Télévision Suisse - Evasion Music

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Symphonic Music - Released May 25, 2018 | NoMadMusic

Hi-Res Booklet
It's true, we admit: no-one is really waiting for a new recording of Stravinsky's Firebird – even of the 1945 Suite, which is more rarely performed than the rather hackneyed one of 1919. But what's original about this album from the Orchestre National d’Ile-de-France is rather the rare work by Milhaud: La Bien-Aimée, a ballet from 1928 which had the considerable misfortune of being first performed at the same concert as Ravel's Boléro – which, of course, eclipsed everyone and everything else. But this Bien-Aimée is not without its charms; it is in fact a series of orchestrations of Liszt and Schubert, with one piece for pianola! Yes, the pianola, the mechanical piano which doesn't play quite as "automatically" as all that, given that the human musician decides the tempo, the dynamics and the balances themselves. The difficulty of course lies in perfectly synchronising the pianola and the orchestra: but here, it is pulled off perfectly. Milhaud's orchestrations of this music by Liszt and Schubert are a lot of fun, and Milhaud enjoys a few flashes of genius, and on occasion an unlikely orchestral hodgepodge with neither head nor tail but which, oddly, hits the mark, if in a somewhat slapstick manner. One to discover! © SM/Qobuz
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Symphonic Music - Released May 11, 2018 | 4-32 Records

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Symphonic Music - Released May 11, 2018 | Actes Sud Musicales

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Symphonic Music - Released May 10, 2018 | 4-32 Records

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Symphonic Music - Released May 10, 2018 | 4-32 Records