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A month-and-a-half after the release of her first studio recording in six years, and perhaps her finest recording since 1975's Diamonds & Rust, Joan Baez's complete A&M recordings offer a revelatory view of the artist at her most adventurous. Baez's tenure with A&M lasted from 1972-1976 and yielded five studio albums, a live recording, and three non-album singles. All of them are included here on four CDs with gorgeously remastered sound, a deluxe package with exhaustive, insightful, and unflinching liner notes by Arthur Levy, and a package that should win a Grammy for design and presentation if nothing else.
Baez, regarded in the popular culture at large as a "folk" or "topical" singer (the latter term she would not refute, the former hasn't fit her for some time), has always been a restless artist. This box set offers proof that Baez's switch to A&M -- then an independent, now swallowed whole by Universal -- from Vanguard, facilitated a virtual renaissance for her not just creatively, but on the charts as well. This reappraisal is necessary, given Baez's most recent recordings have reflected another shift in her sound and concerns, away from being a songwriter to being an interpreter of fine, edgy, roots songs by a whole slew of younger writers -- and her seeming embrace of the electric guitar. The earliest evidence of Baez's rambling vision can be heard on her experimental album Baptism, from 1968. Upon moving to A&M, and recording from her Nashville studio base, Baez released her self-produced Come From The Shadows (with help from Norbert Putnam), featuring -- like her latter day Vanguard recordings -- a host of Nashville's finest musicians, which included David Paul Briggs, Pete Drake, Kenneth A. Buttrey, Charlie McCoy, and Grady Martin. It was certainly a political record, but it also included the stunning "Love Song To A Stranger," and her sister Mimi Fariña's "In The Quiet Morning," written in memory of Janis Joplin.
The other half of Disc One is comprised of Where Are You Now, My Son from 1973, co-produced by Baez and Henry Lewy. It included a slew of originals by Baez, including the title track, a pair of songs by Fariña, and Hoyt Axton's "Less Than A Song." Most importantly, it was a move toward something outside of the country-rock realm she'd been toying with. That "something" first occurs on Disc Two with her traditional album of Latin folk and topical songs from Gracias a la Vida, and, of course, 1975's Diamonds and Rust with David Kershenbaum helping her out in the production room. The latter album, heard so many years after the fact of its inception and release, has Baez experimenting with soul -- Stevie Wonder's "Never Dreamed You'd Leave in Summer"; hard country: Dickey Betts' "Blue Sky,"; and moving around toward Dylan once again, as she was part of the Rolling Thunder Review, with a stellar version of "Simple Twist Of Fate," as well as the legendary title track. Along with it, Baez wrote four songs, and recorded others by John Prine, and Jackson Browne, and offered a deeply moving rendition of Stephen Foster's "I Dream of Jeannie" melded with "Danny Boy." It was the masterpiece that both critics and fans knew she was capable of delivering and had been leading up to since Blessed Are.., her final album for Vanguard. It, along with most everything here, has aged well and endures. Disc Three features the second half of Diamonds and Rust, and another fine, if criminally under-appreciated, album Gulf Winds, released in October of 1976 and comprised entirely of Baez originals.
Disc Four features one of the best live recordings from the 1970s, From Every Stage, compiled from a handful of shows and not enhanced in any way. Some of the members of her road band included no less than one of Motown's Funk Brothers in bassist James Jamerson, drummer Jim Gordon, pianist David Briggs, and guitarist Larry Carlton. Moving across the space of her entire career, it is a moving, engaging, and utterly transcendent recording, offered in an era when live records sucked -- they were no longer live but edited heavily in the studio. This box features each album's original liner notes, as well as a host of stunning photographs. But besides the elegant package, the music tells the story of an artist who pushed herself beyond the laurels of her living legend, who worked at trying to find, in the swirling winds of change, a complexity outside her accepted norm, and finally, a relevant, constantly evolving place for herself as an artist. The evidence is in: she succeeded in spades.
© Thom Jurek /TiVo
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Norbert Putnam, Producer, Co-Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist
℗ 1972 UMG Recordings, Inc.
Donnie Fritts, ComposerLyricist - Norbert Putnam, Producer, Co-Producer - Dan Penn, ComposerLyricist - Joan Baez, Producer, MainArtist
℗ 1972 UMG Recordings, Inc.
