Qobuz Store wallpaper
Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Idina Menzel|I Stand

I Stand

Idina Menzel

Verfügbar in
16-Bit/44.1 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

Idina Menzel is not known for being a pop artist. Rather, she is most classically known for originating two modern Broadway dream roles: the outspoken lesbian Maureen in the long-running Rent, and the misunderstood Elphaba in Wicked, a role that garnered Menzel a Tony award. Throughout her musical theater career, Menzel attempted to capitalize on her fame and go for pop stardom; her first swing at bat was a frazzled alternative album that couldn't find a proper fan base, the second attempt was a collection of Broadway cover songs, something that never materialized into success. Thus, twelve years after Menzel first graced the stage as Maureen, Menzel releases I Stand. In order to create the perfect pop album, she drafted Glen Ballard, the producer best known for his work on the 16-times platinum Alanis Morisette album Jagged Little Pill. Along with Ballard, Menzel co-wrote most of the lyrics and created a set of pop songs for her most mainstream release yet. Ultimately, the result is a mixed bag. Menzel's voice is staunchly characteristic; it doesn't necessarily format to the catchy synthetics of 2007, and the songs feel inconsistent. "Where Do I Begin?" is awkward at times, as Menzel's musical roots funnel through. The tracks scatter between pop, adult contemporary, and Broadway. On that note, though, a lovely remix of the much acclaimed show tune "Defying Gravity" is pleasant on this collection of tunes. "Brave" is an empowering personal ballad which is a marvel; it's a better version of an American Idol finale song, minus the corny confetti. Plus, the dance track "Gorgeous" is a strong, upbeat number which flows in a similar vein to Kelly Clarkson's "You Found Me." Unfortunately, many of the tracks are impressive but not impressionable. "Forever," "My Own Worst Enemy," and "Better to Have Loved" are indistinguishable among one another. And at only 11-tracks long, Menzel really needed to make a stronger mark on the songs in order to impress a listener. Yet some tracks manage to characterize her better than others, "I Stand" is a personal tune that glistens with potential, and "Don't Let Me Down" is a piano-influenced, midtempo piece that appeals to both a younger and older crowd while maintaining artistic creativity. Finally, "Perfume and Promises" is the most "Menzel" track on the album; it characterizes her best. Ironically, she didn't even pen it, yet it dazzles and spins her voice into a weaving ballad of love and pain. Unfortunately, it is one of too few, and there isn't enough creative definition; Ballard smoothed out Menzel's edges too much, to the point where she falls into the crowd of solid yet insatiable artists who are pleasant, if not punching. Menzel deserves mounds and heaps of praise, and I Stand shows much potential in the big-voiced wonder; the tunes, however, don't support her talent and potential.

© Matthew Chisling /TiVo

Weitere Informationen

I Stand

Idina Menzel

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 12,49€/Monat

1
I Stand (Album Version)
00:03:38

Zac Rae, Keyboards, Piano, Programmer - Sean Hurley, Bass Guitar - Idina Menzel, Vocals, Writer, MainArtist - GLEN BALLARD, Producer, Programmer, Writer - Stephen Marcussen, MasteringEngineer - Brian Warwick, SecondEngineer - Randy Kerber, Keyboards, Piano - Blair Sinta, Drums - Joel Shearer, Guitar - Scott Campbell, Programmer, Audio Recording Engineer, MixingEngineer - Bill Malina, Programmer - Stewart Whitmore, Digital Editor - David Levita, Guitar

© 2008 Warner Records Inc. ℗ 2007 Warner Records Inc.

2
Better to Have Loved (Album Version)
00:03:56

Zac Rae, Keyboards, Piano, Programmer - Sean Hurley, Bass Guitar - Idina Menzel, Vocals, Writer, MainArtist - GLEN BALLARD, Producer, Programmer, Writer - Stephen Marcussen, MasteringEngineer - Brian Warwick, SecondEngineer - Randy Kerber, Keyboards, Piano - Blair Sinta, Drums - Joel Shearer, Guitar - Scott Campbell, Programmer, Audio Recording Engineer - Bill Malina, Programmer, MixingEngineer - Stewart Whitmore, Digital Editor - David Levita, Guitar

© 2008 Warner Records Inc. ℗ 2007 Warner Records Inc.

