The Ideal Qobuz Collection comprises original, uncompiled albums that have made a considerable mark on music history or which qualify as essential recordings within each musical genre. By downloading these albums, or streaming them with your subscription, you begin a journey that will shine a light on some of the finest moments in recorded music.

Albums

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Electro - Released May 5, 2017 | Sony Music UK

Hi-Res Distinctions The Qobuz Ideal Discography
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House - Released March 17, 2017 | Slip 'N' Slide

Distinctions The Qobuz Ideal Discography
Blaze's second LP, released more than seven years after their Motown debut, finds the duo of Joshua Milan and Kevin Hedge elaborating on the same garage and deep house concepts of their first, though with more maturity and the production techniques learned from remixing Babyface and Donald D during the early '90s. ~ John Bush
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Electro - Released March 1, 2017 | Mute, a BMG Company

Hi-Res Booklet Distinctions The Qobuz Ideal Discography
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Electro - Released October 14, 2016 | !K7 Records

Distinctions The Qobuz Ideal Discography
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Electro - Released October 15, 2015 | Planet Mu Records Ltd.

Distinctions The Qobuz Ideal Discography - Pitchfork: Best New Music
The music associated with Chicago's juke/footwork scene is fast, frenetic, complex, and often highly aggressive, as it is typically intended to soundtrack dance battles. The tracks produced by Jlin, a steel mill worker from nearby Gary, Indiana named Jerrilynn Patton, use footwork as a venue to express frustration, anger, and depression. The screams and horror movie samples ("You don't want to hurt anyone," "But I do, and I'm sorry") on tracks such as "Guantanamo" and "Abnormal Restriction" sound downright evil, and are a far cry from the more hedonistic, drug-glorifying tracks by artists such as DJ Rashad and DJ Spinn. While those artists' tracks are heavily populated with recognizable soul and hip-hop samples, Jlin builds her music from scratch, constructing all the percussion sounds and bass tones herself. Her production style is intense and gripping, but it never sounds cluttered, and it never breaks out into all-out chaos. Tense, thrilling, and a bit frightening, Dark Energy is simply one of the most compelling debut albums of 2015. ~ Paul Simpson
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House - Released October 1, 2015 | Toko Records

Distinctions The Qobuz Ideal Discography
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Electro - Released August 28, 2015 | Sony Music Catalog

Hi-Res Distinctions The Qobuz Ideal Discography
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Electro - Released August 28, 2015 | Sony Music Catalog

Hi-Res Distinctions The Qobuz Ideal Discography
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Dance - Released July 1, 2015 | Universal Music

Distinctions The Qobuz Ideal Discography
Since 1980, there has been an assortment of compilations devoted to DJ Larry Levan, including multiple anthologies devoted to the man's remixes of Salsoul and West End tracks, and Journey Into Paradise, a set of Warner-distributed selections that combined material he remixed or merely played. Genius of Time, released in Europe through Universal, has the widest reach of them all, and concentrates on Levan's radical alterations. None of the tracks originated on Salsoul, a frequent client, so career highlights such as like Inner Life's "Ain't No Mountain High Enough" and Instant Funk's "I Got My Mind Up" aren't included. Instead, a judicious portion comes from the Island label, the source of four delectable, dubbed-out mixes of songs recorded by Gwen Guthrie with the Compass Point All-Stars. Another Island post-disco classic here is the monstrous Levan mix of ex-Hi Tension vocalist David Joseph's "You Can't Hide (Your Love from Me)," merely a slightly nutty, relatively tame tune in original form. There's a fair amount of overlap with previous Levan comps and other well-regarded various-artists sets, but quite a few -- Merc & Monk's "Carried Away," Jeffrey Osborne's "Plane Love," and Bert Reid's "Groovin' You" among them -- also appear on a legitimate compact disc release for the first time. ~ Andy Kellman
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Electro - Released June 15, 2015 | Parlophone France

Distinctions The Qobuz Ideal Discography
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Dance - Released April 24, 2015 | Defected Records

Distinctions The Qobuz Ideal Discography - Pitchfork: Best New Reissue
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Electro - Released April 6, 2015 | Combien Mille Records

Hi-Res Distinctions 4F de Télérama - The Qobuz Ideal Discography - Qobuzissime
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Electro - Released October 6, 2014 | Warp Records

Hi-Res Distinctions The Qobuz Ideal Discography - Pitchfork: Best New Music - Top du mois de Jazznews
An early form of You're Dead! was the length of a double album -- a large mass of brief tracks that, for Steven Ellison, possibly signified nothing more than his fifth Flying Lotus album. As the producer and keyboardist spent more time absorbing and shaping the recordings, the title, initially comic in meaning, gained emotional weight while he was provoked to consider his mortality and the losses he has been dealt, including the deaths of his father and mother, his grandmother, his great aunt Alice Coltrane, and creative collaborator Austin Peralta. The completed You're Dead! consists of 19 tracks averaging two minutes in length that are intended to be heard in sequence from front to back. Its flow is even more liquid than that of Until the Quiet Comes, though the sounds are more jagged and free, with roots deeper in jazz. Ellison once again works extensively beside longtime comrades and pulls new collaborators into his sphere. All of them -- bassist and vocalist Thundercat, drummer Deantoni Parks, saxophonist Kamasi Washington, and many others worthy of mention -- help him push jazz, R&B, rap, and electronic music forward at once. Most striking and powerful of all is "Never Catch Me," easily the longest cut. An album's worth of ideas and a whirlwind guest appearance from rapper Kendrick Lamar are condensed into its four sonically rich minutes. The tone dramatically shifts with the following "Dead Man's Tetris," a sinister concoction of melodic bleeps and gunshot effects involving Ellison as Captain Murphy, and also Snoop Dogg, in which J Dilla, Freddie Mercury, and Peralta are all part of the afterlife fantasy. Previous Flying Lotus releases have their bleak and elegiac moments, but they're central here, highlighted by "Coronus, the Terminator" (an Ellison/Niki Randa duet), "Siren Song" (fronted by Dirty Projectors' Angel Deradoorian), and "Obligatory Cadence." The instrumentals range from playful, as reflected in titles like "Turkey Dog Coma" and "Turtles," to the distressed likes of "Tesla" and "Moment of Hesitation," with the latter two both anchored by Gene Coye's feverish percussion and Herbie Hancock's glimmering/flickering piano. It all plays out in a kind of elegantly careening fashion. It concludes with "The Protest," where Laura Darlington and Kimbra softly sing "We will live on forever" like a defiant mantra. Like his great aunt, and his great uncle John Coltrane, Ellison has created exceptionally progressive, stirring, and eternal art. ~ Andy Kellman
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Electro - Released August 25, 2014 | Naive

Distinctions The Qobuz Ideal Discography - Pitchfork: Best New Reissue
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Electro - Released February 23, 2014 | Kif music

Distinctions The Qobuz Ideal Discography
Taking their name from a line in the 1968 Peter Sellers film The Party, French DJ quartet Birdy Nam Nam's music is equally obscure and backward-looking: created entirely on turntables, the quartet's music consists of expertly manipulated shards of old records combined into new configurations that sound not like the usual turntablism grooves and displays of scratching prowess, but actual composed pop songs. The six-minute "Abbesses" sounds like post-rockers Tortoise jamming with a gypsy violinist and the drum section of a marching band, and the melodic drive and rhythmic swing of this track is testament to the skill with which these pop song collages were created. Elements of jazz, classical, funk, sound effects records, and unidentifiable bits of world music can be heard in instantly appealing, poppy songs like "Body, Mind, Spirit" and "Rainstorming." ~ Stewart Mason