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Stanley Turrentine|Priceless Jazz 29 : Stanley Turrentine / Shirley Scott

Priceless Jazz 29 : Stanley Turrentine / Shirley Scott

Stanley Turrentine

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This is one of many GRP compilations in the series with the not-so-self-effacing designation of Priceless Jazz Collection. It brings together selections from two albums made by Stanley Turrentine and Shirley Scott in the 1960s: Let It Go, made at the Rudy Van Gelder studio in Englewood Cliffs, NJ, and Queen of the Organ, a live 1964 performance in Newark, NJ. During those days, these two leading exponents of soul-based jazz were husband and wife, often recording under each other's names. In doing so, they left a legacy of outstanding, funky, mixed R&B-jazz performances, ably represented by the tracks included on this CD. Each cut follows pretty much the same format. Irrespective of the tempo (and most of the tunes are medium to uptempo arrangements), Turrentine opens with the melody, with Scott playing over it, but behind him. Turrentine then segues into a bit of improvisation on the main theme with Scott continuing to do her organ thing behind him, still staying away from the melody. Nowhere is this approach more evident and effective than on "Deep Purple," recalling another famous tenor sax and organ duet of this classic tune with Ben Webster and Groove Holmes doing the honors. On these small group sessions, there is little opportunity for any of the other participants to get solo time; the tenor and organ dominate. Ron Carter's bass is almost invisible. The exception is allowed for drummers' Otis "Candy"Finch and Mack Simpkins with their active participation on "Just in Time" and "Cute," respectively. "Rapid Shave" and "Cute" are the two vehicles which allow Turrentine and Scott to do their most adventurous stretching, with some very significant soloing from Scott on both. "Cute" moves toward a boppish mode, away from the soul-laced renderings which characterize the rest of the material. This is a rewarding compilation from a pair of outstanding jazz musicians and is recommended.

© Dave Nathan /TiVo

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Priceless Jazz 29 : Stanley Turrentine / Shirley Scott

Stanley Turrentine

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1
Let It Go
Stanley Turrentine
00:05:53

Ron Carter, Bass Guitar, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Stanley Turrentine, MainArtist, ComposerLyricist - Shirley Scott, Organ, AssociatedPerformer - Bob Thiele, Producer - Mack Simpkins, Drums, AssociatedPerformer

℗ 1967 UMG Recordings, Inc.

2
Just In Time (Live At The Front Room, New Jersey/1964)
Shirley Scott
00:07:33

Jule Styne, ComposerLyricist - Bob Cranshaw, Bass Guitar, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Stanley Turrentine, FeaturedArtist - Shirley Scott, Organ, MainArtist, AssociatedPerformer - Adolph Green, ComposerLyricist - Betty Comden, ComposerLyricist - Bob Thiele, Producer - Otis Finch, Drums, AssociatedPerformer

℗ 1965 UMG Recordings, Inc.

3
On A Clear Day You Can See Forever
Stanley Turrentine
00:06:57

Ron Carter, Bass Guitar, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Stanley Turrentine, MainArtist - Shirley Scott, Organ, AssociatedPerformer - Alan Jay Lerner, Composer - Burton Lane, Composer - Bob Thiele, Producer - Mack Simpkins, Drums, AssociatedPerformer

℗ 1967 UMG Recordings, Inc.

4
Deep Purple
Stanley Turrentine
00:04:48

Mitchell Parish, Composer - Ron Carter, Bass Guitar, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Peter De Rose, Composer - Stanley Turrentine, MainArtist - Shirley Scott, Organ, AssociatedPerformer - Bob Thiele, Producer - Mack Simpkins, Drums, AssociatedPerformer

℗ 1967 UMG Recordings, Inc.

5
'Tain't What You Do (It's How You Do It)
Stanley Turrentine
00:05:29

Ron Carter, Bass Guitar, AssociatedPerformer - Sy Oliver, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Stanley Turrentine, MainArtist - Shirley Scott, Organ, AssociatedPerformer - Bob Thiele, Producer - James Oliver "Trummy" Young, ComposerLyricist - Mack Simpkins, Drums, AssociatedPerformer

℗ 1966 UMG Recordings, Inc.

6
Rapid Shave (Live At The Front Room, New Jersey/1964)
Shirley Scott
00:08:27

David Burns, ComposerLyricist - Bob Cranshaw, Bass Guitar, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Bob Belden, Producer - Stanley Turrentine, MainArtist - Shirley Scott, Organ, MainArtist, AssociatedPerformer - Otis Finch, Drums, AssociatedPerformer

℗ 1964 UMG Recordings, Inc.

7
Good Lookin' Out
Stanley Turrentine
00:05:21

Ron Carter, Bass Guitar, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Stanley Turrentine, MainArtist, ComposerLyricist - Shirley Scott, Organ, AssociatedPerformer - Bob Thiele, Producer - Mack Simpkins, Drums, AssociatedPerformer

℗ 1966 UMG Recordings, Inc.

8
Cute
Shirley Scott
00:08:17

Bob Cranshaw, Bass Guitar, AssociatedPerformer - Neal Hefti, Composer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Bob Belden, Producer - Stanley Turrentine, MainArtist - Shirley Scott, Organ, MainArtist, AssociatedPerformer - Otis Finch, Drums, AssociatedPerformer - Stanley Styne, Composer

℗ 1964 The Verve Music Group, a Division of UMG Recordings, Inc.

Albumbeschreibung

This is one of many GRP compilations in the series with the not-so-self-effacing designation of Priceless Jazz Collection. It brings together selections from two albums made by Stanley Turrentine and Shirley Scott in the 1960s: Let It Go, made at the Rudy Van Gelder studio in Englewood Cliffs, NJ, and Queen of the Organ, a live 1964 performance in Newark, NJ. During those days, these two leading exponents of soul-based jazz were husband and wife, often recording under each other's names. In doing so, they left a legacy of outstanding, funky, mixed R&B-jazz performances, ably represented by the tracks included on this CD. Each cut follows pretty much the same format. Irrespective of the tempo (and most of the tunes are medium to uptempo arrangements), Turrentine opens with the melody, with Scott playing over it, but behind him. Turrentine then segues into a bit of improvisation on the main theme with Scott continuing to do her organ thing behind him, still staying away from the melody. Nowhere is this approach more evident and effective than on "Deep Purple," recalling another famous tenor sax and organ duet of this classic tune with Ben Webster and Groove Holmes doing the honors. On these small group sessions, there is little opportunity for any of the other participants to get solo time; the tenor and organ dominate. Ron Carter's bass is almost invisible. The exception is allowed for drummers' Otis "Candy"Finch and Mack Simpkins with their active participation on "Just in Time" and "Cute," respectively. "Rapid Shave" and "Cute" are the two vehicles which allow Turrentine and Scott to do their most adventurous stretching, with some very significant soloing from Scott on both. "Cute" moves toward a boppish mode, away from the soul-laced renderings which characterize the rest of the material. This is a rewarding compilation from a pair of outstanding jazz musicians and is recommended.

© Dave Nathan /TiVo

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