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Glenn Yarbrough|We Survived the Madness

We Survived the Madness

Glenn Yarbrough

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Text in englischer Sprache verfügbar

We Survived the Madness was Glenn Yarbrough's last album for RCA before moving to Warner Brothers in 1968. Yarbrough began mixing pop and folk music in the '50s, but by the late '60s his approach was pure pop even though he occasionally leaned on genuine folk artists like Tom Paxton and Phil Ochs for material. Yarbrough's light touch makes Ochs' indictment of conformity, "One More Parade," sound like nothing more than a cheery song about a parade. Yarbrough's renditions of Bobby Darin's "Amy" and Paul Simon's "Cloudy" -- the latter on loan from pop/rock group the Cyrkle -- are the best cuts and suggest a more satisfying direction than the glossy semi-folk heard elsewhere on the album. As Yarbrough struggled to find a commercial middle ground between the folk music he loved and the adult contemporary pop that actually sold records, his music sometimes suffered for being too pop for the folk audience yet too preoccupied with songwriters like Ochs who did not appeal to the mainstream.

© Greg Adams /TiVo

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We Survived the Madness

Glenn Yarbrough

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1
That's The Way It's Gonna Be
00:02:54

Glenn Yarbrough, MainArtist, AssociatedPerformer - Bob Gibson, Composer, Lyricist - Phil Ochs, Composer, Lyricist

Originally released 1968. All rights reserved by RCA Records, a division of Sony Music Entertainment

2
One More Parade
00:02:00

Glenn Yarbrough, MainArtist, AssociatedPerformer - Bob Gibson, Composer, Lyricist - Phil Ochs, Composer, Lyricist

Originally released 1968. All rights reserved by RCA Records, a division of Sony Music Entertainment

3
Hot Dusty Roads
00:02:34

Glenn Yarbrough, MainArtist, AssociatedPerformer - Stephen Stills, Composer, Lyricist

Originally released 1968. All rights reserved by RCA Records, a division of Sony Music Entertainment

4
Amy
00:02:25

Glenn Yarbrough, MainArtist, AssociatedPerformer - Bobby Darin, Composer, Lyricist

Originally released 1968. All rights reserved by RCA Records, a division of Sony Music Entertainment

5
Cloudy
00:02:24

Glenn Yarbrough, MainArtist, AssociatedPerformer - Paul Simon, Composer, Lyricist

Originally released 1968. All rights reserved by RCA Records, a division of Sony Music Entertainment

6
Farewell Party
00:02:23

Glenn Yarbrough, MainArtist, AssociatedPerformer - Connelly, Composer, Lyricist - Bob Gibson, Composer, Lyricist

Originally released 1968. All rights reserved by RCA Records, a division of Sony Music Entertainment

7
We Won't Freeze
00:02:06

Glenn Yarbrough, MainArtist, AssociatedPerformer - Michael Kollander, Composer, Lyricist

Originally released 1968. All rights reserved by RCA Records, a division of Sony Music Entertainment

8
River Colorado
00:03:22

Glenn Yarbrough, MainArtist, AssociatedPerformer - Michael Kollander, Composer, Lyricist

Originally released 1968. All rights reserved by RCA Records, a division of Sony Music Entertainment

9
Ev'ry Time (When We Are Gone)
00:02:53

Glenn Yarbrough, MainArtist, AssociatedPerformer - Tom Paxton, Composer, Lyricist

Originally released 1968. All rights reserved by RCA Records, a division of Sony Music Entertainment

10
We Survived the Madness
00:03:07

Glenn Yarbrough, MainArtist, AssociatedPerformer - Ivan Ulz, Composer, Lyricist

Originally released 1968. All rights reserved by RCA Records, a division of Sony Music Entertainment

Albumbeschreibung

We Survived the Madness was Glenn Yarbrough's last album for RCA before moving to Warner Brothers in 1968. Yarbrough began mixing pop and folk music in the '50s, but by the late '60s his approach was pure pop even though he occasionally leaned on genuine folk artists like Tom Paxton and Phil Ochs for material. Yarbrough's light touch makes Ochs' indictment of conformity, "One More Parade," sound like nothing more than a cheery song about a parade. Yarbrough's renditions of Bobby Darin's "Amy" and Paul Simon's "Cloudy" -- the latter on loan from pop/rock group the Cyrkle -- are the best cuts and suggest a more satisfying direction than the glossy semi-folk heard elsewhere on the album. As Yarbrough struggled to find a commercial middle ground between the folk music he loved and the adult contemporary pop that actually sold records, his music sometimes suffered for being too pop for the folk audience yet too preoccupied with songwriters like Ochs who did not appeal to the mainstream.

© Greg Adams /TiVo

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