Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
This album came about through a fortuitous convergence of circumstances. Shelly Manne & His Men were appearing at New York's Village Vanguard, sharing the bill with the Bill Evans Trio. Getting Riverside's permission to let the pianist participate, Creed Taylor set up a session at Rudy Van Gelder's studio with Evans and Manne sharing top billing. Manne's bass player, Monty Budwig, made up the trio. This was a busman's holiday for Evans, who was freed from the musical parameters he had set for his then-current trio. The result is that his playing seemed lighter, freer, and more relaxed than it had for a while. The album kicks off with a jaunty version of Irving Berlin's "The Washington Twist" from the unsuccessful Mr. President, with Budwig sharing the honors with Evans as much as Manne. Manne spends most of his time driving Evans into more diminished and sharper playing than was usually Evans' wont. Another relatively unfamiliar Berlin work, "Let's Go Back to the Waltz," gives full reign to Evans' lyricism. The longest tune on the set is an audacious, almost lampooned version of "With a Song in My Heart" with light chordal phrasing that pretty much characterized much of the tone coming from this session. Listening to these three, it's clear that everyone was having a good time and simply enjoying being relieved of their duties with their regular combos, even if for just one day.
© Dave Nathan /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Bill Evans, MainArtist - Irving Berlin, ComposerLyricist - Shelly Manne, MainArtist - Monty Budwig, Double Bass, AssociatedPerformer - Creed Taylor, Producer
℗ 1962 The Verve Music Group, a Division of UMG Recordings, Inc.
Bill Evans, Piano, MainArtist, AssociatedPerformer - Shelly Manne, Drums, MainArtist, AssociatedPerformer - Monty Budwig, Double Bass, AssociatedPerformer - Fred E. Weatherly, ComposerLyricist - Creed Taylor, Producer
℗ 1962 The Verve Music Group, a Division of UMG Recordings, Inc.
Bill Evans, MainArtist - Irving Berlin, ComposerLyricist - Shelly Manne, MainArtist - Monty Budwig, Double Bass, AssociatedPerformer - Creed Taylor, Producer
℗ 1962 The Verve Music Group, a Division of UMG Recordings, Inc.
Bill Evans, MainArtist - Richard Rodgers, ComposerLyricist - Lorenz Hart, ComposerLyricist - Shelly Manne, MainArtist - Monty Budwig, Double Bass, AssociatedPerformer - Creed Taylor, Producer
℗ 1962 The Verve Music Group, a Division of UMG Recordings, Inc.
Bill Evans, MainArtist - Shelly Manne, MainArtist - Gordon Jenkins, ComposerLyricist - Monty Budwig, Double Bass, AssociatedPerformer - Creed Taylor, Producer
℗ 1962 The Verve Music Group, a Division of UMG Recordings, Inc.
Bill Evans, MainArtist - FRANK LOESSER, ComposerLyricist - Shelly Manne, MainArtist - Monty Budwig, Double Bass, AssociatedPerformer - Creed Taylor, Producer
℗ 1962 UMG Recordings, Inc.
Albumbeschreibung
This album came about through a fortuitous convergence of circumstances. Shelly Manne & His Men were appearing at New York's Village Vanguard, sharing the bill with the Bill Evans Trio. Getting Riverside's permission to let the pianist participate, Creed Taylor set up a session at Rudy Van Gelder's studio with Evans and Manne sharing top billing. Manne's bass player, Monty Budwig, made up the trio. This was a busman's holiday for Evans, who was freed from the musical parameters he had set for his then-current trio. The result is that his playing seemed lighter, freer, and more relaxed than it had for a while. The album kicks off with a jaunty version of Irving Berlin's "The Washington Twist" from the unsuccessful Mr. President, with Budwig sharing the honors with Evans as much as Manne. Manne spends most of his time driving Evans into more diminished and sharper playing than was usually Evans' wont. Another relatively unfamiliar Berlin work, "Let's Go Back to the Waltz," gives full reign to Evans' lyricism. The longest tune on the set is an audacious, almost lampooned version of "With a Song in My Heart" with light chordal phrasing that pretty much characterized much of the tone coming from this session. Listening to these three, it's clear that everyone was having a good time and simply enjoying being relieved of their duties with their regular combos, even if for just one day.
© Dave Nathan /TiVo
Informationen zu dem Album
- 1 Disc(s) - 6 Track(s)
- Gesamte Laufzeit: 00:35:09
- Künstler: Bill Evans Shelly Manne
- Komponist: Various Composers
- Label: Verve Reissues
- Genre: Jazz
© 1962 The Verve Music Group, a Division of UMG Recordings, Inc. ℗ 2014 The Verve Music Group, a Division of UMG Recordings, Inc.
Auszeichnungen:
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.