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Otis Redding|Remember Me

Remember Me

Otis Redding

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For decades it was presumed by fans that the posthumous Otis Redding (acoustic guitar/vocals) studio platters The Dock of the Bay (1968), The Immortal Otis Redding (1968), Love Man (1969), and Tell the Truth (1970) had uncovered all the hidden and unreleased treasures from Redding's heartbreakingly brief yet appreciatively prolific career. Thankfully, archivist Roger Armstrong -- who is perhaps best known for his outstanding contributions to the U.K.-based Ace Records reissue imprint -- discovered nearly two dozen additional remnants and presents them on this single-disc anthology. As Stax Records authority Rob Bowman points out in his insightful liner notes essay, the label did not keep precise documentation concerning recording session dates and personnel. So, some detective (and possible guess) work was needed when chronologically placing a few of the lesser-known titles. That certainly doesn't detract from the experience of uncovering formerly shelved selections such as the greasy and unmistakable Memphis groove behind "Trick or Treat," or the high-octane horn punctuations on the inaugural take of "Loving by the Pound" that are clearly in the vein of what would turn up as "Respect." To demonstrate the evolutionary processes and the importance of his collaborative relationship with Steve Cropper (guitar) -- a second completely revamped approach rechristened "Pounds and Hundreds (LBs + 100s)" -- is offered midway through the compendium. Another treasure is the oft-rumored rendition of the achingly poignant "I've Got Dreams to Remember" featuring unique lyrics by Redding's wife Zelma Redding. Little Richard's influence is evident on the impassioned overhaul of "Send Me Some Lovin'," which Redding re-forms with an undeniably singular and inspired interpretation. The alternate versions of "Respect," "Open the Door," "Come to Me," "Try a Little Tenderness," and the first two attempts of Redding's swan song, "(Sittin' On) The Dock of the Bay," are arguably the most revealing moments on the entire package. Perhaps because the originals are so deeply ingrained in the psyche of Redding devotees, hearing the developmental stages or hearing the songs presented in a foreign context is nothing short of soul music manna. The one item that had been available prior to Remember Me (1992) is the concluding "Stay in School" message that was part of a larger campaign producing the promo-only Stay in School, Don't Be a Dropout long-player. It's a fun and lighthearted way to wrap up one of the best collections for R&B aficionados or the just plain curious consumer alike.

© Lindsay Planer /TiVo

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Remember Me

Otis Redding

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1
Trick Or Treat
00:03:14

Al Jackson, Jr., Drums, AssociatedPerformer - Wayne Jackson, Trumpet, AssociatedPerformer - Booker T. Jones, Keyboards, AssociatedPerformer - Andrew Love, Tenor Saxophone, AssociatedPerformer - Otis Redding, Vocals, MainArtist, AssociatedPerformer - Isaac Hayes, Producer, Keyboards, Recording Producer, AssociatedPerformer, ComposerLyricist - Steve Cropper, Guitar, AssociatedPerformer - FLOYD NEWMAN, Baritone Saxophone, AssociatedPerformer - Jim Stewart, Recording Supervisor, StudioPersonnel - Donald "Duck" Dunn, Electric Bass, AssociatedPerformer - David Luke, Remix Engineer, StudioPersonnel - David Porter, Producer, Background Vocalist, Recording Producer, AssociatedPerformer, ComposerLyricist

℗ 1992 Stax Records

2
Loving By The Pound (Take 1)
00:02:25

Al Jackson, Jr., Drums, AssociatedPerformer - Wayne Jackson, Trumpet, AssociatedPerformer - Booker T. Jones, Keyboards, AssociatedPerformer - Andrew Love, Tenor Saxophone, AssociatedPerformer - Otis Redding, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Isaac Hayes, Keyboards, AssociatedPerformer - Steve Cropper, Guitar, AssociatedPerformer - FLOYD NEWMAN, Baritone Saxophone, AssociatedPerformer - Jim Stewart, Recording Supervisor, StudioPersonnel - Donald "Duck" Dunn, Electric Bass, AssociatedPerformer - David Luke, Remix Engineer, StudioPersonnel - Stax Staff, Producer, Recording Producer

