Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Previously a backing vocalist for artists as diverse as Soweto Kinch and Noah and the Whale, 28-year-old London jazz-soul singer Zara McFarlane's debut album, Until Tomorrow, showcases a talent that undeniably deserves to take center stage all on its own. Released through Gilles Peterson's Brownswood Recordings label, the extension of her 2010 same-titled six-track EP (of which three tracks appear here) is an effortlessly subtle and soulful affair tailor-made for lazy Sunday mornings, which, apart from the rather superfluous rendition of The Sound of Music's "My Favorite Things," cleverly avoids drifting into MOR easy listening territory. "More Than Mine" (also featured in an "alternate take" version whose only difference is the addition of some barbershop quartet-style vocals) is a delightfully gentle jazz-pop ballad whose reflective piano chords and melancholic saxophone hooks perfectly reflect the yearning lyrical themes of seeing a past lover out with her new beau; "Captured, Pt. 3" and "Chiaroscuro" are minimal but charming rearrangements of her collaborations with dance producer Bopstar, both of which are unrecognizable from their previous vocal house incarnations; while the pounding piano chords, shuffling hi-hat rhythms, and McFarlane's swooping scale-gliding vocals on "Feed the Spirit (The Children and the Warlock)" help provide a captivating rendition of the rather obscure number from underrated jazz composer Harry Whitaker's back catalog. It's hard to see exactly where the comparisons with the likes of Erykah Badu and Jill Scott have come from, as other than the galloping percussion and R&B-tinged melodies of "Blossom Tree," its 11 tracks are very much at the modern jazz rather than the nu-soul end of the spectrum. But whatever category Until Tomorrow is filed under, it still remains a sensual and highly expressive debut from an artist who appears determined to fully grasp her opportunity in the spotlight.
© Jon O'Brien /TiVo
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Manu Delago, Hang Percussion - Leron Thomas, Trumpet, Backing Vocals - Zara McFarlane, Composer, Vocals, MainArtist - Peter Edwards, Arranger, Piano - Binker Golding, Tenor Saxophone - Max Luthert, Double Bass - Moses Boyd, Drums - Gavin Barrass, Electric Bass - Rachel Gladwin, Harp
© 2011 Brownswood Recordings ℗ 2011 Brownswood Recordings
Manu Delago, Hang Percussion - Leron Thomas, Trumpet, Backing Vocals - Zara McFarlane, Composer, Vocals, MainArtist - Peter Edwards, Composer, Arranger, Piano - Bopstar, Composer - Binker Golding, Tenor Saxophone - Max Luthert, Double Bass - Moses Boyd, Drums - Gavin Barrass, Electric Bass - Rachel Gladwin, Harp
© 2011 Brownswood Recordings ℗ 2011 Brownswood Recordings
Manu Delago, Hang Percussion - Leron Thomas, Trumpet, Backing Vocals - Zara McFarlane, Composer, Vocals, MainArtist - Peter Edwards, Arranger, Piano - Binker Golding, Tenor Saxophone - Max Luthert, Double Bass - Moses Boyd, Drums - Gavin Barrass, Electric Bass - Rachel Gladwin, Harp
© 2011 Brownswood Recordings ℗ 2011 Brownswood Recordings
Manu Delago, Hang Percussion - Leron Thomas, Trumpet, Backing Vocals - Zara McFarlane, Composer, Vocals, MainArtist - Peter Edwards, Composer, Arranger, Piano - Binker Golding, Tenor Saxophone - Max Luthert, Double Bass - Moses Boyd, Drums - Gavin Barrass, Electric Bass - Rachel Gladwin, Harp
© 2011 Brownswood Recordings ℗ 2011 Brownswood Recordings
Manu Delago, Hang Percussion - Leron Thomas, Trumpet, Backing Vocals - Zara McFarlane, Composer, Vocals, MainArtist - Peter Edwards, Arranger, Piano - Binker Golding, Tenor Saxophone - Max Luthert, Double Bass - Moses Boyd, Drums - Gavin Barrass, Electric Bass - Rachel Gladwin, Harp
© 2011 Brownswood Recordings ℗ 2011 Brownswood Recordings
