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Named after the longest work on the CD, this is a collection of both familiar and rarely given vocal works, composed by John Cage, and excellently performed by the Theatre of Voices, directed by Paul Hillier, with guest performer/composer Terry Riley. The selections are: Litany for the Whale for two voices, which establishes a call-and-response interaction on the word "whale"; Solo for Voice 52 (Aria No. 2) Song-Relevant, for voice and electronics, which includes rolling thunder, other weather and sounds, with vowels and consonants from five languages; Five, for five voices, on sustained pure tones which Cage indicates "should be brushed into being"; the classic The Wonderful Widow of Eighteen Spring for voice and closed piano (1942), on a text from James Joyce's Finnegan's Wake; Solo for Voice 22, Theatre With Electronics -- Relevant, for 2 voices and electronics (from Songbooks), about the multiple "meanings" of breath inflections; Experiences No. 2 for solo voice (1948), "it is at moments after I have dreamed of the rare entertainment of your eyes ... "; 36 Mesostics and not re Marcel Duchamp for 2 voices and electronics (1970); Aria, for 2 voices and electronics, in a fascinating new realization for two voices (1958); and The Year Begins To Be Ripe from Songbooks -- Solo for Voice 49, Song With Electronics -- Relevant: The Year Begins To Be Ripe, using a text from Henry David Thoreau's Journal for voice and closed piano (1970).
© TiVo
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Paul Hillier, MainArtist - Terry Riley, MainArtist - John Cage, Composer - Alan Bennett, MainArtist - Theatre of Voices, MainArtist - Paul Eliott, MainArtist
1998 harmonia mundi usa 1998 harmonia mundi usa
Paul Hillier, MainArtist - Terry Riley, MainArtist - John Cage, Composer - Theatre of Voices, MainArtist
1998 harmonia mundi usa 1998 harmonia mundi usa
Paul Hillier, MainArtist - Terry Riley, MainArtist - John Cage, Composer - Alan Bennett, MainArtist - Theatre of Voices, MainArtist - Andrea Fullington, MainArtist - Paul Eliott, MainArtist
1998 harmonia mundi usa 1998 harmonia mundi usa
Paul Hillier, MainArtist - Terry Riley, MainArtist - John Cage, Composer - Alan Bennett, MainArtist - Theatre of Voices, MainArtist
1998 harmonia mundi usa 1998 harmonia mundi usa
Paul Hillier, MainArtist - Terry Riley, MainArtist - John Cage, Composer - Theatre of Voices, MainArtist - Andrea Fullington, MainArtist
1998 harmonia mundi usa 1998 harmonia mundi usa
Paul Hillier, MainArtist - John Cage, Composer - Theatre of Voices, MainArtist - Andrea Fullington, MainArtist
1998 harmonia mundi usa 1998 harmonia mundi usa
Paul Hillier, Conductor, MainArtist - Terry Riley, MainArtist - John Cage, Composer - Theatre of Voices, MainArtist, MusicalEnsemble
1998 harmonia mundi usa 1998 harmonia mundi usa
Paul Hillier, MainArtist - Terry Riley, MainArtist - John Cage, Composer - Alan Bennett, MainArtist - Theatre of Voices, MainArtist - Andrea Fullington, MainArtist - Paul Eliott, MainArtist
1998 harmonia mundi usa 1998 harmonia mundi usa
Paul Hillier, MainArtist - John Cage, Composer - Alan Bennett, MainArtist - Theatre of Voices, MainArtist
1998 harmonia mundi usa 1998 harmonia mundi usa
Albumbeschreibung
Named after the longest work on the CD, this is a collection of both familiar and rarely given vocal works, composed by John Cage, and excellently performed by the Theatre of Voices, directed by Paul Hillier, with guest performer/composer Terry Riley. The selections are: Litany for the Whale for two voices, which establishes a call-and-response interaction on the word "whale"; Solo for Voice 52 (Aria No. 2) Song-Relevant, for voice and electronics, which includes rolling thunder, other weather and sounds, with vowels and consonants from five languages; Five, for five voices, on sustained pure tones which Cage indicates "should be brushed into being"; the classic The Wonderful Widow of Eighteen Spring for voice and closed piano (1942), on a text from James Joyce's Finnegan's Wake; Solo for Voice 22, Theatre With Electronics -- Relevant, for 2 voices and electronics (from Songbooks), about the multiple "meanings" of breath inflections; Experiences No. 2 for solo voice (1948), "it is at moments after I have dreamed of the rare entertainment of your eyes ... "; 36 Mesostics and not re Marcel Duchamp for 2 voices and electronics (1970); Aria, for 2 voices and electronics, in a fascinating new realization for two voices (1958); and The Year Begins To Be Ripe from Songbooks -- Solo for Voice 49, Song With Electronics -- Relevant: The Year Begins To Be Ripe, using a text from Henry David Thoreau's Journal for voice and closed piano (1970).
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 9 Track(s)
- Gesamte Laufzeit: 01:11:35
- Künstler: Paul Hillier Theatre of Voices Terry Riley
- Komponist: John Cage
- Label: harmonia mundi
- Genre: Klassik
1998 harmonia mundi usa 1998 harmonia mundi usa
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