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Doc & Merle Watson|Red Rocking Chair

Red Rocking Chair

Doc & Merle Watson, T. Michael Coleman

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Doc Watson has never recorded a bad album, and Red Rocking Chair, drawn from sessions in California in December 1980 and January 1981, is no exception. With his son Merle Watson on additional guitar and banjo, and with T. Michael Coleman on bass, Watson brings his own considerable guitar and banjo skills to bear on this selection of folk and blues tunes. Doc's voice is as easy and as comfortable as an old fishing hat, and that quality makes tunes like "Sadie," "Old Rocking Chair," and "Mole in the Ground" appear as familiar as old friends at a cookout. Watson's version of Tom Paxton's "John Hurt" is taken at a slightly faster pace than the original, and may well be the definitive take of this homage to Mississippi John Hurt. The transformation of Leroy Carr's "How Long Blues" into an easy guitar shuffle, complete with Charlie Musselwhite on harmonica, is further proof of how Watson makes everything he touches fit into his personal and seamless tour of American folk music.

© Steve Leggett /TiVo

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Red Rocking Chair

Doc & Merle Watson

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1
Sadie
00:02:28

Mitch Greenhill, Producer - Doc & Merle Watson, MainArtist - T. Michael Coleman, FeaturedArtist, ComposerLyricist - George Hill, ComposerLyricist

℗ 1981 Rounder Records, a division of Concord Music Group, Inc.

2
Fisher's Hornpipe / Devil's Dream
00:01:43

Traditional, ComposerLyricist - Mitch Greenhill, Producer - Doc Watson, Arranger, Work Arranger - Doc & Merle Watson, MainArtist - T. Michael Coleman, FeaturedArtist

℗ 1981 Rounder Records, a division of Concord Music Group, Inc.

3
Along The Road
00:02:51

Daniel Fogelberg, ComposerLyricist - Mitch Greenhill, Producer - Doc & Merle Watson, MainArtist - T. Michael Coleman, FeaturedArtist

℗ 1981 Rounder Records, a division of Concord Music Group, Inc.

4
Smoke, Smoke, Smoke
00:02:47

Merle Travis, ComposerLyricist - Mitch Greenhill, Producer - Doc & Merle Watson, MainArtist - T. Michael Coleman, FeaturedArtist - Sollie Williams, ComposerLyricist

℗ 1981 Rounder Records, a division of Concord Music Group, Inc.

5
Below Freezing
00:02:22

Doc & Merle Watson, MainArtist - T. Michael Coleman, ComposerLyricist

℗ 2006 Rounder Records Corp.

6
California Blues
00:03:21

Jimmie Rodgers, ComposerLyricist - Mitch Greenhill, Producer - Doc & Merle Watson, MainArtist - T. Michael Coleman, FeaturedArtist - Julien Bruyninx, ComposerLyricist

℗ 1981 Rounder Records, a division of Concord Music Group, Inc.

7
John Hurt
00:02:29

Tom Paxton, ComposerLyricist - Ron Tutt, Drums, AssociatedPerformer - Mitch Greenhill, Producer - Doc Watson, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Merle Watson, Banjo, AssociatedPerformer - Doc & Merle Watson, MainArtist - T. Michael Coleman, Bass, AssociatedPerformer

℗ 2004 Rounder Records Corp.

8
Mole In The Ground
00:02:29

Traditional, ComposerLyricist - Doc & Merle Watson, MainArtist

℗ 2006 Rounder Records Corp.

9
Any Old Time
00:02:25

Jimmie Rodgers, ComposerLyricist - Doc & Merle Watson, MainArtist

℗ 2004 Rounder Records Corp.

10
Red Rocking Chair
00:02:04

Traditional, Composer - Mitch Greenhill, Producer - Doc Watson, Author, Arranger, Guitar, Vocals, Work Arranger, AssociatedPerformer - Merle Watson, Banjo, AssociatedPerformer - Doc & Merle Watson, MainArtist - T. Michael Coleman, Bass, FeaturedArtist, AssociatedPerformer

℗ 1981 Rounder Records, a division of Concord Music Group, Inc.

11
How Long Blues
00:02:48

Leroy Carr, ComposerLyricist - Doc & Merle Watson, MainArtist

℗ 2004 Rounder Records Corp.

12
Down Yonder
00:02:21

Traditional, ComposerLyricist - Mitch Greenhill, Producer - Doc Watson, Arranger, Work Arranger - Doc & Merle Watson, MainArtist - T. Michael Coleman, FeaturedArtist

℗ 1981 Rounder Records, a division of Concord Music Group, Inc.

Albumbeschreibung

Doc Watson has never recorded a bad album, and Red Rocking Chair, drawn from sessions in California in December 1980 and January 1981, is no exception. With his son Merle Watson on additional guitar and banjo, and with T. Michael Coleman on bass, Watson brings his own considerable guitar and banjo skills to bear on this selection of folk and blues tunes. Doc's voice is as easy and as comfortable as an old fishing hat, and that quality makes tunes like "Sadie," "Old Rocking Chair," and "Mole in the Ground" appear as familiar as old friends at a cookout. Watson's version of Tom Paxton's "John Hurt" is taken at a slightly faster pace than the original, and may well be the definitive take of this homage to Mississippi John Hurt. The transformation of Leroy Carr's "How Long Blues" into an easy guitar shuffle, complete with Charlie Musselwhite on harmonica, is further proof of how Watson makes everything he touches fit into his personal and seamless tour of American folk music.

© Steve Leggett /TiVo

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