Norbert Putnam, Producer, Co-Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist
℗ 1972 UMG Recordings, Inc.
Norbert Putnam, Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist
℗ 1972 UMG Recordings, Inc.
Norbert Putnam, Producer, Co-Producer - Mimi Farina, ComposerLyricist - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer
℗ 1972 UMG Recordings, Inc.
Norbert Putnam, Producer, Co-Producer - Joan Baez, Producer, MainArtist, ComposerLyricist
℗ 1972 UMG Recordings, Inc.
Norbert Putnam, Producer, Co-Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist
℗ 1972 UMG Recordings, Inc.
Norbert Putnam, Producer, Co-Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist
℗ 1972 UMG Recordings, Inc.
Kin Vassy, ComposerLyricist - Norbert Putnam, Producer, Co-Producer - Kenny Rogers, ComposerLyricist - Gene Eichelberger, Engineer, StudioPersonnel - Joan Baez, Producer, MainArtist - Tro-First Edition Productions Inc, ComposerLyricist
℗ 1972 UMG Recordings, Inc.
Norbert Putnam, Producer, Co-Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer - Douglas Van Arsdale, ComposerLyricist
℗ 1972 UMG Recordings, Inc.
Norbert Putnam, Producer, Co-Producer - HY ZARET, ComposerLyricist - Joan Baez, Producer, MainArtist - Anna Marly, ComposerLyricist
℗ 1972 UMG Recordings, Inc.
John Lennon, ComposerLyricist - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer - Norman Putnam, Producer, Co-Producer
℗ 1972 UMG Recordings, Inc.
Henry Lewy, Producer - Joan Baez, Producer, MainArtist, ComposerLyricist
℗ 1973 UMG Recordings, Inc.
Norbert Putnam, Producer - Joan Baez, Producer, MainArtist, ComposerLyricist
℗ 1973 UMG Recordings, Inc.
Norbert Putnam, Producer - Hoyt Axton, ComposerLyricist - Joan Baez, Producer, MainArtist
℗ 1973 UMG Recordings, Inc.
Norbert Putnam, Producer - Joan Baez, Producer, MainArtist, ComposerLyricist - Lee Hazen, Engineer, StudioPersonnel
℗ 1973 UMG Recordings, Inc.
Norbert Putnam, Producer - Mimi Farina, ComposerLyricist - Joan Baez, Producer, MainArtist
℗ 1973 UMG Recordings, Inc.
DISC 2
Norbert Putnam, Producer - Joan Baez, Producer, MainArtist, ComposerLyricist
℗ 1973 UMG Recordings, Inc.
Norbert Putnam, Producer - Mimi Farina, ComposerLyricist - Joan Baez, Producer, MainArtist
℗ 1973 UMG Recordings, Inc.
Norbert Putnam, Producer - Joan Baez, Producer, MainArtist, ComposerLyricist
℗ 1973 UMG Recordings, Inc.
Henry Lewy, Producer - Violeta Parra, ComposerLyricist - Joan Baez, Producer, Arranger, Work Arranger, MainArtist
℗ 1974 A&M Records
Henry Lewy, Producer - Joan Baez, Producer, Arranger, Work Arranger, MainArtist - Teresa Juan Manuel Serrat, ComposerLyricist - Gilabert Miguel Hernandez, ComposerLyricist
℗ 1974 UMG Recordings, Inc.
Traditional, ComposerLyricist - Henry Lewy, Producer - Joan Baez, Producer, Arranger, Work Arranger, MainArtist
℗ 1974 UMG Recordings, Inc.
Hermanos Cantoral, ComposerLyricist - Henry Lewy, Producer - Joan Baez, Producer, MainArtist
℗ 1974 UMG Recordings, Inc.
Peter Seeger, ComposerLyricist - José Fernandez Diaz, ComposerLyricist - Henry Lewy, Producer - Jose Marti, ComposerLyricist - Joan Baez, Producer, MainArtist - Julian Orbon, ComposerLyricist - Hector Angulo, ComposerLyricist
℗ 1974 UMG Recordings, Inc.
Henry Lewy, Producer - Victor Jara, ComposerLyricist - Joan Baez, Producer, MainArtist
℗ 1974 UMG Recordings, Inc.
Henry Lewy, Producer - Joan Baez, Producer, MainArtist, ComposerLyricist
℗ 1974 UMG Recordings, Inc.
