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Paul Plimley|Sensology

Sensology

Paul Plimley and Barry Guy

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This is a perfect setting for pianist Paul Plimley and bassist Barry Guy: 13 tracks of relaxed interaction, where these two similarly situated virtuosi spread out and take their time to produce magnificent music that enthralls with every beat. Plimley is the consummate pianist's pianist; he controls the keyboards, with dense clusters here, torrid runs there, and variations in tempo, dynamics, and concept. Rarely can his thoughts be anticipated, as he glides across the keyboards with unbounded finesse. Guy, too, makes his strings sing, with a command that astonishes with its technical brilliance. But the bassist is much more than a machine. Along with William Parker, Peter Kowald, and Dominic Duval, he extends the possibilities of his instrument and the result is a level of song that plummets the depths of sheer beauty. As a duo, Plimley/Guy can be gorgeously plush one minute ("Lyrical Amber, Hand Held") and wildly exuberant the next ("This Is Not Much Less than Flat"). By the end of the program, the listener is exhausted (as presumably were the participants), but satiated.

© Steven Loewy /TiVo

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Sensology

Paul Plimley

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1
This Is Not Much Less Than Flat
Barry Guy
00:09:17

Unknown, Composer, Lyricist - Copyright Control, MusicPublisher - Barry Guy, MainArtist - Paul Plimley, MainArtist

1997 Maya Recordings 1997 Maya Recordings

2
Short Steps Until It Finally Dawned
Barry Guy
00:05:57

Unknown, Composer, Lyricist - Copyright Control, MusicPublisher - Barry Guy, MainArtist - Paul Plimley, MainArtist

1997 Maya Recordings 1997 Maya Recordings

3
Rolling Agreement
Barry Guy
00:05:07

Unknown, Composer, Lyricist - Copyright Control, MusicPublisher - Barry Guy, MainArtist - Paul Plimley, MainArtist

1997 Maya Recordings 1997 Maya Recordings

4
Gnat Notes in Lyrical Amber
Barry Guy
00:01:09

Unknown, Composer, Lyricist - Copyright Control, MusicPublisher - Barry Guy, MainArtist - Paul Plimley, MainArtist

1997 Maya Recordings 1997 Maya Recordings

5
Lyrical Amber, Hand Held
Barry Guy
00:01:52

Unknown, Composer, Lyricist - Copyright Control, MusicPublisher - Barry Guy, MainArtist - Paul Plimley, MainArtist

1997 Maya Recordings 1997 Maya Recordings

6
Hand Held Hot Coals
Barry Guy
00:01:19

Unknown, Composer, Lyricist - Copyright Control, MusicPublisher - Barry Guy, MainArtist - Paul Plimley, MainArtist

1997 Maya Recordings 1997 Maya Recordings

7
Sensology
Barry Guy
00:12:03

Unknown, Composer, Lyricist - Copyright Control, MusicPublisher - Barry Guy, MainArtist - Paul Plimley, MainArtist

1997 Maya Recordings 1997 Maya Recordings

8
What to Do
Barry Guy
00:03:43

Copyright Control, MusicPublisher - Barry Guy, MainArtist - Holly Buddy, Composer, Lyricist - Paul Plimley, MainArtist

1997 Maya Recordings 1997 Maya Recordings

9
Jazz for Now and Never More
Barry Guy
00:05:08

Unknown, Composer, Lyricist - Copyright Control, MusicPublisher - Barry Guy, MainArtist - Paul Plimley, MainArtist

1997 Maya Recordings 1997 Maya Recordings

10
Murmers and Darts
Barry Guy
00:03:06

Unknown, Composer, Lyricist - Copyright Control, MusicPublisher - Barry Guy, MainArtist - Paul Plimley, MainArtist

1997 Maya Recordings 1997 Maya Recordings

11
Sticks and Bones
Barry Guy
00:05:19

Unknown, Composer, Lyricist - Copyright Control, MusicPublisher - Barry Guy, MainArtist - Paul Plimley, MainArtist

1997 Maya Recordings 1997 Maya Recordings

12
Joyous Absence of Disco
Barry Guy
00:05:09

Unknown, Composer, Lyricist - Copyright Control, MusicPublisher - Barry Guy, MainArtist - Paul Plimley, MainArtist

1997 Maya Recordings 1997 Maya Recordings

13
Slowly Getting to Know the Audience
Barry Guy
00:02:41

Unknown, Composer, Lyricist - Copyright Control, MusicPublisher - Barry Guy, MainArtist - Paul Plimley, MainArtist

1997 Maya Recordings 1997 Maya Recordings

Albumbeschreibung

This is a perfect setting for pianist Paul Plimley and bassist Barry Guy: 13 tracks of relaxed interaction, where these two similarly situated virtuosi spread out and take their time to produce magnificent music that enthralls with every beat. Plimley is the consummate pianist's pianist; he controls the keyboards, with dense clusters here, torrid runs there, and variations in tempo, dynamics, and concept. Rarely can his thoughts be anticipated, as he glides across the keyboards with unbounded finesse. Guy, too, makes his strings sing, with a command that astonishes with its technical brilliance. But the bassist is much more than a machine. Along with William Parker, Peter Kowald, and Dominic Duval, he extends the possibilities of his instrument and the result is a level of song that plummets the depths of sheer beauty. As a duo, Plimley/Guy can be gorgeously plush one minute ("Lyrical Amber, Hand Held") and wildly exuberant the next ("This Is Not Much Less than Flat"). By the end of the program, the listener is exhausted (as presumably were the participants), but satiated.

© Steven Loewy /TiVo

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