The Ideal Qobuz Collection comprises original, uncompiled albums that have made a considerable mark on music history or which qualify as essential recordings within each musical genre. By downloading these albums, or streaming them with your subscription, you begin a journey that will shine a light on some of the finest moments in recorded music.

Albums

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Jazz - Released January 27, 2017 | Contemporary

Hi-Res Booklet Distinctions The Qobuz Ideal Discography - Jazzwise Five-star review
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Jazz - Released January 27, 2017 | Contemporary

Hi-Res Booklet Distinctions The Qobuz Ideal Discography
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Jazz - Released January 1, 1964 | Verve

Hi-Res Distinctions The Qobuz Ideal Discography
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Jazz - Released March 10, 2017 | Concord Records, Inc. (UMG Account)

Hi-Res Booklet Distinctions The Qobuz Ideal Discography
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Jazz - Released January 27, 2017 | Contemporary

Hi-Res Booklet Distinctions The Qobuz Ideal Discography - Jazzwise Five-star review
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Jazz - Released January 1, 1958 | Concord Records, Inc. (UMG Account)

Hi-Res Booklet Distinctions The Qobuz Ideal Discography
Max Roach on drums, Oscar Pettiford on the double bass and no pianist, like the year before in Way Out West: Sonny Rollins once again blows the wind of rebellion in this masterpiece recorded on February 11th and March 7th, 1958. From the start, the most popular tenor of that time lays down a theme of over 19 minutes: his album’s title, Freedom Suite! What a freedom suite indeed! Changing rhythms, unexpected escapades, freedom of tone and recurring themes never prevent the three men from conversing intensely. The listener must surrender himself to these high-flying exchanges, rather unprecedented at that time, let themselves be carried by this lava flow that is indeed extreme (never free), but never switches off from its melodic framework, or more precisely from its narration. Freedom Suite’s other great strength is to be the album of a true trio, rather than Rollins’ whim. Both Roach and Pettiford unfold stunning rhythm designs, beefing up the album’s inventiveness. With a record of this magnitude, Sonny Rollins shakes up the limits of jazz and cries out against segregation in late-50s America. He explains it in the sleeve’s notes: “America is deeply rooted in black culture. Its colloquialisms. Its humour. Its music. How ironic that Black people, who more than any other, claim America’s culture as their own, are in fact persecuted and repressed. That black people, who have exemplified humanity in their very existence, are being rewarded with inhumanity." © MZ/Qobuz
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Jazz - Released January 1, 1978 | Deutsche Grammophon ECM

Hi-Res Booklet Distinctions The Qobuz Ideal Discography
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Bebop - Released August 8, 1957 | Verve Reissues

Hi-Res Distinctions The Qobuz Ideal Discography
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Vocal Jazz - Released April 1, 1957 | Verve

Hi-Res Distinctions The Qobuz Ideal Discography - Stereophile: Record To Die For
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Jazz - Released June 24, 2016 | Ace Records

Distinctions The Qobuz Ideal Discography
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Vocal Jazz - Released January 1, 1960 | Verve

Hi-Res Distinctions The Qobuz Ideal Discography
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Vocal Jazz - Released January 1, 1957 | Verve

Hi-Res Distinctions The Qobuz Ideal Discography
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Jazz - Released March 15, 2016 | Columbia - Legacy

Hi-Res Booklet Distinctions The Qobuz Ideal Discography
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Jazz - Released January 1, 2015 | Impulse!

Distinctions The Qobuz Ideal Discography - Indispensable JAZZ NEWS
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Jazz - Released September 18, 2015 | Columbia - Legacy

Hi-Res Distinctions 4F de Télérama - The Qobuz Ideal Discography - Indispensable JAZZ NEWS
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Gospel - Released August 28, 2015 | Columbia - Legacy

Hi-Res Distinctions The Qobuz Ideal Discography
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Jazz - Released January 1, 1959 | Verve Reissues

Hi-Res Distinctions The Qobuz Ideal Discography
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Vocal Jazz - Released January 1, 1999 | Capitol Records

Hi-Res Distinctions The Qobuz Ideal Discography - The Qobuz Standard - Stereophile: Record To Die For
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Latin Jazz - Released June 12, 2015 | Columbia - Legacy

Hi-Res Distinctions The Qobuz Ideal Discography
Although Mongo Santamaria's move to Columbia later signified his transition to crossover fare, his label debut, El Bravo!, makes no concessions or overtures to the pop charts. Armed with a batch of original compositions spanning from boleros to mortunos and backed by a crack session band including trumpeter Marty Sheller and flutist Hubert Laws, Santamaria delivers one of the finest traditional Latin jazz records of the mid-'60s. The virtues of the set are many: Santamaria's conga rhythms are fiery yet tasteful, Sheller's luminous arrangements boast an authentic Cuban flavor, and all of the musicians receive ample opportunity to shine, in particular Laws (whose charanga-inspired flute galvanizes the superb "Monica"). ~ Jason Ankeny
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Jazz - Released January 1, 1977 | ECM

Hi-Res Booklet Distinctions The Qobuz Ideal Discography