Tomas Mendez Sosa, ComposerLyricist - Henry Lewy, Producer - Joan Baez, Producer, MainArtist
℗ 1974 UMG Recordings, Inc.
Traditional, ComposerLyricist - Henry Lewy, Producer - Joan Baez, Producer, Arranger, Work Arranger, MainArtist
℗ 1974 UMG Recordings, Inc.
Traditional, ComposerLyricist - Henry Lewy, Producer - Joan Baez, Producer, Arranger, Work Arranger, MainArtist
℗ 1974 UMG Recordings, Inc.
Traditional, ComposerLyricist - Henry Lewy, Producer - Joan Baez, Producer, Arranger, Work Arranger, MainArtist
℗ 1974 UMG Recordings, Inc.
Henry Lewy, Producer - Joan Baez, Producer, MainArtist, ComposerLyricist
℗ 1974 UMG Recordings, Inc.
Traditional, ComposerLyricist - Henry Lewy, Producer - Joan Baez, Producer, Arranger, Work Arranger, MainArtist
℗ 1974 UMG Recordings, Inc.
Henry Lewy, Producer - Joan Baez, Producer, Arranger, Work Arranger, MainArtist - Fernando Alegria, ComposerLyricist - Rolando Alarcon, ComposerLyricist
℗ 1974 UMG Recordings, Inc.
Traditional, ComposerLyricist - Henry Lewy, Producer - Joan Baez, Producer, Arranger, Work Arranger, MainArtist
℗ 1974 UMG Recordings, Inc.
Henry Lewy, Producer - Joan Baez, Producer, MainArtist, ComposerLyricist
℗ 1974 UMG Recordings, Inc.
Bob Dylan, ComposerLyricist - Joan Baez, MainArtist
℗ 1974 UMG Recordings, Inc.
David Kershenbaum, Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Bernard Gelb, Producer, Executive Producer
℗ 1975 UMG Recordings, Inc.
Jackson Browne, ComposerLyricist - David Kershenbaum, Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer - Bernard Gelb, Producer, Executive Producer
℗ 1975 UMG Recordings, Inc.
Syreeta Wright, ComposerLyricist - Stevie Wonder, ComposerLyricist - David Kershenbaum, Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer - Bernard Gelb, Producer, Executive Producer
℗ 1975 UMG Recordings, Inc.
DISC 3
David Kershenbaum, Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Bernard Gelb, Producer, Executive Producer
℗ 1975 UMG Recordings, Inc.
Bob Dylan, ComposerLyricist - David Kershenbaum, Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer - Bernard Gelb, Producer, Executive Producer
℗ 1975 UMG Recordings, Inc.
David Kershenbaum, Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer - Richard Betts, ComposerLyricist - Bernard Gelb, Producer, Executive Producer
℗ 1975 UMG Recordings, Inc.
John Prine, ComposerLyricist - David Kershenbaum, Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer - Bernard Gelb, Producer, Executive Producer
℗ 1975 UMG Recordings, Inc.
Janis Ian, ComposerLyricist - David Kershenbaum, Producer - Joan Baez, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer - Bernard Gelb, Producer, Executive Producer
℗ 1975 UMG Recordings, Inc.
David Kershenbaum, Producer - Joan Baez, Producer, MainArtist, ComposerLyricist - Bernard Gelb, Producer, Executive Producer
℗ 1975 UMG Recordings, Inc.
Joni Mitchell, FeaturedArtist - David Kershenbaum, Producer - Joan Baez, Producer, MainArtist, ComposerLyricist - Bernard Gelb, Producer, Executive Producer
℗ 1975 UMG Recordings, Inc.
Stephen Collins Foster, ComposerLyricist - David Kershenbaum, Producer - Joan Baez, Producer, Arranger, Work Arranger, MainArtist - Fred E. Weatherly, ComposerLyricist - Bernard Gelb, Producer, Executive Producer
℗ 1975 A&M Records
David Kershenbaum, Producer - Joan Baez, MainArtist, ComposerLyricist - Bernard Gelb, Producer, Executive Producer
℗ 1976 UMG Recordings, Inc.
David Kershenbaum, Producer - Joan Baez, MainArtist, ComposerLyricist - Bernard Gelb, Producer, Executive Producer
℗ 1976 UMG Recordings, Inc.