3
Brave (Album Version)
00:04:39

Humberto Gatica, MixingEngineer - Zac Rae, Keyboards, Piano, Programmer - Sean Hurley, Bass Guitar - Idina Menzel, Vocals, Writer, MainArtist - GLEN BALLARD, Producer, Programmer, Writer - Stephen Marcussen, MasteringEngineer - Brian Warwick, SecondEngineer - Randy Kerber, Keyboards, Piano - Blair Sinta, Drums - Joel Shearer, Guitar - Scott Campbell, Programmer, Audio Recording Engineer - Bill Malina, Programmer - Stewart Whitmore, Digital Editor - ALEX RODRIGUEZ, Assistant Mixing Engineer - David Levita, Guitar

© 2008 Warner Records Inc. ℗ 2007 Warner Records Inc.

4
Gorgeous (Album Version)
00:03:47

Dave Bassett, MixingEngineer - Zac Rae, Keyboards, Piano, Programmer - Sean Hurley, Bass Guitar - David Bassett, Writer - Idina Menzel, Vocals, Writer, MainArtist - GLEN BALLARD, Producer, Programmer - Stephen Marcussen, MasteringEngineer - Brian Warwick, SecondEngineer - Randy Kerber, Keyboards, Piano - Blair Sinta, Drums - Joel Shearer, Guitar - Scott Campbell, Programmer, Audio Recording Engineer - Bill Malina, Programmer - Stewart Whitmore, Digital Editor - David Levita, Guitar

© 2008 Warner Records Inc. ℗ 2007 Warner Records Inc.

5
Where Do I Begin? (Album Version)
00:03:24

Zac Rae, Keyboards, Piano, Programmer - Sean Hurley, Bass Guitar - Idina Menzel, Vocals, Writer, MainArtist - GLEN BALLARD, Producer, Programmer, Writer - Stephen Marcussen, MasteringEngineer - Brian Warwick, SecondEngineer - Randy Kerber, Keyboards, Piano - Blair Sinta, Drums - Joel Shearer, Guitar - Scott Campbell, Programmer, Audio Recording Engineer - Bill Malina, Programmer, MixingEngineer - Stewart Whitmore, Digital Editor - David Levita, Guitar

© 2008 Warner Records Inc. ℗ 2007 Warner Records Inc.

6
Don't Let Me Down (Album Version)
00:03:42

Zac Rae, Keyboards, Piano, Programmer - Sean Hurley, Bass Guitar - Peter John Vettese, Writer - Idina Menzel, Vocals, MainArtist - GLEN BALLARD, Producer, Programmer - Stephen Marcussen, MasteringEngineer - Brian Warwick, SecondEngineer - Randy Kerber, Keyboards, Piano - Blair Sinta, Drums - Joel Shearer, Guitar - Scott Campbell, Programmer, Audio Recording Engineer, MixingEngineer - Bill Malina, Programmer - Stewart Whitmore, Digital Editor - David Levita, Guitar - James Blount, Writer

© 2008 Warner Records Inc. ℗ 2007 Warner Records Inc.

7
I Feel Everything (Album Version)
00:03:08

Zac Rae, Keyboards, Piano, Programmer - Sean Hurley, Bass Guitar - Idina Menzel, Vocals, Writer, MainArtist - GLEN BALLARD, Producer, Programmer, Writer - Stephen Marcussen, MasteringEngineer - Brian Warwick, SecondEngineer - Randy Kerber, Keyboards, Piano - Blair Sinta, Drums - Joel Shearer, Guitar - Scott Campbell, Programmer, Audio Recording Engineer, MixingEngineer - Bill Malina, Programmer - Stewart Whitmore, Digital Editor - David Levita, Guitar

© 2008 Warner Records Inc. ℗ 2007 Warner Records Inc.

8
Forever (Album Version)
00:03:51

Zac Rae, Keyboards, Piano, Programmer - Sean Hurley, Bass Guitar - Idina Menzel, Vocals, Writer, MainArtist - GLEN BALLARD, Producer, Programmer, Writer - Stephen Marcussen, MasteringEngineer - Brian Warwick, SecondEngineer - Randy Kerber, Keyboards, Piano - Blair Sinta, Drums - Joel Shearer, Guitar - Scott Campbell, Programmer, Audio Recording Engineer, MixingEngineer - Bill Malina, Programmer - Stewart Whitmore, Digital Editor - David Levita, Guitar

© 2008 Warner Records Inc. ℗ 2007 Warner Records Inc.

9
My Own Worst Enemy (Album Version)
00:04:33

Zac Rae, Keyboards, Piano, Programmer - Sean Hurley, Bass Guitar - Idina Menzel, Vocals, Writer, MainArtist - GLEN BALLARD, Producer, Programmer, Writer - Stephen Marcussen, MasteringEngineer - Brian Warwick, SecondEngineer - Randy Kerber, Keyboards, Piano - Blair Sinta, Drums - Joel Shearer, Guitar - Scott Campbell, Programmer, Audio Recording Engineer, MixingEngineer - Bill Malina, Programmer - Stewart Whitmore, Digital Editor - David Levita, Guitar

© 2008 Warner Records Inc. ℗ 2007 Warner Records Inc.