℗ 1992 Stax Records

3
There Goes My Baby
00:02:20

Al Jackson, Jr., Drums, AssociatedPerformer - Wayne Jackson, Trumpet, AssociatedPerformer - Booker T. Jones, Keyboards, AssociatedPerformer - George Treadwell, ComposerLyricist - Andrew Love, Tenor Saxophone, AssociatedPerformer - Jerry Leiber, ComposerLyricist - Mike Stoller, ComposerLyricist - Otis Redding, Vocals, MainArtist, AssociatedPerformer - Isaac Hayes, Keyboards, AssociatedPerformer - Steve Cropper, Guitar, AssociatedPerformer - FLOYD NEWMAN, Baritone Saxophone, AssociatedPerformer - Jim Stewart, Recording Supervisor, StudioPersonnel - Donald "Duck" Dunn, Electric Bass, AssociatedPerformer - Benjamin Nelson, ComposerLyricist - Lover Patterson, ComposerLyricist - Stax Staff, Producer, Recording Producer

℗ 1992 Stax Records

4
Remember Me
00:02:27

Al Jackson, Jr., Drums, AssociatedPerformer - Wayne Jackson, Trumpet, AssociatedPerformer - Booker T. Jones, Keyboards, AssociatedPerformer - Andrew Love, Tenor Saxophone, AssociatedPerformer - Otis Redding, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Isaac Hayes, Keyboards, AssociatedPerformer - Steve Cropper, Guitar, AssociatedPerformer - FLOYD NEWMAN, Baritone Saxophone, AssociatedPerformer - Jim Stewart, Recording Supervisor, StudioPersonnel - Donald "Duck" Dunn, Electric Bass, AssociatedPerformer - Stax Staff, Producer, Recording Producer

℗ 1992 Stax Records

5
Send Me Some Lovin'
00:02:15

John Marascalco, ComposerLyricist - Al Jackson, Jr., Drums, AssociatedPerformer - Wayne Jackson, Trumpet, AssociatedPerformer - Booker T. Jones, Keyboards, AssociatedPerformer - Andrew Love, Tenor Saxophone, AssociatedPerformer - Otis Redding, Vocals, MainArtist, AssociatedPerformer - Isaac Hayes, Keyboards, AssociatedPerformer - Steve Cropper, Guitar, AssociatedPerformer - FLOYD NEWMAN, Baritone Saxophone, AssociatedPerformer - Jim Stewart, Recording Supervisor, StudioPersonnel - The Mar-Keys, Ensemble - Donald "Duck" Dunn, Electric Bass, AssociatedPerformer - Leo Price, ComposerLyricist - Booker T. & The M.G.'s, Ensemble - Stax Staff, Producer, Recording Producer

℗ 1992 Stax Records

6
She's All Right
00:02:00

Al Jackson, Jr., Drums, AssociatedPerformer - Wayne Jackson, Trumpet, AssociatedPerformer - Booker T. Jones, Keyboards, AssociatedPerformer - Andrew Love, Tenor Saxophone, AssociatedPerformer - Otis Redding, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Isaac Hayes, Keyboards, AssociatedPerformer - Steve Cropper, Guitar, AssociatedPerformer - FLOYD NEWMAN, Baritone Saxophone, AssociatedPerformer - Jim Stewart, Recording Supervisor, StudioPersonnel - Donald "Duck" Dunn, Electric Bass, AssociatedPerformer - James McEachin, ComposerLyricist - Stax Staff, Producer, Recording Producer

℗ 1992 Stax Records

7
Cupid
00:03:09

Al Jackson, Jr., Drums, AssociatedPerformer - Wayne Jackson, Trumpet, AssociatedPerformer - Booker T. Jones, Keyboards, AssociatedPerformer - Andrew Love, Tenor Saxophone, AssociatedPerformer - Otis Redding, Vocals, MainArtist, AssociatedPerformer - Isaac Hayes, Keyboards, AssociatedPerformer - Steve Cropper, Guitar, AssociatedPerformer - FLOYD NEWMAN, Baritone Saxophone, AssociatedPerformer - Sam Cooke, ComposerLyricist - Jim Stewart, Recording Supervisor, StudioPersonnel - Donald "Duck" Dunn, Electric Bass, AssociatedPerformer - Stax Staff, Producer, Recording Producer

