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Kaaren Erickson|Getty, G.: White Election (The)

Getty, G.: White Election (The)

Kaaren Erickson

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Text in englischer Sprache verfügbar

Gordon Getty's Emily Dickinson cycle The White Election consists of settings of 32 of her poems. Getty notes that Dickinson frequently improvised on the piano, and speculates that she may have created settings of her poems, which she never notated, or that she may even have originally conceived of her poems as songs. He writes that his composition of the cycle was guided by his image of the music Dickinson herself may have composed. Getty's settings are simple in the extreme. He is skillful at text setting that sounds natural and that allows the words to be clearly understood. Few of the songs have a strong melodic profile, as if too-memorable melodies would draw attention away from the primacy of the texts. The recitative-like text setting is matched for the most part by a piano part whose function is to provide a spare harmonic framework for the melodies. When it does depart from its chordal role, the effect is dramatically effective. Getty makes little attempt at text painting with the piano writing, and the radical simplicity of the melody and accompaniment eventually causes the listener to adjust expectations and listen for the subtlest changes as having large dramatic and emotional import. It's also possible to hear the sameness as monotony -- much depends on the listener's predisposition. Soprano Kaaren Erickson has a full, warm voice and delivers a nuanced and fully committed performance. Pianist Armen Guzelimian plays the self-effacing piano part with discretion and an appropriate reticence.
© TiVo

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Getty, G.: White Election (The)

Kaaren Erickson

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The White Election (Gordon Getty)

1
Part I: The Pensive Spring: I Sing to Use
00:01:08

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

2
Part I: The Pensive Spring: There is a Morn
00:02:37

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

3
Part I: The Pensive Spring: I had a Guinea
00:03:30

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

4
Part I: The Pensive Spring: If She had been
00:01:05

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

5
Part I: The Pensive Spring: New Feet within
00:01:29

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

6
Part I: The Pensive Spring: She Bore it
00:02:41

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

7
Part I: The Pensive Spring: I Taste a Liquor
00:01:14

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

8
Part I: The Pensive Spring: I should not Dare
00:01:31

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

9
Part II: So Must We Meet Apart: There Came a Day
00:04:32

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

10
Part II: So Must We Meet Apart: The First Day's Night
00:02:40

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

11
Part II: So Must We Meet Apart: The Soul Selects
00:01:48

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

12
Part II: So Must We Meet Apart: It was not Death
00:03:01

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

13
Part II: So Must We Meet Apart: When I was Small
00:02:50

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

14
Part II: So Must We Meet Apart: I Cried at Pity
00:02:31

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

15
Part II: So Must We Meet Apart: The Night was Wide
00:02:22

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

16
Part II: So Must We Meet Apart: I Cannot Live with you
00:05:29

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

17
Part III: Almost Peace: My First Well Day
00:04:12

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

18
Part III: Almost Peace: It Ceased to Hurt Me
00:01:29

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

19
Part III: Almost Peace: I Like to See it
00:01:49

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

20
Part III: Almost Peace: Split the Lark
00:01:38

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

21
Part III: Almost Peace: The Crickets Sang
00:01:58

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

22
Part III: Almost Peace: After a Hundred Years
00:02:01

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

23
Part III: Almost Peace: The Clouds their Backs
00:01:13

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

24
Part III: Almost Peace: I Shall not Murmur
00:01:33

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

25
Part IV: My Feet Slip Nearer: The Grave my Little Cottage is
00:01:31

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

26
Part IV: My Feet Slip Nearer: I Did not Reach Thee
00:03:27

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

27
Part IV: My Feet Slip Nearer: My Wars are Laid away in Books
00:01:51

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

28
Part IV: My Feet Slip Nearer: There Came a Wind
00:01:54

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

29
Part IV: My Feet Slip Nearer: The Going from a World
00:01:59

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

30
Part IV: My Feet Slip Nearer: Upon his Saddle Sprung a Bird
00:00:49

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

31
Part IV: My Feet Slip Nearer: Beauty Crowds Me
00:01:40

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

32
Part IV: My Feet Slip Nearer: I Sing to Use the Waiting
00:02:30

Armen Guzelimian, Artist - Gordon Getty, Composer - Kaaren Erickson, Artist, MainArtist

(C) 1988 Delos (P) 1988 Delos

Albumbeschreibung

Gordon Getty's Emily Dickinson cycle The White Election consists of settings of 32 of her poems. Getty notes that Dickinson frequently improvised on the piano, and speculates that she may have created settings of her poems, which she never notated, or that she may even have originally conceived of her poems as songs. He writes that his composition of the cycle was guided by his image of the music Dickinson herself may have composed. Getty's settings are simple in the extreme. He is skillful at text setting that sounds natural and that allows the words to be clearly understood. Few of the songs have a strong melodic profile, as if too-memorable melodies would draw attention away from the primacy of the texts. The recitative-like text setting is matched for the most part by a piano part whose function is to provide a spare harmonic framework for the melodies. When it does depart from its chordal role, the effect is dramatically effective. Getty makes little attempt at text painting with the piano writing, and the radical simplicity of the melody and accompaniment eventually causes the listener to adjust expectations and listen for the subtlest changes as having large dramatic and emotional import. It's also possible to hear the sameness as monotony -- much depends on the listener's predisposition. Soprano Kaaren Erickson has a full, warm voice and delivers a nuanced and fully committed performance. Pianist Armen Guzelimian plays the self-effacing piano part with discretion and an appropriate reticence.
© TiVo

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