10
Perfume and Promises (Album Version)
00:03:39

Zac Rae, Keyboards, Piano, Programmer - Sean Hurley, Bass Guitar - Peter John Vettese, Writer - Idina Menzel, Vocals, Writer, MainArtist - GLEN BALLARD, Producer, Programmer - Stephen Marcussen, MasteringEngineer - Brian Warwick, SecondEngineer - Randy Kerber, Keyboards, Piano - Blair Sinta, Drums - Joel Shearer, Guitar - Scott Campbell, Programmer, Audio Recording Engineer, MixingEngineer - Bill Malina, Programmer - Stewart Whitmore, Digital Editor - David Levita, Guitar

© 2008 Warner Records Inc. ℗ 2007 Warner Records Inc.

Albumbeschreibung

Idina Menzel is not known for being a pop artist. Rather, she is most classically known for originating two modern Broadway dream roles: the outspoken lesbian Maureen in the long-running Rent, and the misunderstood Elphaba in Wicked, a role that garnered Menzel a Tony award. Throughout her musical theater career, Menzel attempted to capitalize on her fame and go for pop stardom; her first swing at bat was a frazzled alternative album that couldn't find a proper fan base, the second attempt was a collection of Broadway cover songs, something that never materialized into success. Thus, twelve years after Menzel first graced the stage as Maureen, Menzel releases I Stand. In order to create the perfect pop album, she drafted Glen Ballard, the producer best known for his work on the 16-times platinum Alanis Morisette album Jagged Little Pill. Along with Ballard, Menzel co-wrote most of the lyrics and created a set of pop songs for her most mainstream release yet. Ultimately, the result is a mixed bag. Menzel's voice is staunchly characteristic; it doesn't necessarily format to the catchy synthetics of 2007, and the songs feel inconsistent. "Where Do I Begin?" is awkward at times, as Menzel's musical roots funnel through. The tracks scatter between pop, adult contemporary, and Broadway. On that note, though, a lovely remix of the much acclaimed show tune "Defying Gravity" is pleasant on this collection of tunes. "Brave" is an empowering personal ballad which is a marvel; it's a better version of an American Idol finale song, minus the corny confetti. Plus, the dance track "Gorgeous" is a strong, upbeat number which flows in a similar vein to Kelly Clarkson's "You Found Me." Unfortunately, many of the tracks are impressive but not impressionable. "Forever," "My Own Worst Enemy," and "Better to Have Loved" are indistinguishable among one another. And at only 11-tracks long, Menzel really needed to make a stronger mark on the songs in order to impress a listener. Yet some tracks manage to characterize her better than others, "I Stand" is a personal tune that glistens with potential, and "Don't Let Me Down" is a piano-influenced, midtempo piece that appeals to both a younger and older crowd while maintaining artistic creativity. Finally, "Perfume and Promises" is the most "Menzel" track on the album; it characterizes her best. Ironically, she didn't even pen it, yet it dazzles and spins her voice into a weaving ballad of love and pain. Unfortunately, it is one of too few, and there isn't enough creative definition; Ballard smoothed out Menzel's edges too much, to the point where she falls into the crowd of solid yet insatiable artists who are pleasant, if not punching. Menzel deserves mounds and heaps of praise, and I Stand shows much potential in the big-voiced wonder; the tunes, however, don't support her talent and potential.

© Matthew Chisling /TiVo

Informationen zu dem Album

Verbesserung der Albuminformationen

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Blue Train

John Coltrane

Blue Train John Coltrane

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
Mehr auf Qobuz
Von Idina Menzel

Dramatic

Idina Menzel

Dramatic Idina Menzel

Holiday Wishes

Idina Menzel

Holiday Wishes Idina Menzel

Drama Queen

Idina Menzel

Drama Queen Idina Menzel

Christmas: A Season Of Love

Idina Menzel

Beast

Idina Menzel

Beast Idina Menzel

Playlists

Das könnte Ihnen auch gefallen...

Come Away With Me

Norah Jones

Come Away With Me Norah Jones

Crime Of The Century [2014 - HD Remaster]

Supertramp

Tubular Bells

Mike Oldfield

Tubular Bells Mike Oldfield

30

Adele

30 Adele

THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY

Taylor Swift