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DC Talk|Solo

Solo

DC Talk

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Text in englischer Sprache verfügbar

When the trio DC Talk released their best-of album Intermission in 2000, many thought it was the end of the group's collaboration. However, members Toby McKeehan, Michael Tait, and Kmax assured listeners that the project and one-year break they were taking were merely the beginning of more to come, not only from DC Talk as a whole, but from the three as individual artists. Solo, the 2001 EP from DC Talk, is a preview of McKeehan, Tait, and Kmax's solo projects, all released in 2001. The album opens with a live recording of "40 Live" from DC Talk, followed by two songs from Tait's album Empty. "Alibi" is rock influenced, with strong adult contemporary/alternative stylings. It is definitely one of the EP's strongest offerings, speaking of continual excuses in a relationship and the pain it incurs. "All You Got" builds on "Alibi," however is musically more mellow. Tait provides driving rhythms, stirring vocals, and a sound that leaves the listener longing for more. The songs "Return of the Singer" and "Be" come from Kmax's album Stereotype Be. Musically, he leans toward alternative, at times techno-influenced, rock in "Return of the Singer" and a slightly subdued alternative rock sound in "Be," a song encouraging individuals to be true to who they are. Toby McKeehan's tracks, "Somebody's Watching" and "Extreme Days," round out the release. A combination of rock, alternative, and rap, McKeehan also employs R&B flavoring on "Somebody's Watching," giving the song a sound comparable to that of Out of Eden. In the end, the EP only serves to remind listeners that McKeehan, Tait, and Kmax continue to grow and stretch their artistic abilities with time, resulting in cutting-edge and extremely well-crafted contributions not only to Christian music, but music in general.

© Ashleigh Kittle /TiVo

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Solo

DC Talk

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1
40 (Live)
DC Talk
00:02:40

Mark Heimermann, Producer - Toby McKeehan, Producer - DC Talk, MainArtist - Adam Clayton, Composer - David Evans, Composer - Paul Hewson, Composer - Larry Mullen, Jr., Composer

(C) 2001 ForeFront Records ℗ 2001 ForeFront Records

2
Alibi (Solo Album Version)
DC Talk
00:04:12

Pete Stewart, Composer - DC Talk, MainArtist - Tait, Composer, MainArtist - Pete Stewart T/P Tait, Producer

(C) 2001 ForeFront Records ℗ 2001 ForeFront Records

3
All You Got (Solo Album Version)
Tait
00:04:38

TobyMac, Composer - Tait, Composer, MainArtist - Chad Chapin, Composer - Pete Stewart T/P Tait, Producer

(C) 2001 ForeFront Records ℗ 2001 ForeFront Records

4
Return Of The Singer
Kevin Max
00:03:51

Kevin Max, Composer, Producer, MainArtist - DC Talk, MainArtist - Mark Townsend, Composer

(C) 2001 ForeFront Records ℗ 2001 ForeFront Records

5
Be
Kevin Max
00:03:46

Kevin Max, Composer, MainArtist - DC Talk, MainArtist - Erick Cole, Composer - Adrien Belew, Producer

(C) 2001 ForeFront Records ℗ 2001 ForeFront Records

6
Somebody's Watching Got It Like That (Solo Album Version)
Tobymac
00:03:47

Rockwell, Composer - Michael Anthony Taylor, Composer, Producer - TobyMac, Composer, Producer, MainArtist

(C) 2001 ForeFront Records ℗ 2001 ForeFront Records

7
Extreme Days
Tobymac
00:03:48

David Bach, Composer - Michael Anthony Taylor, Composer, Producer - TobyMac, Composer, Producer, MainArtist - DC Talk, MainArtist - Jamie Rowe, Composer

(C) 2001 ForeFront Records ℗ 2001 ForeFront Records

Albumbeschreibung

When the trio DC Talk released their best-of album Intermission in 2000, many thought it was the end of the group's collaboration. However, members Toby McKeehan, Michael Tait, and Kmax assured listeners that the project and one-year break they were taking were merely the beginning of more to come, not only from DC Talk as a whole, but from the three as individual artists. Solo, the 2001 EP from DC Talk, is a preview of McKeehan, Tait, and Kmax's solo projects, all released in 2001. The album opens with a live recording of "40 Live" from DC Talk, followed by two songs from Tait's album Empty. "Alibi" is rock influenced, with strong adult contemporary/alternative stylings. It is definitely one of the EP's strongest offerings, speaking of continual excuses in a relationship and the pain it incurs. "All You Got" builds on "Alibi," however is musically more mellow. Tait provides driving rhythms, stirring vocals, and a sound that leaves the listener longing for more. The songs "Return of the Singer" and "Be" come from Kmax's album Stereotype Be. Musically, he leans toward alternative, at times techno-influenced, rock in "Return of the Singer" and a slightly subdued alternative rock sound in "Be," a song encouraging individuals to be true to who they are. Toby McKeehan's tracks, "Somebody's Watching" and "Extreme Days," round out the release. A combination of rock, alternative, and rap, McKeehan also employs R&B flavoring on "Somebody's Watching," giving the song a sound comparable to that of Out of Eden. In the end, the EP only serves to remind listeners that McKeehan, Tait, and Kmax continue to grow and stretch their artistic abilities with time, resulting in cutting-edge and extremely well-crafted contributions not only to Christian music, but music in general.

© Ashleigh Kittle /TiVo

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