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Gladys Knight & The Pips|Everybody Needs Love

Everybody Needs Love

Gladys Knight & The Pips

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A decent debut album that didn't quite establish a musical idenity for the group, despite the inclusion of the classic "I Heard it Through the Grapevine" and the wonderful, definitive version of the title track. (Mary Wells' little-known original ranks a close second.) The big drawback, however, is a bowdlerized (i.e. censored) version of "Take Me in Your Arms and Love Me." The editing not only severely damages the song's "story structure" (Berry Gordy had a firm belief that a song should tell a story), it undermines the erotic awareness Knight brings to the material. Thankfully, the restored version is found on Anthology.
© John Lowe /TiVo

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Everybody Needs Love

Gladys Knight & The Pips

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1
Everybody Needs Love (Single Version)
00:03:03

Eddie Holland, ComposerLyricist - Norman Whitfield, Producer, ComposerLyricist - Gladys Knight & The Pips, MainArtist

℗ 1967 Motown Records, a Division of UMG Recordings, Inc.

2
I'll Be Standing By
00:02:20

NICKOLAS ASHFORD, ComposerLyricist - Valerie Simpson, ComposerLyricist - Norman Whitfield, Producer - Gladys Knight & The Pips, MainArtist

℗ 1967 UMG Recordings, Inc.

3
Since I've Lost You (Album Version)
00:02:35

Barrett Strong, ComposerLyricist - Norman Whitfield, Producer, ComposerLyricist - Gladys Knight & The Pips, MainArtist

℗ 1967 UMG Recordings, Inc.

4
I Heard It Through The Grapevine (Single Version)
00:02:45

Barrett Strong, ComposerLyricist - Norman Whitfield, Producer, ComposerLyricist - Gladys Knight & The Pips, MainArtist

℗ 1967 Motown Records, a Division of UMG Recordings, Inc.

5
You Don't Love Me No More
00:02:28

Barrett Strong, ComposerLyricist - Norman Whitfield, ComposerLyricist - Gladys Knight & The Pips, MainArtist - Rodger Penzabene, ComposerLyricist

℗ 1967 Motown Records, a Division of UMG Recordings, Inc.

6
Ain't No Sun Since You've Been Gone (Album Version)
00:02:41

Sylvia Moy, ComposerLyricist - Norman Whitfield, Producer, ComposerLyricist - Gladys Knight & The Pips, MainArtist - Cornelius Grant, ComposerLyricist

℗ 1967 Motown Records, a Division of UMG Recordings, Inc.

7
Take Me In Your Arms And Love Me (Single Version)
00:02:53

Barrett Strong, ComposerLyricist - Norman Whitfield, Producer - Gladys Knight & The Pips, MainArtist - Rodger Penzabene, ComposerLyricist - Cornelis Grant, ComposerLyricist

℗ 1967 UMG Recordings, Inc.

8
He's My Kind Of Fellow
00:02:52

Johnny Bristol, ComposerLyricist - Norman Whitfield, Producer - HARVEY FUQUA, ComposerLyricist - Gladys Knight & The Pips, MainArtist

℗ 1967 Motown Records, a Division of UMG Recordings, Inc.

9
Yes I'm Ready (Album Version)
00:03:16

Barbara Mason, ComposerLyricist - Norman Whitfield, Producer - Gladys Knight & The Pips, MainArtist

℗ 1967 Motown Records, a Division of UMG Recordings, Inc.

10
My Bed Of Thorns (Album Version)
00:02:54

William Robinson, Jr., ComposerLyricist - Norman Whitfield, Producer - Gladys Knight & The Pips, MainArtist

℗ 1967 Motown Records, a Division of UMG Recordings, Inc.

11
Do You Love Me Just A Little, Honey
00:03:13

Johnny Bristol, ComposerLyricist - Gladys Knight, ComposerLyricist - HARVEY FUQUA, ComposerLyricist - Gladys Knight & The Pips, MainArtist - Vernon O'Dell Bullock, ComposerLyricist

℗ 1967 Motown Records, a Division of UMG Recordings, Inc.

12
Just Walk In My Shoes (Single Version)
00:02:28

Johnny Bristol, Producer - HARVEY FUQUA, Producer - Gladys Knight & The Pips, MainArtist - Kay Lewis, ComposerLyricist - Helen L. Lewis-Mastor, ComposerLyricist

℗ 1966 UMG Recordings, Inc.

Albumbeschreibung

A decent debut album that didn't quite establish a musical idenity for the group, despite the inclusion of the classic "I Heard it Through the Grapevine" and the wonderful, definitive version of the title track. (Mary Wells' little-known original ranks a close second.) The big drawback, however, is a bowdlerized (i.e. censored) version of "Take Me in Your Arms and Love Me." The editing not only severely damages the song's "story structure" (Berry Gordy had a firm belief that a song should tell a story), it undermines the erotic awareness Knight brings to the material. Thankfully, the restored version is found on Anthology.
© John Lowe /TiVo

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