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Mariza|Fado Curvo

Fado Curvo

Mariza

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Text in englischer Sprache verfügbar

On her first album, Fado em Mim, Mariza covered four songs by the late queen of fado, Amália Rodrigues, drawing a specific parallel to her predecessor. On her second album, Fado Curvo, she covers only one, "Primavera," which may suggest that she is starting to put her inspiration behind her. But she remains true to the traditional sound and mood of fado, even if the album title implies that she is giving it her own twist. Producer Carlos Maria Trindade provides spare, acoustic, and rhythmic arrangements, focusing on the Portuguese guitar of Mário Pacheco, but for the most part he stays out of the singer's way, using the accompaniment merely to anchor her expressive vocals. The lyrical sentiments, conveniently translated in the booklet to the American version of the release (even if a note admonishes, "No literate [literal?] aim at the translation of the poems"), are highly poetic and filled with regret and longing for the past, the better to be interpreted by Mariza's heartrending singing. Even an English speaker struggling with the "literate aim" of those words can get the point of the songs from the arrangements and the singer's tone.
© William Ruhlmann /TiVo

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Fado Curvo

Mariza

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1
O silencio da guitarra
00:02:51

Carlos Maria Trindade, Producer - Mariza, Artist, MainArtist - José Luís Gordo, Lyricist - Fado traditional (Ze Negro), Composer

2002 World Connection 2002 World Connection

2
Cavaleiro monge
00:03:40

Carlos Maria Trindade, Producer - Mariza, Artist, MainArtist - Mário Pacheco, Composer - Fern, Lyricist - o Pessoa, Lyricist

2002 World Connection 2002 World Connection

3
Feira de Castro
00:02:34

Carlos Maria Trindade, Producer - Rui Veloso, Composer - Mariza, Artist, MainArtist - Paulo Abreu Lima, Lyricist

2002 World Connection 2002 World Connection

4
Vielas de Alfama
00:04:01

Carlos Maria Trindade, Producer - Artur Ribeiro, Composer - Mariza, Artist, MainArtist - Maximano De Sousa, Lyricist

2002 World Connection 2002 World Connection

5
Retrato
00:04:02

Carlos Maria Trindade, Producer - Mariza, Artist, MainArtist - Tiago Machado, Composer - Eugenio De, Lyricist - rade, Lyricist

2002 World Connection 2002 World Connection

6
Fado Curvo
00:02:55

Carlos Maria Trindade, Composer, Lyricist, Producer - Mariza, Artist, MainArtist

2002 World Connection 2002 World Connection

7
Menino do Bairro Negro
00:02:54

Carlos Maria Trindade, Producer - Mariza, Artist, MainArtist - Jose Alfonso, Composer, Lyricist

2002 World Connection 2002 World Connection

8
Caravelas
00:05:04

Carlos Maria Trindade, Producer - Mariza, Artist, MainArtist - Tiago Machado, Composer - Florbelo Espanca, Lyricist

2002 World Connection 2002 World Connection

9
Entre o rio e a razao
00:01:58

Carlos Maria Trindade, Producer - Mariza, Artist, MainArtist - Gil Do Carmo, Lyricist - Fern, Composer - o Araujo, Composer

2002 World Connection 2002 World Connection

10
O deserto
00:05:36

Carlos Maria Trindade, Composer, Lyricist, Producer - Mariza, Artist, MainArtist

2002 World Connection 2002 World Connection

11
Primavera
00:04:42

Carlos Maria Trindade, Producer - Pedro Rodrigues, Composer - Mariza, Artist, MainArtist - David Mourao - Ferreira, Lyricist

2002 World Connection 2002 World Connection

12
Aneis do meu cabelo
00:01:55

Carlos Maria Trindade, Producer - Mariza, Artist, MainArtist - António Botto, Lyricist - Tiago Machado, Composer

2002 World Connection 2002 World Connection

Albumbeschreibung

On her first album, Fado em Mim, Mariza covered four songs by the late queen of fado, Amália Rodrigues, drawing a specific parallel to her predecessor. On her second album, Fado Curvo, she covers only one, "Primavera," which may suggest that she is starting to put her inspiration behind her. But she remains true to the traditional sound and mood of fado, even if the album title implies that she is giving it her own twist. Producer Carlos Maria Trindade provides spare, acoustic, and rhythmic arrangements, focusing on the Portuguese guitar of Mário Pacheco, but for the most part he stays out of the singer's way, using the accompaniment merely to anchor her expressive vocals. The lyrical sentiments, conveniently translated in the booklet to the American version of the release (even if a note admonishes, "No literate [literal?] aim at the translation of the poems"), are highly poetic and filled with regret and longing for the past, the better to be interpreted by Mariza's heartrending singing. Even an English speaker struggling with the "literate aim" of those words can get the point of the songs from the arrangements and the singer's tone.
© William Ruhlmann /TiVo

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