Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
The first piano concertos of Franz Liszt and Pyotr Il'yich Tchaikovsky are staples of the genre and so well-known that, for some artists and audiences, they have become tired warhorses. Yet Alice Sara Ott claims an intimate connection to these works, which have been a part of her experiences since her teens, and she communicates personal expressions in passages that other pianists may find merely showy or bombastic. Ott's playing is always remarkable for her controlled touch, clarity of line, and clean technique, and her presence in both performances is strong. The quality that is perhaps less obvious in her performances, but just as important as the virtuosity, is her lyrical handling of the quiet sections. These may not be the first things listeners notice or even seek out, especially in the face of all the hammered chords, lightning-fast runs, octaves, and other keyboard pyrotechnics, but they are what make this concerto album a fascinating study. Ott's need for personalizing the music is largely dependent on her use of rubato, and the push-pull between the piano and orchestral accompaniment means that Thomas Hengelbrock and the Munich Philharmonic need to feel her interpretation, as well as follow her pulse. What results is a rather elastic style of playing in both concertos, which may not be to everyone's taste, but it certainly distinguishes Ott and her highly Romantic approach to these two monuments of the repertoire. Deutsche Grammophon's sound is full in sonority yet focused on details and not overly reverberant.
© TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH. 55 (Pyotr Illitch Tchaïkovski)
Thomas Hengelbrock, Conductor, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Münchner Philharmoniker, Orchestra, MainArtist - Alice Sara Ott, Piano, MainArtist, AssociatedPerformer - Rainer Maillard, Producer, Recording Producer - Mark Buecker, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Christian Leins, Producer
℗ 2010 Deutsche Grammophon GmbH, Berlin
Thomas Hengelbrock, Conductor, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Münchner Philharmoniker, Orchestra, MainArtist - Alice Sara Ott, Piano, MainArtist, AssociatedPerformer - Rainer Maillard, Producer, Recording Producer - Mark Buecker, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Christian Leins, Producer
℗ 2010 Deutsche Grammophon GmbH, Berlin
Thomas Hengelbrock, Conductor, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Münchner Philharmoniker, Orchestra, MainArtist - Alice Sara Ott, Piano, MainArtist, AssociatedPerformer - Rainer Maillard, Producer, Recording Producer - Mark Buecker, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Christian Leins, Producer
℗ 2010 Deutsche Grammophon GmbH, Berlin
Piano Concerto No. 1 in E-Flat Major, S.124
Thomas Hengelbrock, Conductor, MainArtist - Franz Liszt, Composer - Münchner Philharmoniker, Orchestra, MainArtist - Alice Sara Ott, Piano, MainArtist, AssociatedPerformer - Rainer Maillard, Producer, Recording Producer - Mark Buecker, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Christian Leins, Producer, Executive Producer
℗ 2010 Deutsche Grammophon GmbH, Berlin
Thomas Hengelbrock, Conductor, MainArtist - Franz Liszt, Composer - Münchner Philharmoniker, Orchestra, MainArtist - Alice Sara Ott, Piano, MainArtist, AssociatedPerformer - Rainer Maillard, Producer, Recording Producer - Mark Buecker, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Christian Leins, Producer, Executive Producer
℗ 2010 Deutsche Grammophon GmbH, Berlin
Thomas Hengelbrock, Conductor, MainArtist - Franz Liszt, Composer - Münchner Philharmoniker, Orchestra, MainArtist - Alice Sara Ott, Piano, MainArtist, AssociatedPerformer - Rainer Maillard, Producer, Recording Producer - Mark Buecker, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Christian Leins, Producer, Executive Producer
℗ 2010 Deutsche Grammophon GmbH, Berlin
Consolation No.3, Lento placido
Franz Liszt, Composer - Alice Sara Ott, Piano, MainArtist, AssociatedPerformer - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Christian Leins, Producer, Executive Producer - Evert Menting, Asst. Recording Engineer, StudioPersonnel
℗ 2010 Deutsche Grammophon GmbH, Berlin
Albumbeschreibung
The first piano concertos of Franz Liszt and Pyotr Il'yich Tchaikovsky are staples of the genre and so well-known that, for some artists and audiences, they have become tired warhorses. Yet Alice Sara Ott claims an intimate connection to these works, which have been a part of her experiences since her teens, and she communicates personal expressions in passages that other pianists may find merely showy or bombastic. Ott's playing is always remarkable for her controlled touch, clarity of line, and clean technique, and her presence in both performances is strong. The quality that is perhaps less obvious in her performances, but just as important as the virtuosity, is her lyrical handling of the quiet sections. These may not be the first things listeners notice or even seek out, especially in the face of all the hammered chords, lightning-fast runs, octaves, and other keyboard pyrotechnics, but they are what make this concerto album a fascinating study. Ott's need for personalizing the music is largely dependent on her use of rubato, and the push-pull between the piano and orchestral accompaniment means that Thomas Hengelbrock and the Munich Philharmonic need to feel her interpretation, as well as follow her pulse. What results is a rather elastic style of playing in both concertos, which may not be to everyone's taste, but it certainly distinguishes Ott and her highly Romantic approach to these two monuments of the repertoire. Deutsche Grammophon's sound is full in sonority yet focused on details and not overly reverberant.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 7 Track(s)
- Gesamte Laufzeit: 00:58:51
- 1 digitales Booklet
- Künstler: Alice Sara Ott Münchner Philharmoniker Thomas Hengelbrock
- Komponist: Various Composers
- Label: Deutsche Grammophon (DG)
- Genre: Klassik
© 2010 Deutsche Grammophon GmbH, Berlin ℗ 2010 Deutsche Grammophon GmbH, Berlin
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.