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Fifteen years in advance of this 2023 release, the name of African-American composer Florence Price was known mostly to specialists in the field of African-American music in her native U.S. The discovery of a large cache of her manuscripts in 2009, which included the Piano Concerto in One Movement heard here, helped her reputation along, but of most importance has been the warmth and accessibility of her music, which approaches the fusion of European and African American elements in consistently fresh ways. The final section of the Piano Concerto in One Movement and the third "Juba" movement of the Symphony No. 1 lay on the syncopation, but that is not the only arrow in Price's quiver. Consider the concerto's second part (although titled "Concerto in One Movement," it has three distinct sections, marked by short pauses), which doesn't quote anything but has an indefinable air of African American song. Pianist Jeneba Kanneh-Mason catches this and brings out how Price is often at her best when she is most subtle. Anyone who has attended some student recitals in the U.S. knows how young musicians have taken to Price's music, and it seems to fit Kanneh-Mason's personality nicely; there is a spontaneous, enthusiastic quality to her playing, and she is confident in the technically difficult, Rachmaninov-influenced music of the concerto's first movement. The Chineke! Orchestra lacks a certain snap in the really syncopated sections of the Symphony No. 1, but on balance, this is a recording likely to contribute to Price's growing international popularity; various factors cohere to make it a satisfying listen.
© James Manheim /TiVo
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Piano Concerto in One Movement (Florence Price)
Mike Hatch, Recording Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Helen Lewis, Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Jeneba Kanneh-Mason, Piano, MainArtist, AssociatedPerformer - Florence Price, Composer - Chineke! Orchestra, Orchestra, MainArtist - George Collins, Asst. Recording Engineer, StudioPersonnel - Tom Lewington, Asst. Recording Engineer, StudioPersonnel - Leslie Suganandarajah, Conductor, MainArtist
℗ 2023 Universal Music Operations Limited
Mike Hatch, Recording Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Helen Lewis, Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Jeneba Kanneh-Mason, Piano, MainArtist, AssociatedPerformer - Florence Price, Composer - Chineke! Orchestra, Orchestra, MainArtist - George Collins, Asst. Recording Engineer, StudioPersonnel - Tom Lewington, Asst. Recording Engineer, StudioPersonnel - Leslie Suganandarajah, Conductor, MainArtist
℗ 2023 Universal Music Operations Limited
Mike Hatch, Recording Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Helen Lewis, Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Jeneba Kanneh-Mason, Piano, MainArtist, AssociatedPerformer - Florence Price, Composer - Chineke! Orchestra, Orchestra, MainArtist - George Collins, Asst. Recording Engineer, StudioPersonnel - Tom Lewington, Asst. Recording Engineer, StudioPersonnel - Leslie Suganandarajah, Conductor, MainArtist
℗ 2023 Universal Music Operations Limited
Symphony No. 1 in E Minor (Florence Price)
Mike Hatch, Recording Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Helen Lewis, Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Florence Price, Composer - Chineke! Orchestra, Orchestra, MainArtist - Roderick Cox, Conductor, MainArtist - George Collins, Asst. Recording Engineer, StudioPersonnel - Joshua Mannall, Asst. Recording Engineer, StudioPersonnel
℗ 2023 Chineke! Records
Mike Hatch, Recording Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Helen Lewis, Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Florence Price, Composer - Chineke! Orchestra, Orchestra, MainArtist - Roderick Cox, Conductor, MainArtist - George Collins, Asst. Recording Engineer, StudioPersonnel - Joshua Mannall, Asst. Recording Engineer, StudioPersonnel
℗ 2023 Chineke! Records
Mike Hatch, Recording Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Helen Lewis, Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Florence Price, Composer - Chineke! Orchestra, Orchestra, MainArtist - Roderick Cox, Conductor, MainArtist - George Collins, Asst. Recording Engineer, StudioPersonnel - Joshua Mannall, Asst. Recording Engineer, StudioPersonnel
℗ 2023 Chineke! Records
Mike Hatch, Recording Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Helen Lewis, Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Florence Price, Composer - Chineke! Orchestra, Orchestra, MainArtist - Roderick Cox, Conductor, MainArtist - George Collins, Asst. Recording Engineer, StudioPersonnel - Joshua Mannall, Asst. Recording Engineer, StudioPersonnel
℗ 2023 Chineke! Records
Ethiopia's Shadow in America (Florence Price)
Mike Hatch, Recording Engineer, StudioPersonnel - Tim Handley, Producer, Editor, Recording Producer, StudioPersonnel - Helen Lewis, Producer - Chi-Chi Nwanoku, Producer, Executive Producer - Florence Price, Composer - Chineke! Orchestra, Orchestra, MainArtist - George Collins, Asst. Recording Engineer, StudioPersonnel - Tom Lewington, Asst. Recording Engineer, StudioPersonnel - Leslie Suganandarajah, Conductor, MainArtist
℗ 2023 Universal Music Operations Limited
Albumbeschreibung
Fifteen years in advance of this 2023 release, the name of African-American composer Florence Price was known mostly to specialists in the field of African-American music in her native U.S. The discovery of a large cache of her manuscripts in 2009, which included the Piano Concerto in One Movement heard here, helped her reputation along, but of most importance has been the warmth and accessibility of her music, which approaches the fusion of European and African American elements in consistently fresh ways. The final section of the Piano Concerto in One Movement and the third "Juba" movement of the Symphony No. 1 lay on the syncopation, but that is not the only arrow in Price's quiver. Consider the concerto's second part (although titled "Concerto in One Movement," it has three distinct sections, marked by short pauses), which doesn't quote anything but has an indefinable air of African American song. Pianist Jeneba Kanneh-Mason catches this and brings out how Price is often at her best when she is most subtle. Anyone who has attended some student recitals in the U.S. knows how young musicians have taken to Price's music, and it seems to fit Kanneh-Mason's personality nicely; there is a spontaneous, enthusiastic quality to her playing, and she is confident in the technically difficult, Rachmaninov-influenced music of the concerto's first movement. The Chineke! Orchestra lacks a certain snap in the really syncopated sections of the Symphony No. 1, but on balance, this is a recording likely to contribute to Price's growing international popularity; various factors cohere to make it a satisfying listen.
© James Manheim /TiVo
Informationen zu dem Album
- 1 Disc(s) - 8 Track(s)
- Gesamte Laufzeit: 01:01:03
- Künstler: Jeneba Kanneh-Mason Chineke! Orchestra
- Komponist: Florence Price
- Label: Decca Music Group Ltd.
- Genre: Klassik
© 2023 Universal Music Operations Limited ℗ 2023 Universal Music Operations Limited
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