Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
Three brothers named Zapico -- Aarón, Pablo, and Daniel -- are part of the early music group Forma Antiqua (or, Antiqva); they appear here by themselves in a program of "Iberian-Italian" Baroque dance music, a genre whose influence stretched as far north as mid-Germany. The listener who samples this disc and wonders whether Baroque keyboard pieces ever actually had this much oomph can be assured that the recording falls purely into the not-even-speculative realm of using musical scores purely as a stimulus for further creative activity; keyboard music was something of a realm unto itself in the 17th century, and the booming guitar-and-theorbo arrangements heard here are purely the invention of the players. Indeed, they offer no justification other than that of wanting to play the music together. This said, the disc has the considerable virtue of reminding the listener that all of the patterns -- the fandangos, ciaccona, giga, folía, and so on heard here -- that made their way into Baroque music as ground basses were originally dances. The accompaniments devised by the Zapicos perhaps go beyond the intensity Baroque audiences would have recognized as appropriate (or perhaps they don't). But they're a great deal of fun, and they go together with the exciting group of releases that's defining the secular repertory exemplified by such composers as Santiago de Murcia, a repertory whose echoes have come down to the present day in both old and new worlds. Not "authentic," but if you don't tap your feet to a piece like Murcia's Folías gallegas (track 12), you'd better check for a pulse.
© TiVo
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Fandango (Domenico Scarlatti)
Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar
2010 Winter & Winter GmbH 2010 Winter & Winter GmbH
Preludio (Ludovico Roncalli)
Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar
2010 Winter & Winter GmbH 2010 Winter & Winter GmbH
Passacaglia (Giovanni Girolamo Kapsperger)
Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar
2010 Winter & Winter GmbH 2010 Winter & Winter GmbH
Bayle del Gran Duque (Anonymous)
Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar
2010 Winter & Winter GmbH 2010 Winter & Winter GmbH
Fandango (Santiago de Murcia)
Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar
2010 Winter & Winter GmbH 2010 Winter & Winter GmbH
Toccata XI (Giovanni Girolamo Kapsperger)
Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar
2010 Winter & Winter GmbH 2010 Winter & Winter GmbH
Capona & Ciaccona (Giovanni Girolamo Kapsperger)
Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar
2010 Winter & Winter GmbH 2010 Winter & Winter GmbH
Obra de Lleno de Primer Tono sin paso (Jusepe Ximenez)
Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar
2010 Winter & Winter GmbH 2010 Winter & Winter GmbH
Preludio Grabe (Santiago de Murcia)
Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar
2010 Winter & Winter GmbH 2010 Winter & Winter GmbH
Giga (Santiago de Murcia)
Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar
2010 Winter & Winter GmbH 2010 Winter & Winter GmbH
Partite diversi di follia (Bernardo Pasquini)
Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar
2010 Winter & Winter GmbH 2010 Winter & Winter GmbH
Folias Gallegas (Santiago de Murcia)
Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar
2010 Winter & Winter GmbH 2010 Winter & Winter GmbH
Fandango de España (José de Nebra)
Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar
2010 Winter & Winter GmbH 2010 Winter & Winter GmbH
Colascione (Giovanni Girolamo Kapsperger)
Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar
2010 Winter & Winter GmbH 2010 Winter & Winter GmbH
Recercada I / Lo Ballo dell'Intorcia (Diego Ortiz)
Concerto Zapico - Aarón Zapico, harpsichord - Aarón Zapico, organ - Daniel Zapico, theorbo - Pablo Zapico, baroque guitar
2010 Winter & Winter GmbH 2010 Winter & Winter GmbH
Albumbeschreibung
Three brothers named Zapico -- Aarón, Pablo, and Daniel -- are part of the early music group Forma Antiqua (or, Antiqva); they appear here by themselves in a program of "Iberian-Italian" Baroque dance music, a genre whose influence stretched as far north as mid-Germany. The listener who samples this disc and wonders whether Baroque keyboard pieces ever actually had this much oomph can be assured that the recording falls purely into the not-even-speculative realm of using musical scores purely as a stimulus for further creative activity; keyboard music was something of a realm unto itself in the 17th century, and the booming guitar-and-theorbo arrangements heard here are purely the invention of the players. Indeed, they offer no justification other than that of wanting to play the music together. This said, the disc has the considerable virtue of reminding the listener that all of the patterns -- the fandangos, ciaccona, giga, folía, and so on heard here -- that made their way into Baroque music as ground basses were originally dances. The accompaniments devised by the Zapicos perhaps go beyond the intensity Baroque audiences would have recognized as appropriate (or perhaps they don't). But they're a great deal of fun, and they go together with the exciting group of releases that's defining the secular repertory exemplified by such composers as Santiago de Murcia, a repertory whose echoes have come down to the present day in both old and new worlds. Not "authentic," but if you don't tap your feet to a piece like Murcia's Folías gallegas (track 12), you'd better check for a pulse.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 15 Track(s)
- Gesamte Laufzeit: 00:54:42
- Künstler: Forma Antiqva
- Komponist: Various Composers
- Label: Winter & Winter
- Genre: Klassik
2010 Winter & Winter GmbH 2010 Winter & Winter GmbH
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.
