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Fumio Yasuda|The Night they invented Champagne

The Night they invented Champagne

Las Vegas Rhapsody

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Stylistically, Theo Bleckmann has not been easy to pin down. The main focus of the German-born singer turned New York City resident has been jazz, some of it post-bop and some of it avant-garde, but Bleckmann has not been afraid to throw musical curve balls at listeners, which is exactly what he does on Las Vegas Rhapsody: The Night They Invented Champagne. This 2005 recording, which was arranged by Japanese pianist Fumio Yasuda, is Bleckmann's tribute to Sin City, and the art work is full of illustrations of stereotypical Vegas images such as slot machines, roulette wheels and Frank Sinatra hanging out on the Strip. But what Bleckmann and Yasuda come up with is more Manhattan than Vegas -- and not Manhattan in either a Birdland/Village Vanguard way, or a Knitting Factory way. We're talking Manhattan cabaret instead of Manhattan jazz; we're talking show tunes performed as show tunes instead of show tunes transformed into improvisatory jazz vehicles. Apart from a brief performance of "I've Got a Gal in Kalamazoo," Las Vegas Rhapsody's biggest inspirations are Broadway and cabaret -- and that Broadway/cabaret mindset prevails whether Bleckmann is turning his attention to "Chim Chim Cheree," "My Favorite Things" or Joe Lubin's doo wop -flavored "Teacher's Pet" (which was a major hit for Doris Day in 1958). Some of the songs are closely identified with Sinatra, including "You Go to My Head," "Luck Be a Lady" and "You Make Me Feel So Young," but Bleckmann never tries to emulate anyone from the Rat Pack, and those who expect Las Vegas Rhapsody to sound like a Sinatra, Dean Martin or Sammy Davis, Jr. release will be disappointed. Again, Las Vegas Rhapsody salutes Sin City on Manhattan's cabaret/Broadway terms, not Vegas' terms. This 56-minute CD is unlikely to go down in history as one of Bleckmann's more essential recordings, but it's an agreeable listen and is worth checking out if one doesn't insist on hearing him perform hardcore jazz 100 percent of the time.

© Alex Henderson /TiVo

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The Night they invented Champagne

Fumio Yasuda

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1
Las Vegas Rhapsody - Prologue
Fumio Yasuda
00:03:36

Theo Bleckmann, chant - Fumio Yasuda, orchestration, piano - Kammerorchester Basel Orchestre - Bernd Ruf, direction

2006 Winter & Winter 2006 Winter & Winter

2
Out of My Dreams
Richard Rodgers
00:03:24

Theo Bleckmann, chant - Fumio Yasuda, orchestration, piano - Kammerorchester Basel Orchestre - Bernd Ruf, direction

2006 Winter & Winter 2006 Winter & Winter

3
The Night They Invented Champagne
Alan Jay Lerner
00:01:59

Theo Bleckmann, chant - Fumio Yasuda, orchestration, piano - Kammerorchester Basel Orchestre - Bernd Ruf, direction

2006 Winter & Winter 2006 Winter & Winter

4
Teacher's Pet
Joe Lubin
00:02:34

Theo Bleckmann, chant - Fumio Yasuda, orchestration, piano - Kammerorchester Basel Orchestre - Bernd Ruf, direction

2006 Winter & Winter 2006 Winter & Winter

5
True Love
Cole Porter
00:03:52

Theo Bleckmann, chant - Fumio Yasuda, orchestration, piano - Kammerorchester Basel Orchestre - Bernd Ruf, direction

2006 Winter & Winter 2006 Winter & Winter

6
You Make Me Feel so Young
Mark Gordon
00:04:16

Theo Bleckmann, chant - Fumio Yasuda, orchestration, piano - Kammerorchester Basel Orchestre - Bernd Ruf, direction

2006 Winter & Winter 2006 Winter & Winter

7
Chim Chim Cheree
Richard Sherman
00:04:18

Theo Bleckmann, chant - Fumio Yasuda, orchestration, piano - Kammerorchester Basel Orchestre - Bernd Ruf, direction

2006 Winter & Winter 2006 Winter & Winter

8
A Gal in Calico
Arthur Schwartz
00:03:17

Theo Bleckmann, chant - Fumio Yasuda, orchestration, piano - Kammerorchester Basel Orchestre - Bernd Ruf, direction