℗ 1991 Stax Records

8
The Boston Monkey
00:02:55

Al Jackson, Jr., Drums, AssociatedPerformer, ComposerLyricist - Wayne Jackson, Trumpet, AssociatedPerformer, ComposerLyricist - Booker T. Jones, Keyboards, AssociatedPerformer - Andrew Love, Tenor Saxophone, AssociatedPerformer, ComposerLyricist - Donald Dunn, ComposerLyricist - Otis Redding, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Isaac Hayes, Keyboards, AssociatedPerformer, ComposerLyricist - Steve Cropper, Guitar, AssociatedPerformer - FLOYD NEWMAN, Baritone Saxophone, AssociatedPerformer, ComposerLyricist - Jim Stewart, Recording Supervisor, StudioPersonnel - Donald "Duck" Dunn, Electric Bass, AssociatedPerformer - STEPHEN CROPPER, ComposerLyricist - Gene Parker, ComposerLyricist - Stax Staff, Producer, Recording Producer

℗ 1992 Stax Records

9
Don't Be Afraid Of Love
00:03:23

Al Jackson, Jr., Drums, AssociatedPerformer - Wayne Jackson, Trumpet, AssociatedPerformer - Booker T. Jones, Keyboards, AssociatedPerformer - Andrew Love, Tenor Saxophone, AssociatedPerformer - Otis Redding, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Isaac Hayes, Keyboards, AssociatedPerformer - Steve Cropper, Guitar, AssociatedPerformer - FLOYD NEWMAN, Baritone Saxophone, AssociatedPerformer - Jim Stewart, Recording Supervisor, StudioPersonnel - Donald "Duck" Dunn, Electric Bass, AssociatedPerformer - Phil Walden, ComposerLyricist - Oscar Mack, ComposerLyricist - Stax Staff, Producer, Recording Producer

℗ 1992 Stax Records

10
Little Ol' Me
00:03:12

Al Jackson, Jr., Drums, AssociatedPerformer - Wayne Jackson, Trumpet, AssociatedPerformer - Booker T. Jones, Keyboards, AssociatedPerformer - Andrew Love, Tenor Saxophone, AssociatedPerformer - Otis Redding, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Isaac Hayes, Keyboards, AssociatedPerformer - FLOYD NEWMAN, Baritone Saxophone, AssociatedPerformer - Johnny Jenkins, Guitar, AssociatedPerformer - Jim Stewart, Recording Supervisor, StudioPersonnel - Donald "Duck" Dunn, Electric Bass, AssociatedPerformer - STEPHEN CROPPER, ComposerLyricist - Stax Staff, Producer, Recording Producer

℗ 1992 Stax Records

11
Pounds And Hundreds (Lbs + 100s)
00:02:18

Booker T. Jones, Keyboards, AssociatedPerformer - Otis Redding, Acoustic Guitar, Tambourine, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Isaac Hayes, Keyboards, AssociatedPerformer - Steve Cropper, Electric Guitar, Electric Bass, AssociatedPerformer - Jim Stewart, Recording Supervisor, StudioPersonnel - David Luke, Remix Engineer, StudioPersonnel - STEPHEN CROPPER, ComposerLyricist - RON CAPONE, Drums, AssociatedPerformer - Stax Staff, Producer, Recording Producer

℗ 1992 Stax Records

12
You Got Good Lovin'
00:02:56

Al Jackson, Jr., Drums, AssociatedPerformer - Wayne Jackson, Trumpet, AssociatedPerformer - Booker T. Jones, Keyboards, AssociatedPerformer - Andrew Love, Tenor Saxophone, AssociatedPerformer - Otis Redding, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Isaac Hayes, Keyboards, AssociatedPerformer - Steve Cropper, Guitar, AssociatedPerformer - FLOYD NEWMAN, Baritone Saxophone, AssociatedPerformer - Jim Stewart, Recording Supervisor, StudioPersonnel - Donald "Duck" Dunn, Electric Bass, AssociatedPerformer - Stax Staff, Producer, Recording Producer

℗ 1992 Stax Records

13
Gone Again
00:02:22

Al Jackson, Jr., Drums, AssociatedPerformer - Wayne Jackson, Trumpet, AssociatedPerformer - Booker T. Jones, Keyboards, AssociatedPerformer - Joe Rock, ComposerLyricist - Andrew Love, Tenor Saxophone, AssociatedPerformer - Otis Redding, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Isaac Hayes, Keyboards, AssociatedPerformer - Steve Cropper, Guitar, AssociatedPerformer - FLOYD NEWMAN, Baritone Saxophone, AssociatedPerformer - Jim Stewart, Recording Supervisor, StudioPersonnel - Donald "Duck" Dunn, Electric Bass, AssociatedPerformer - David Luke, Remix Engineer, StudioPersonnel - Stax Staff, Producer, Recording Producer

