Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
The Prince Jammy-produced Ghetto Gramma collection is geared to Bounty Killer's root Jamaican dancehall audience, even though the operatic "My Xperience" had given him a name in U.S. hip-hop circles. That translates to heavy patois, a hard-edged vocal delivery, and minimal drums-and-keyboard-sounds arrangements often lacking usual reggae reference points like bass melodies."Ancient Day Killing" is a more "normal" track with keyboard bass and rhythm skank and occasional horns, but the patois and sheer volume of Bounty's vocal flow make it impossible to tell if it's a cautionary take on the Wild West gunslinger theme. More typical is the impenetrable start to "Convince" -- the lack of a melodic hook reduces the music to beats and sound/noise and leaves you at the mercy of patois limbo. He also serves up an I&I/Jah song ("Fear No Evil"), responds to critics of his persona ("Down Grade Mi Gun," "Income"), and songs with self-explanatory titles ("Smoke the Herb," "Fat and Sexy") and incongruous messages (the macho Bounty admonishing a "Run Around Girl" to "have some self-control"). "'No No No" is a nice change-up with Dawn Penn's singing and sax fills giving a melodic foundation to Bounty's counter-rants. "I'll Be Back" finds him actually singing himself with jabbing horns, and he's really at his best on these combination tracks that provide a melodic or lyric theme for him to play off. The best is the antigun track "This World's Too Haunted" with Junior Reid -- the arrangement sports a strong bass melody, militant horn and keyboard lines, and vocal hooks that swoop upward at the end of each line. Reid is pretty exceptional here and Bounty rises to the occasion to match him. "Time to Realize" with Dirtsman closes Ghetto Gramma on an agreeably light, pure dancehall note, but that's one of the few breaks from a relentless hard edge that gets very wearing. It's revealing that "War Is Not a Nice Thing" and "Mi Heart Beat" have completely opposite themes, but the music is so similar they run together in your mind. Respect to Bounty Killer for continuing to make uncompromising music for his core audience after crossing over, but it's a tough listen for anyone not attuned to dancehall reggae for Jamaican ears.
© Don Snowden /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Bounty Killer, MainArtist
1997 Greensleeves Records 1997 Greensleeves Records
W. Johnson, Composer - Bounty Killer, MainArtist - R. Pryce, Composer - C. Browne, Composer
1997 Greensleeves Records 1995 Greensleeves Records
Bounty Killer, MainArtist
1997 Greensleeves Records 1997 Greensleeves Records
Bounty Killer, MainArtist
1997 Greensleeves Records 1997 Greensleeves Records
Bounty Killer, MainArtist
1997 Greensleeves Records 1997 Greensleeves Records
Bounty Killer, MainArtist
1997 Greensleeves Records 1997 Greensleeves Records
Bounty Killer, MainArtist - Dawn Penn, MainArtist
1997 Greensleeves Records 1997 Greensleeves Records
Bounty Killer, MainArtist
1997 Greensleeves Records 1997 Greensleeves Records
Bounty Killer, Composer, MainArtist
1997 Greensleeves Records 1996 Greensleeves Records
Bounty Killer With Chuck Turner, MainArtist
1997 Greensleeves Records 1994 Greensleeves Records
Bounty Killer, MainArtist
1997 Greensleeves Records 1997 Greensleeves Records
Bounty Killer & Colin Roach, MainArtist
1997 Greensleeves Records 1997 Greensleeves Records
Bounty Killer, MainArtist
1997 Greensleeves Records 1997 Greensleeves Records
Bounty Killer, MainArtist
1997 Greensleeves Records 1997 Greensleeves Records
Bounty Killer, Composer - Bounty Killer, Nitty Kutchie, Angel Doolas, MainArtist - Nitty Kutchie, Composer - Angel Doolas, Composer
1997 Greensleeves Records 1997 Greensleeves Records
Bounty Killer, MainArtist
1997 Greensleeves Records 1997 Greensleeves Records
Bounty Killer, MainArtist
1997 Greensleeves Records 1997 Greensleeves Records
Bounty Killer & Junior Reid, MainArtist
1997 Greensleeves Records 1997 A Hits Music
Bounty Killer, MainArtist
1997 Greensleeves Records 1997 Greensleeves Records
Bounty Killer, MainArtist - Dirtsman, Vocals, FeaturedArtist
1997 Greensleeves Records 1997 Greensleeves Records
Albumbeschreibung
The Prince Jammy-produced Ghetto Gramma collection is geared to Bounty Killer's root Jamaican dancehall audience, even though the operatic "My Xperience" had given him a name in U.S. hip-hop circles. That translates to heavy patois, a hard-edged vocal delivery, and minimal drums-and-keyboard-sounds arrangements often lacking usual reggae reference points like bass melodies."Ancient Day Killing" is a more "normal" track with keyboard bass and rhythm skank and occasional horns, but the patois and sheer volume of Bounty's vocal flow make it impossible to tell if it's a cautionary take on the Wild West gunslinger theme. More typical is the impenetrable start to "Convince" -- the lack of a melodic hook reduces the music to beats and sound/noise and leaves you at the mercy of patois limbo. He also serves up an I&I/Jah song ("Fear No Evil"), responds to critics of his persona ("Down Grade Mi Gun," "Income"), and songs with self-explanatory titles ("Smoke the Herb," "Fat and Sexy") and incongruous messages (the macho Bounty admonishing a "Run Around Girl" to "have some self-control"). "'No No No" is a nice change-up with Dawn Penn's singing and sax fills giving a melodic foundation to Bounty's counter-rants. "I'll Be Back" finds him actually singing himself with jabbing horns, and he's really at his best on these combination tracks that provide a melodic or lyric theme for him to play off. The best is the antigun track "This World's Too Haunted" with Junior Reid -- the arrangement sports a strong bass melody, militant horn and keyboard lines, and vocal hooks that swoop upward at the end of each line. Reid is pretty exceptional here and Bounty rises to the occasion to match him. "Time to Realize" with Dirtsman closes Ghetto Gramma on an agreeably light, pure dancehall note, but that's one of the few breaks from a relentless hard edge that gets very wearing. It's revealing that "War Is Not a Nice Thing" and "Mi Heart Beat" have completely opposite themes, but the music is so similar they run together in your mind. Respect to Bounty Killer for continuing to make uncompromising music for his core audience after crossing over, but it's a tough listen for anyone not attuned to dancehall reggae for Jamaican ears.
© Don Snowden /TiVo
Informationen zu dem Album
- 1 Disc(s) - 20 Track(s)
- Gesamte Laufzeit: 01:15:11
- Künstler: Bounty Killer
- Komponist: Various Composers
- Label: Greensleeves Records
- Genre: World Music Reggae
1997 Greensleeves Records 1997 Greensleeves Records
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.