2006 Winter & Winter 2006 Winter & Winter

9
You Go to My Head
Arthur Schwartz
00:04:51

Theo Bleckmann, chant - Fumio Yasuda, orchestration, piano - Kammerorchester Basel Orchestre - Bernd Ruf, direction

2006 Winter & Winter 2006 Winter & Winter

10
Smoke Gets in Your Eyes
Fred Coots
00:04:59

Theo Bleckmann, chant - Fumio Yasuda, orchestration, piano - Kammerorchester Basel Orchestre - Bernd Ruf, direction

2006 Winter & Winter 2006 Winter & Winter

11
We Kiss in a Shadow
Jerome Kern
00:03:33

Theo Bleckmann, chant - Fumio Yasuda, orchestration, piano - Kammerorchester Basel Orchestre - Bernd Ruf, direction

2006 Winter & Winter 2006 Winter & Winter

12
Button up Your Overcoat
Richard Rodgers
00:03:24

Theo Bleckmann, chant - Fumio Yasuda, orchestration, piano - Kammerorchester Basel Orchestre - Bernd Ruf, direction

2006 Winter & Winter 2006 Winter & Winter

13
I've Got a Gal in Kalamazoo
Lew Brown
00:01:33

Theo Bleckmann, chant - Fumio Yasuda, orchestration, piano - Kammerorchester Basel Orchestre - Bernd Ruf, direction

2006 Winter & Winter 2006 Winter & Winter

14
Luck Be a Lady
Mark Gordon
00:03:17

Theo Bleckmann, chant - Fumio Yasuda, orchestration, piano - Kammerorchester Basel Orchestre - Bernd Ruf, direction

2006 Winter & Winter 2006 Winter & Winter

15
My Favorite Things
Franck Loesser
00:04:07

Theo Bleckmann, chant - Fumio Yasuda, orchestration, piano - Kammerorchester Basel Orchestre - Bernd Ruf, direction

2006 Winter & Winter 2006 Winter & Winter

16
Las Vegas Rhapsody - Epilogue
Fumio Yasuda
00:03:44

Theo Bleckmann, chant - Fumio Yasuda, orchestration, piano - Kammerorchester Basel Orchestre - Bernd Ruf, direction

2006 Winter & Winter 2006 Winter & Winter

Albumbeschreibung

Stylistically, Theo Bleckmann has not been easy to pin down. The main focus of the German-born singer turned New York City resident has been jazz, some of it post-bop and some of it avant-garde, but Bleckmann has not been afraid to throw musical curve balls at listeners, which is exactly what he does on Las Vegas Rhapsody: The Night They Invented Champagne. This 2005 recording, which was arranged by Japanese pianist Fumio Yasuda, is Bleckmann's tribute to Sin City, and the art work is full of illustrations of stereotypical Vegas images such as slot machines, roulette wheels and Frank Sinatra hanging out on the Strip. But what Bleckmann and Yasuda come up with is more Manhattan than Vegas -- and not Manhattan in either a Birdland/Village Vanguard way, or a Knitting Factory way. We're talking Manhattan cabaret instead of Manhattan jazz; we're talking show tunes performed as show tunes instead of show tunes transformed into improvisatory jazz vehicles. Apart from a brief performance of "I've Got a Gal in Kalamazoo," Las Vegas Rhapsody's biggest inspirations are Broadway and cabaret -- and that Broadway/cabaret mindset prevails whether Bleckmann is turning his attention to "Chim Chim Cheree," "My Favorite Things" or Joe Lubin's doo wop -flavored "Teacher's Pet" (which was a major hit for Doris Day in 1958). Some of the songs are closely identified with Sinatra, including "You Go to My Head," "Luck Be a Lady" and "You Make Me Feel So Young," but Bleckmann never tries to emulate anyone from the Rat Pack, and those who expect Las Vegas Rhapsody to sound like a Sinatra, Dean Martin or Sammy Davis, Jr. release will be disappointed. Again, Las Vegas Rhapsody salutes Sin City on Manhattan's cabaret/Broadway terms, not Vegas' terms. This 56-minute CD is unlikely to go down in history as one of Bleckmann's more essential recordings, but it's an agreeable listen and is worth checking out if one doesn't insist on hearing him perform hardcore jazz 100 percent of the time.

© Alex Henderson /TiVo

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