℗ 1992 Stax Records

14
I'm Coming Home
00:03:01

Al Jackson, Jr., Drums, AssociatedPerformer - Wayne Jackson, Trumpet, AssociatedPerformer - Booker T. Jones, Keyboards, AssociatedPerformer - Andrew Love, Tenor Saxophone, AssociatedPerformer - Otis Redding, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Isaac Hayes, Keyboards, AssociatedPerformer - Steve Cropper, Guitar, AssociatedPerformer - FLOYD NEWMAN, Baritone Saxophone, AssociatedPerformer - Jim Stewart, Recording Supervisor, StudioPersonnel - Donald "Duck" Dunn, Electric Bass, AssociatedPerformer - Stax Staff, Producer, Recording Producer

℗ 1992 Stax Records

15
(Sittin' On) The Dock Of The Bay (Take 1)
00:03:07

Al Jackson, Jr., Drums, AssociatedPerformer - Wayne Jackson, Trumpet, AssociatedPerformer - Booker T. Jones, Keyboards, AssociatedPerformer - Andrew Love, Tenor Saxophone, AssociatedPerformer - Otis Redding, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Isaac Hayes, Keyboards, AssociatedPerformer - Steve Cropper, Guitar, AssociatedPerformer, ComposerLyricist - FLOYD NEWMAN, Baritone Saxophone, AssociatedPerformer - Jim Stewart, Recording Supervisor, StudioPersonnel - Donald "Duck" Dunn, Electric Bass, AssociatedPerformer - Roger Armstrong, Remix Engineer, StudioPersonnel - Stax Staff, Producer, Recording Producer

℗ 1992 Stax Records

16
(Sittin' On) The Dock Of The Bay (Take 2)
00:02:42

Otis Redding, MainArtist, ComposerLyricist - Steve Cropper, ComposerLyricist

℗ 1992 Fantasy, Inc.

17
Respect (Alternate Take)
00:01:51

Al Jackson, Jr., Drums, AssociatedPerformer - Wayne Jackson, Trumpet, AssociatedPerformer - Booker T. Jones, Keyboards, AssociatedPerformer - Andrew Love, Tenor Saxophone, AssociatedPerformer - Otis Redding, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Isaac Hayes, Keyboards, AssociatedPerformer - Steve Cropper, Guitar, AssociatedPerformer - FLOYD NEWMAN, Baritone Saxophone, AssociatedPerformer - Jim Stewart, Recording Supervisor, StudioPersonnel - Donald "Duck" Dunn, Electric Bass, AssociatedPerformer - David Luke, Remix Engineer, StudioPersonnel - Stax Staff, Producer, Recording Producer

℗ 1992 Stax Records

18
Open The Door (Alternate Take)
00:02:26

Otis Redding, MainArtist, ComposerLyricist

℗ 1992 Fantasy, Inc.

19
I've Got Dreams To Remember (Alternate Take)
00:03:41

Al Jackson, Jr., Drums, AssociatedPerformer - Wayne Jackson, Trumpet, AssociatedPerformer - Booker T. Jones, Keyboards, AssociatedPerformer - Zelma Redding, Composer - Andrew Love, Tenor Saxophone, AssociatedPerformer - Otis Redding, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Isaac Hayes, Keyboards, AssociatedPerformer - Steve Cropper, Guitar, AssociatedPerformer - FLOYD NEWMAN, Baritone Saxophone, AssociatedPerformer - Jim Stewart, Recording Supervisor, StudioPersonnel - Donald "Duck" Dunn, Electric Bass, AssociatedPerformer - David Luke, Remix Engineer, StudioPersonnel - Stax Staff, Producer, Recording Producer

℗ 1991 Stax Records

20
Come To Me (Alternate Take)
00:02:15

Al Jackson, Jr., Drums, AssociatedPerformer - Wayne Jackson, Trumpet, AssociatedPerformer - Booker T. Jones, Keyboards, AssociatedPerformer - Andrew Love, Tenor Saxophone, AssociatedPerformer - Otis Redding, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Isaac Hayes, Keyboards, AssociatedPerformer - Steve Cropper, Guitar, AssociatedPerformer - FLOYD NEWMAN, Baritone Saxophone, AssociatedPerformer - Johnny Jenkins, Guitar, AssociatedPerformer - Jim Stewart, Recording Supervisor, StudioPersonnel - Donald "Duck" Dunn, Electric Bass, AssociatedPerformer - Phil Walden, ComposerLyricist - Stax Staff, Producer, Recording Producer

