Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Darius Rucker made the successful transition from rootsy AAA singer to contemporary country with his 2008 album Learn to Live, and if Hootie history has taught us anything, it’s that Rucker is reluctant to abandon something that’s working, so his 2010 sequel, Charleston, SC 1966 doesn’t stray from its predecessor's blueprint. Rucker does wind up grafting a soaring Hootie-styled chorus onto some of these songs, comfortable that he’s made his comeback so, well, comfortable; in fact, he writes a song alluding to it, naturally calling it “Come Back Song,” so he can occasionally remind listeners of his roots. But Rucker doesn’t spend time gazing into the rear-view mirror on Charleston, SC 1966, despite it being named after the place and date of his birth. The songs here are the tales of a man secure in his middle age, fervently hoping that he “Might Get Lucky” in the “window of opportunity between when the kids are tucked in and a half a glass of chardonnay”, and contemplating all the “Things I’d Never Do” that he eventually did. These tunes, cute as they may sometimes be, all resonate strongly, especially when compared to his pandering Southern strategy of “Whiskey and You” and “Southern State of Mind,” where he underscores his connection to the common man a bit too strongly, cramming two references to sweet tea within 12 lines, creating a dissonance that no amount of Auto-Tune can correct. Not that Rucker didn’t try: every song on Charleston has been ironed flat, so there are no unseemly natural inflections, something that Rucker doesn’t need but which helps make Charleston, SC 1966 a gleaming example of polished, pressed, modern country-pop.
© Stephen Thomas Erlewine /TiVo
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Frank Rogers, ComposerLyricist - Kara Dioguardi, ComposerLyricist - Darius Rucker, MainArtist, ComposerLyricist
(C) 2010 Capitol Records Nashville ℗ 2010 Capitol Records Nashville
Frank Rogers, Producer - Chris Stapleton, ComposerLyricist - Darius Rucker, MainArtist, ComposerLyricist - Casey Beathard, ComposerLyricist
(C) 2010 Capitol Records Nashville ℗ 2010 Capitol Records, LLC
Radney Foster, Composer - Frank Rogers, Producer - Darius Rucker, Composer, MainArtist - Jay Clementi, Composer
(C) 2010 Capitol Records Nashville ℗ 2010 Capitol Records Nashville
Frank Rogers, Composer, Producer - Darius Rucker, Composer, MainArtist
(C) 2010 Capitol Records Nashville ℗ 2010 Capitol Records Nashville
Frank Rogers, Producer - Chris DuBois, Composer - Ashley Gorley, Composer - Darius Rucker, Composer, MainArtist
(C) 2010 Capitol Records Nashville ℗ 2010 Capitol Records Nashville
Frank Rogers, Composer, Producer - Don Sampson, Composer - Darius Rucker, Composer, MainArtist
(C) 2010 Capitol Records Nashville ℗ 2010 Capitol Records Nashville
Frank Rogers, Composer, Producer - Monty Criswell, Composer - Darius Rucker, Composer, MainArtist
(C) 2010 Capitol Records Nashville ℗ 2010 Capitol Records Nashville
Frank Rogers, Composer, Producer - Clay Mills, Composer - Darius Rucker, Composer, MainArtist
(C) 2010 Capitol Records Nashville ℗ 2010 Capitol Records Nashville
Kim Tribble, Composer - Frank Rogers, Producer - Darius Rucker, Composer, MainArtist
(C) 2010 Capitol Records Nashville ℗ 2010 Capitol Records Nashville
Frank Rogers, Producer - Chris DuBois, Composer - Darius Rucker, Composer, MainArtist - Brad Paisley, Composer, FeaturedArtist
(C) 2010 Capitol Records Nashville ℗ 2010 Capitol Records Nashville
Frank Rogers, Composer, Producer - Darius Rucker, Composer, MainArtist - Brett Jones, Composer
(C) 2010 Capitol Records Nashville ℗ 2010 Capitol Records Nashville
Frank Rogers, Producer - Clay Mills, ComposerLyricist - Darius Rucker, MainArtist, ComposerLyricist
(C) 2010 Capitol Records Nashville ℗ 2010 Capitol Records Nashville
Frank Rogers, Producer - Darius Rucker, Composer, MainArtist - Casey Beathard, Composer
(C) 2010 Capitol Records Nashville ℗ 2010 Capitol Records Nashville
Albumbeschreibung
Darius Rucker made the successful transition from rootsy AAA singer to contemporary country with his 2008 album Learn to Live, and if Hootie history has taught us anything, it’s that Rucker is reluctant to abandon something that’s working, so his 2010 sequel, Charleston, SC 1966 doesn’t stray from its predecessor's blueprint. Rucker does wind up grafting a soaring Hootie-styled chorus onto some of these songs, comfortable that he’s made his comeback so, well, comfortable; in fact, he writes a song alluding to it, naturally calling it “Come Back Song,” so he can occasionally remind listeners of his roots. But Rucker doesn’t spend time gazing into the rear-view mirror on Charleston, SC 1966, despite it being named after the place and date of his birth. The songs here are the tales of a man secure in his middle age, fervently hoping that he “Might Get Lucky” in the “window of opportunity between when the kids are tucked in and a half a glass of chardonnay”, and contemplating all the “Things I’d Never Do” that he eventually did. These tunes, cute as they may sometimes be, all resonate strongly, especially when compared to his pandering Southern strategy of “Whiskey and You” and “Southern State of Mind,” where he underscores his connection to the common man a bit too strongly, cramming two references to sweet tea within 12 lines, creating a dissonance that no amount of Auto-Tune can correct. Not that Rucker didn’t try: every song on Charleston has been ironed flat, so there are no unseemly natural inflections, something that Rucker doesn’t need but which helps make Charleston, SC 1966 a gleaming example of polished, pressed, modern country-pop.
© Stephen Thomas Erlewine /TiVo
Informationen zu dem Album
- 1 Disc(s) - 13 Track(s)
- Gesamte Laufzeit: 00:48:22
- 1 digitales Booklet
- Künstler: Darius Rucker
- Komponist: Various Composers
- Label: Capitol Nashville
- Genre: Blues/Country/Folk Country
© 2010 Capitol Records Nashville ℗ 2010 Capitol Records Nashville
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.