Harry Whitaker, Composer - Manu Delago, Hang Percussion - Leron Thomas, Trumpet, Backing Vocals - Zara McFarlane, Composer, Vocals, MainArtist - Peter Edwards, Arranger, Piano - Binker Golding, Tenor Saxophone - Max Luthert, Double Bass - Moses Boyd, Drums - Gavin Barrass, Electric Bass - Rachel Gladwin, Harp
© 2011 Brownswood Recordings ℗ 2011 Brownswood Recordings
Harry Whitaker, Composer - Manu Delago, Hang Percussion - Leron Thomas, Trumpet, Backing Vocals - Zara McFarlane, Composer, Vocals, MainArtist - Peter Edwards, Arranger, Piano - Binker Golding, Tenor Saxophone - Max Luthert, Double Bass - Moses Boyd, Drums - Gavin Barrass, Electric Bass - Rachel Gladwin, Harp
© 2011 Brownswood Recordings ℗ 2011 Brownswood Recordings
Manu Delago, Hang Percussion - Leron Thomas, Trumpet, Backing Vocals - Zara McFarlane, Composer, Vocals, MainArtist - Peter Edwards, Arranger, Piano - Bopstar, Composer - Binker Golding, Tenor Saxophone - Max Luthert, Double Bass - Moses Boyd, Drums - Gavin Barrass, Electric Bass - Rachel Gladwin, Harp
© 2011 Brownswood Recordings ℗ 2011 Brownswood Recordings
Manu Delago, Hang Percussion - Leron Thomas, Trumpet, Backing Vocals - Zara McFarlane, Composer, Vocals, MainArtist - Peter Edwards, Arranger, Piano - Bopstar, Composer - Binker Golding, Tenor Saxophone - Max Luthert, Double Bass - Moses Boyd, Drums - Gavin Barrass, Electric Bass - Rachel Gladwin, Harp
© 2011 Brownswood Recordings ℗ 2011 Brownswood Recordings
Manu Delago, Hang Percussion - Leron Thomas, Trumpet, Backing Vocals - Zara McFarlane, Composer, Vocals, MainArtist - Peter Edwards, Arranger, Piano - Binker Golding, Tenor Saxophone - Max Luthert, Double Bass - Moses Boyd, Drums - Gavin Barrass, Electric Bass - Rachel Gladwin, Harp
© 2011 Brownswood Recordings ℗ 2011 Brownswood Recordings
Albumbeschreibung
Previously a backing vocalist for artists as diverse as Soweto Kinch and Noah and the Whale, 28-year-old London jazz-soul singer Zara McFarlane's debut album, Until Tomorrow, showcases a talent that undeniably deserves to take center stage all on its own. Released through Gilles Peterson's Brownswood Recordings label, the extension of her 2010 same-titled six-track EP (of which three tracks appear here) is an effortlessly subtle and soulful affair tailor-made for lazy Sunday mornings, which, apart from the rather superfluous rendition of The Sound of Music's "My Favorite Things," cleverly avoids drifting into MOR easy listening territory. "More Than Mine" (also featured in an "alternate take" version whose only difference is the addition of some barbershop quartet-style vocals) is a delightfully gentle jazz-pop ballad whose reflective piano chords and melancholic saxophone hooks perfectly reflect the yearning lyrical themes of seeing a past lover out with her new beau; "Captured, Pt. 3" and "Chiaroscuro" are minimal but charming rearrangements of her collaborations with dance producer Bopstar, both of which are unrecognizable from their previous vocal house incarnations; while the pounding piano chords, shuffling hi-hat rhythms, and McFarlane's swooping scale-gliding vocals on "Feed the Spirit (The Children and the Warlock)" help provide a captivating rendition of the rather obscure number from underrated jazz composer Harry Whitaker's back catalog. It's hard to see exactly where the comparisons with the likes of Erykah Badu and Jill Scott have come from, as other than the galloping percussion and R&B-tinged melodies of "Blossom Tree," its 11 tracks are very much at the modern jazz rather than the nu-soul end of the spectrum. But whatever category Until Tomorrow is filed under, it still remains a sensual and highly expressive debut from an artist who appears determined to fully grasp her opportunity in the spotlight.
© Jon O'Brien /TiVo
Informationen zu dem Album
- 1 Disc(s) - 10 Track(s)
- Gesamte Laufzeit: 00:43:46
- Künstler: Zara McFarlane
- Komponist: Various Composers
- Label: Brownswood Recordings
- Genre: Jazz
© 2011 Brownswood Recordings ℗ 2011 Brownswood Recordings
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.