℗ 1992 Stax Records

21
Try A Little Tenderness (Take 1)
00:03:59

Al Jackson, Jr., Drums, AssociatedPerformer - Wayne Jackson, Trumpet, AssociatedPerformer - Booker T. Jones, Keyboards, AssociatedPerformer - Andrew Love, Tenor Saxophone, AssociatedPerformer - Otis Redding, Vocals, MainArtist, AssociatedPerformer - Isaac Hayes, Keyboards, AssociatedPerformer - Steve Cropper, Guitar, AssociatedPerformer - FLOYD NEWMAN, Baritone Saxophone, AssociatedPerformer - Jim Stewart, Recording Supervisor, StudioPersonnel - Connelly, ComposerLyricist - Donald "Duck" Dunn, Electric Bass, AssociatedPerformer - James Campbell, ComposerLyricist - Reginald Connelly, ComposerLyricist - Woods, ComposerLyricist - Campbell, ComposerLyricist - Harry M. Woods, ComposerLyricist - Roger Armstrong, Remix Engineer, StudioPersonnel - Stax Staff, Producer, Recording Producer

℗ 1992 Stax Records

22
Stay In School
00:01:10

Al Jackson, Jr., Drums, AssociatedPerformer - Wayne Jackson, Trumpet, AssociatedPerformer - Booker T. Jones, Keyboards, AssociatedPerformer - Andrew Love, Tenor Saxophone, AssociatedPerformer - Otis Redding, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Isaac Hayes, Keyboards, AssociatedPerformer - Steve Cropper, Guitar, AssociatedPerformer - FLOYD NEWMAN, Baritone Saxophone, AssociatedPerformer - Jim Stewart, Recording Supervisor, StudioPersonnel - Donald "Duck" Dunn, Electric Bass, AssociatedPerformer - Stax Staff, Producer, Recording Producer

℗ 1967 Stax Records

Albumbeschreibung

For decades it was presumed by fans that the posthumous Otis Redding (acoustic guitar/vocals) studio platters The Dock of the Bay (1968), The Immortal Otis Redding (1968), Love Man (1969), and Tell the Truth (1970) had uncovered all the hidden and unreleased treasures from Redding's heartbreakingly brief yet appreciatively prolific career. Thankfully, archivist Roger Armstrong -- who is perhaps best known for his outstanding contributions to the U.K.-based Ace Records reissue imprint -- discovered nearly two dozen additional remnants and presents them on this single-disc anthology. As Stax Records authority Rob Bowman points out in his insightful liner notes essay, the label did not keep precise documentation concerning recording session dates and personnel. So, some detective (and possible guess) work was needed when chronologically placing a few of the lesser-known titles. That certainly doesn't detract from the experience of uncovering formerly shelved selections such as the greasy and unmistakable Memphis groove behind "Trick or Treat," or the high-octane horn punctuations on the inaugural take of "Loving by the Pound" that are clearly in the vein of what would turn up as "Respect." To demonstrate the evolutionary processes and the importance of his collaborative relationship with Steve Cropper (guitar) -- a second completely revamped approach rechristened "Pounds and Hundreds (LBs + 100s)" -- is offered midway through the compendium. Another treasure is the oft-rumored rendition of the achingly poignant "I've Got Dreams to Remember" featuring unique lyrics by Redding's wife Zelma Redding. Little Richard's influence is evident on the impassioned overhaul of "Send Me Some Lovin'," which Redding re-forms with an undeniably singular and inspired interpretation. The alternate versions of "Respect," "Open the Door," "Come to Me," "Try a Little Tenderness," and the first two attempts of Redding's swan song, "(Sittin' On) The Dock of the Bay," are arguably the most revealing moments on the entire package. Perhaps because the originals are so deeply ingrained in the psyche of Redding devotees, hearing the developmental stages or hearing the songs presented in a foreign context is nothing short of soul music manna. The one item that had been available prior to Remember Me (1992) is the concluding "Stay in School" message that was part of a larger campaign producing the promo-only Stay in School, Don't Be a Dropout long-player. It's a fun and lighthearted way to wrap up one of the best collections for R&B aficionados or the just plain curious consumer alike.

© Lindsay Planer /TiVo

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