Different Man

Kane Brown

Erschienen am 09.09.22 bei RCA Records Label Nashville
Künstler: Kane Brown
Genre: Country

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It only took two albums for Kane Brown to become one of country music's biggest stars. His third finds the singer in the mood for love songs—about his wife and family, his home state, his life—and willing to try on a few new guises. The record opens with chiming church bells and mournful strings as Kane announces "Bury me in Georgia," then gets very specific about where he wants that to be: miles out of Chattanooga, south of the Tennessee state line, on a "no-name road off Highway 2 just past the Welcome sign." It's more of a hard, swampy Southern rocker than Brown usually traffics in, and it's exciting to hear his usually cool voice getting fiery against strident guitar. The same goes for the raw-edged title track, a duet that finds him and Blake Shelton trading verses about toiling as line workers but wondering: What if they were actually made to be on the stage? Brown is unafraid to play with genres on this record. Super fun "Like I Love Country Music" swings like the early '90s country of Alan Jackson or Brooks & Dunn—who all get name-checked, along with Ronnie Dunn singing a bit of his duo's 1991 hit "Brand New Man." It's a boot-scootin' good time that's as polished as a brand-new F-150. Brown himself has called "Grand" his "pop" single; it goes deep on the trap drums and, short of Brown's twang, there's nothing pretending to be country here. He tries on a different kind of pop—the silky-smooth variety—for "Thank God," a duet with his wife Katelyn Jae, whose feather-light vocals offer a complimentary layer as the couple sing about their gratitude for each other. There's a bit of Thomas Rhett-like soft disco courtesy of "See You Like I Do," and the chorus of beachy "Drunk or Dreamin'" sounds a whole lot like Rhett's "Half of Me." Brown gets Charlie Daniels-playful on "Devil Don't Even Bother," his speaking baritone setting up the ghost story of a mean girl from Tennessee so bad "the devil don't even bother." "Whiskey Sour" proves Brown's voice is a great fit for '70s singer-songwriter balladry. The 2021 chart-topping single "One Mississippi" finally makes it onto an album, and Brown pays tribute to the grandfather who raised him after his dad went to jail in 1996, with "Pop's Last Name": "He taught me 'Yes ma'am,' 'No ma'am'/ "God is good and God is great'/ He taught me elbows off the table/ And always clean your plate." The album—which, at 17 songs, is overloaded with a few forgettable ones—comes full circle for "Dear Georgia," a different kind of love song: Brown might call Tennessee home for a while, but his heart belongs to his Peach State birthplace where he'll one day be laid to rest. © Shelly Ridenour/Qobuz

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Different Man

Kane Brown

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Bury Me in Georgia