Albumbeschreibung
A month-and-a-half after the release of her first studio recording in six years, and perhaps her finest recording since 1975's Diamonds & Rust, Joan Baez's complete A&M recordings offer a revelatory view of the artist at her most adventurous. Baez's tenure with A&M lasted from 1972-1976 and yielded five studio albums, a live recording, and three non-album singles. All of them are included here on four CDs with gorgeously remastered sound, a deluxe package with exhaustive, insightful, and unflinching liner notes by Arthur Levy, and a package that should win a Grammy for design and presentation if nothing else.
Baez, regarded in the popular culture at large as a "folk" or "topical" singer (the latter term she would not refute, the former hasn't fit her for some time), has always been a restless artist. This box set offers proof that Baez's switch to A&M -- then an independent, now swallowed whole by Universal -- from Vanguard, facilitated a virtual renaissance for her not just creatively, but on the charts as well. This reappraisal is necessary, given Baez's most recent recordings have reflected another shift in her sound and concerns, away from being a songwriter to being an interpreter of fine, edgy, roots songs by a whole slew of younger writers -- and her seeming embrace of the electric guitar. The earliest evidence of Baez's rambling vision can be heard on her experimental album Baptism, from 1968. Upon moving to A&M, and recording from her Nashville studio base, Baez released her self-produced Come From The Shadows (with help from Norbert Putnam), featuring -- like her latter day Vanguard recordings -- a host of Nashville's finest musicians, which included David Paul Briggs, Pete Drake, Kenneth A. Buttrey, Charlie McCoy, and Grady Martin. It was certainly a political record, but it also included the stunning "Love Song To A Stranger," and her sister Mimi Fariña's "In The Quiet Morning," written in memory of Janis Joplin.
The other half of Disc One is comprised of Where Are You Now, My Son from 1973, co-produced by Baez and Henry Lewy. It included a slew of originals by Baez, including the title track, a pair of songs by Fariña, and Hoyt Axton's "Less Than A Song." Most importantly, it was a move toward something outside of the country-rock realm she'd been toying with. That "something" first occurs on Disc Two with her traditional album of Latin folk and topical songs from Gracias a la Vida, and, of course, 1975's Diamonds and Rust with David Kershenbaum helping her out in the production room. The latter album, heard so many years after the fact of its inception and release, has Baez experimenting with soul -- Stevie Wonder's "Never Dreamed You'd Leave in Summer"; hard country: Dickey Betts' "Blue Sky,"; and moving around toward Dylan once again, as she was part of the Rolling Thunder Review, with a stellar version of "Simple Twist Of Fate," as well as the legendary title track. Along with it, Baez wrote four songs, and recorded others by John Prine, and Jackson Browne, and offered a deeply moving rendition of Stephen Foster's "I Dream of Jeannie" melded with "Danny Boy." It was the masterpiece that both critics and fans knew she was capable of delivering and had been leading up to since Blessed Are.., her final album for Vanguard. It, along with most everything here, has aged well and endures. Disc Three features the second half of Diamonds and Rust, and another fine, if criminally under-appreciated, album Gulf Winds, released in October of 1976 and comprised entirely of Baez originals.
Disc Four features one of the best live recordings from the 1970s, From Every Stage, compiled from a handful of shows and not enhanced in any way. Some of the members of her road band included no less than one of Motown's Funk Brothers in bassist James Jamerson, drummer Jim Gordon, pianist David Briggs, and guitarist Larry Carlton. Moving across the space of her entire career, it is a moving, engaging, and utterly transcendent recording, offered in an era when live records sucked -- they were no longer live but edited heavily in the studio. This box features each album's original liner notes, as well as a host of stunning photographs. But besides the elegant package, the music tells the story of an artist who pushed herself beyond the laurels of her living legend, who worked at trying to find, in the swirling winds of change, a complexity outside her accepted norm, and finally, a relevant, constantly evolving place for herself as an artist. The evidence is in: she succeeded in spades.
© Thom Jurek /TiVo
Informationen zu dem Album
- 4 Disc(s) - 77 Track(s)
- Gesamte Laufzeit: 05:07:41
- Künstler: Joan Baez
- Komponist: Various Composers
- Label: A&M
- Genre: Pop/Rock Pop
© 2003 A&M Records This Compilation ℗ 2003 Interscope Geffen (A&M) Records A Division of UMG Recordings Inc.
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